Sony Handycam HDR-XR550V (photos and samples)

The Sony Handycam HDR-XR550V fares well compared with the competition, though its video could be a bit sharper and the interface less cumbersome. Unless you absolutely need to store a lot of video on the camcorder--which I don't suggest--or have large hands that could benefit from the extra grip that the hard drive provides, Sony's cheaper--but almost identical--flash-based <a href="http://reviews.cnet.com/digital-camcorders/sony-handycam-hdr-cx350v/4505-6500_7-33948157.html">CX550V</a> is a better deal.

Lori Grunin
1 of 11 Sarah Tew/CNET


Given its accoutrements--a large G series lens, 240GB hard disk, 3.5-inch LCD and EVF--the XR550V's large size and weight (for a consumer model) comes as little surprise. If you want a slightly slimmer, lighter weight version, check out the flash-based CX550V.
2 of 11 Sarah Tew/CNET

Manual controls

The manual control dial has long been a staple on Sony's top-end consumer models, but Sony expanded its capabilities a bit. Pressing the dial's center button toggles the operation to the currently selected option; holding the button in lets you select which manual function you'd like it to have. As for manual functions, the XR550V has options for focus, exposure, iris, shutter speed, autoexposure shift, and white balance shift.

I've always liked the dial for its feel, but if you use the manual focus, shutter speed, and iris controls a lot, it gets annoying bouncing around the options with only the single control.
3 of 11 Sarah Tew/CNET

Direct controls

Under the LCD are buttons that trigger NightShot (infrared) and intelligent auto mode--a replacement for Easy--playback, and direct-to-DVD burning for use in conjunction with Sony's DVDirect dock or through software when connected to a PC. The GPS is switch controllable. USB and Mini-HDMI connectors sit under a sliding door, a location I don't like. I hate to leave the LCD open with cables running out, and the location makes it awkward to hold and move around when connected to a TV. Still, this seems to be a popular place to stash the connectors.
4 of 11 Sarah Tew/CNET


The camcorder's large touch screen is relatively and nice to work with, but I still found it difficult to judge manual focus on it. While EVFs are a disappearing breed and I find them essential no matter how bad, I was also disappointed with how small and low magnification the XR550V's is.
5 of 11 Sarah Tew/CNET


The mode button on the upper right lets you select between still and video modes, and a really welcome alternative to using the touch screen for that function.

Like the other "V" models, the XR550V and CX550V support geotagging for video and stills; keep in mind that there's still no standard way to use the video geotag information, and you're stuck using Sony's mediocre PMB software or just using it for a map index within the camcorder.
6 of 11 Lori Grunin/CNET

Touch-screen interface

When you hit the menu option on the LCD, the first screen you see is the customizable My Menu, which is pretty convenient and straightforward to use. Hitting the Show Others button takes you to the annoying endless scrolling menu. But at least you've got arrows to make scrolling functional, unlike Canon's touch-screen implementation.
7 of 11 Lori Grunin/CNET


These stills reflect the XR550V's color quality. Saturated, but surprisingly accurate--much better than I see from Sony's consumer dSLRs.
8 of 11 Lori Grunin/CNET

Stills, 6-megapixel

The uninterpolated stills actually look pretty good. To me, this also looks fairly representative of the video quality: saturated colors, nice exposures, and a little soft on the edges.
9 of 11 Lori Grunin/CNET

12-megapixel still

Frustratingly, Sony's been overstating its camcorder photo resolution for years: the XR550V's 12-megapixel photos use interpolation, a process for scaling up the native 6-megapixel images. As you can see, at small sizes you can't tell what a postprocessed-looking mess they are.
10 of 11 Lori Grunin/CNET

Color consistency

While these are stills, not video, they do show some auto white balance inconsistency in the camcorder. They all have the same exposure; the bottom was a 12-megapixel interpolated shot, while the other two are shot at the camcorder's native 6-megapixel resolution.
11 of 11 Lori Grunin/CNET

Low-light color

As the camcorder zoomed into the test scene (from top to bottom), there was a notable change in the white balance and saturation as it crossed the threshold (when the focal length got long and necessitated a change in either shutter speed or iris). The changed white balance then "stuck" as the camcorder zoomed back out.

More Galleries

2023's Best TV and Streaming Shows You Can't Miss on Netflix, HBO, Disney Plus and More

2023's Best TV and Streaming Shows You Can't Miss on Netflix, HBO, Disney Plus and More

62 Photos
Audi Activesphere Is a Transforming All-Terrain EV
Audi Activesphere concept

Audi Activesphere Is a Transforming All-Terrain EV

51 Photos
Hubble and James Webb Space Telescope Images Compared: See the Difference

Hubble and James Webb Space Telescope Images Compared: See the Difference

12 Photos
Yamaha motorcycle and instrument designers trade jobs (pictures)

Yamaha motorcycle and instrument designers trade jobs (pictures)

16 Photos
CNET's 'Day of the Dead Devices' altar (pictures)

CNET's 'Day of the Dead Devices' altar (pictures)

9 Photos
2007 Los Angeles Auto Show: concept cars

2007 Los Angeles Auto Show: concept cars

14 Photos
Best sound bars under $300

Best sound bars under $300

18 Photos