The silver plastic on-ear has an all-too-generic look, but as soon as I started listening, the sound had my full attention; they were very decent! Most cheap on-ear headphones sound claustrophobic and pinched, but the KTX Pro 1's sound was big and spacious. It's the best sounding headphone around for this kind of money.
The Sony MDR-V6 debuted in 1985, but I didn't listen to it until this year. My loss. Balance -- that's my best one-word description of what makes the MDR-V6 so special. It does everything well, the bass-midrange-treble balance is nice and smooth, the sound is spacious, and it's easy to listen for hours at a time. It's easy to see why the headphone is still in production after all these years, it sounds and feels right.
The V6-Stage is a "three-way" design with six balanced-armature drivers (dual bass, dual midrange, and dual treble). Each pair is built to order, hand-crafted by 1964 Ears technicians in their Portland, Ore., facility. The sound will blow your mind, you can really feel the power of drums on this headphone. The dynamic jolts are stronger, cymbals and high percussion instruments sound more lifelike. 1964 Ears' custom headphone prices start at $350.
These American-made, full-size headphones boasts innovative tech and spectacular sound. The X is one of the few super headphones that delivers with MP3 players and phones on the go, and of course, only gets better at home plugged into a proper headphone amplifier.
The IE 800's tiny, all-ceramic ear pieces feel positively inert. The headphone has an almost magical ability to render iffy MP3s or ragged sounding CDs palatable, an astonishing feat! Audiophile recordings are crystal clear, and the IE 800 is the most comfortable in-ear I've heard to date.
The Shure SE846-CL is the Audiophiliac In-Ear Headphone of the Year. It's a universal fit in-ear, but outshines the sound of my favorite custom molded in-ear headphones from JH Audio, Ultimate Ears, Westone, 1964 Ears, and more.