Samsung has unveiled its full range of cameras for the first half of 2011, with models that were announced at the Consumer Electronics Show earlier this year finally making their way to Australia.
The two hero models, the WB700 18x optical zoom compact and the NX11 interchangeable lens camera, are available on store shelves now. We had a chance to take both cameras out for a test run ahead of our full reviews.
All images have been taken straight from the cameras, with no adjustments made apart from resizing.
First up, the NX11 comes out for a spin. This is an interchangeable lens camera, almost identical in body shape and style to last year's NX10, with a few tweaks to the kit lens and additional features. It uses an APS-C-sized CMOS sensor, the same size as found on conventional digital SLRs. Although the kit 18-55mm lens only has a maximum aperture of f/3.5, we were able to get some pretty nice-looking bokeh.
The NX11 can be tethered to a computer via USB or to a TV via HDMI. When hooked up to a laptop, as seen here, images are stored remotely on the computer rather than on the SD card in the camera. When hooked up via HDMI to a TV, photographers can see the live image from the viewfinder or LCD on a big screen. The NX11 has firmware in the camera that will automatically launch the application to allow tethering.
Switching over to the 18x optical zoom WB700, now, as we make the most of a sunny autumn day. There are plenty of filters provided in the camera to change the look of images without the need for post-processing, including this one, the vignetting look.
Here's how far it can reach when zoomed in to its full 18x. The WB700 also comes with active noise cancellation, to quieten the noise of the zoom lens extending and retracting when filming video. To see for yourself if it works, you can watch a sample of the HD video (720p) here.
The NX100 has a built-in panorama feature that automatically stitches together a horizontal shot made up of several images taken when the camera is panned across the axis. It was a little temperamental to start with, often saying that the camera was moving too quickly or not quickly enough, but once we got the hang of the movement required, it was very easy to create a panoramic image. The stitch-lines are almost invisible, too.