This best-of list is by no means complete. It's the best speakers I've reviewed or know very well, and that are currently in production.
Chances are, you've never seen or heard anything like this German super speaker. Lucky me, I have many times, and since the sound radiates in a 360-degree pattern, a pair of 101 E MKIIs fill a listening room like nothing else. So they sound remarkably less like speakers, and more like the real thing.
Even before you hear the Blade Two you know it's not going to sound like any other speaker. It's big all right, but the Blade Twos disappear as sources of sound, they deliver music's big dynamics with ease, and yet preserve the subtlest of details.
The Bowers & Wilkins 805 D3 is one of the best stand-mounted speakers you can buy. It combines immaculate, made-in-England build quality and sumptuous good looks. The speakers can unleash a wide and deep soundstage with excellent articulation and dynamic heft.
The Magnepan 3.7i is a 71-inch (180cm) tall flat panel, but it's a mere 1.6 (40mm) inches deep! Once you hear what a panel speaker sounds like, returning to traditional box speakers will be a letdown. You've been warned.
The Everest represents the "peak" of current JBL speaker design. This three-way speaker features dual 15-inch (380mm) three-layer cone woofers, a 4-inch (100mm) pure beryllium compression midrange driver, and a 1-inch (25mm), pure-beryllium ultrahigh-frequency driver. The Everest will rock your world like no other speaker.
The designer of this speaker, Richard Vandersteen, has been perfecting his craft for 40 years. He's obsessed with "time alignment," meaning the sounds of the woofer, midrange, and tweeter all arrive at your ears at the same time. All Vandersteen speakers are made in California.
To put the MM de Capo BE's sound in perspective, it wasn't as pure or vivid as what I hear from Bowers & Wilkins' 805 D3 speakers. The MM de Capo BEs sounds hearty and rich, while the 805 D3 is tonally leaner but more accurate.
The Harbeth Super HL5Plus took me way back, to the time when I first fell in love with British monitor speakers in the 1970s. Some said they were too "polite" or reserved, but to my ears, they were musical and natural.