Missing Link, the latest movie from stop-motion animation studio Laika, follows a lonely Sasquatch, Mr. Link (voiced by Zach Galifianakis), as he treks across the globe with adventurer Sir Lionel Frost (Hugh Jackman) in search of long-lost relatives. Let's take a look behind the scenes at Laika Studios, just outside Portland, Oregon.
Sir Lionel Frost (voiced by Hugh Jackman) vows to help Link find the valley of Shangri-La and his long-lost family. As with Link, Laika produced around two dozen Lionel puppets so multiple animators could film at the same time on different sets.
Laika 3D-printed over 106,000 faces in color for Missing Link. That's a huge leap from its first movie, Coraline, when it printed around 20,000 faces that then had to be hand-painted. Animators replace puppets' faces sometimes up to 24 times for one second of film.
The technique, called replacement animation, involves taking a picture of the puppet wearing one face and then swapping in another with a slightly different expression. For this film, director Chris Butler and the animators mapped out ahead of time exactly what those expressions would be.
How do you dress a Victorian-era explorer who's only around 10 inches tall? With handmade clothes of course. Here's one of Sir Lionel Frost's outfits and a closer look at some of the patterns Laika created.
Missing Link, around an hour and a half long, has about 60 different locations, says production designer Nelson Lowry. Every single thing gets designed, from the architecture and the furniture to the trees and their leaves in the forest.
One of the movie's settings is the Santa Ana train station. This train is a character too, says Lowry. It can be fully animated and it has a giant steel chassis built by the engineering department. "It moves very beautifully, all driven by hand of course," he says.
In stop motion, puppets can't leave the ground without an assist. Props and set pieces can also need help. That's where rigging comes in. Ollie Jones, head of rigging, demonstrates how they filmed a shot of Link's butt.
Laika doesn't break scale, so it'll often build overscale pieces. "This is the first time, and maybe the last time they'll ever produce a 300% butt piece for a movie," says Jones. Here, it's surrounded by the rigging needed to help animate the scene. The tennis balls are there so no one loses an eye.
A scene featuring a stagecoach rumbling through the desert required what was probably the most rigs ever packed into a square-foot set, says Jones. Even the shades, curtains and tassels were rigged. The visual effects team then goes in later to wipe out all the rigging equipment.
This is the full-size, puppet version of the towering ice bridge in the Himalayas, where part of the third act takes place. The Yeti temple in the background features a smaller version of the ice bridge.
The Elder Yeti (voiced by Emma Thompson) is shown in a seated position (left) and with a "jet pack," which enables an animator to move a puppet around without touching its torso. Laika invented the jet pack for Kubo and the Two Strings. "Stylistically, it's a very naturalistic, very nuanced way of animating," says Jones.