Resident artist Nathan Byrne, an art student at San Francisco State University, stands in his Recology studio, a shipping container stuffed with scavenged supplies like a camper top, a cathode-ray TV, broken mirrors, theater chairs from the '40s, a basketball, stacks of books, spools of thread and a taxidermied moth.
Scavenging for supplies can be a complete reversal of the artists' process. They don't know in advance what their materials will be. Instead, the serendipity of what they discover in a junk pile informs their art.
Spending so much time at the dump -- Recology prefers to call it the Public Disposal and Recycling Area -- has left its mark on the artists. "It's made me not want to buy things so much," says Cybele Lyle, shown here with a bolt of fabric she recovered from the junk pile.
Carrie Hott has created an e-waste soundscape from piles of consumer electronics she found at the dump.
"Reuse and recycling have always been important to me," she says. "But being at Recology and seeing how many reusable items are thrown away every day has shifted my view, and has definitely strengthened my belief in reuse."
For her installation "Summer Night Forever," Carrie Hott reveals the inner workings of machines used to play recorded sound. The gadgets remain functional and can play audio through scavenged speakers.