MP3 catalyzing Net music's future
MP3 may not spell the end of the music business as we know it, but it may well provide a glimpse at the massive changes to come.
Industry watchers and players debate exactly how or to what extent MP3 might shape the music business. Some say the industry will be unchanged, arguing that MP3's less-than-CD-quality sound and its large disk space requirements will make the format go the way of the eight-track tape. Others say MP3 will make dinosaurs of traditional record labels by eliminating the need to manufacture and distribute the physical product of CDs.
In-between the two extremes is another possibility: As MP3 whets music lovers' appetites for the benefits of a technology that can deliver songs online, it may pave the way for a better, more sophisticated standard to take hold.
"The take-away from MP3 is that consumers want a digital music format that allows a great deal more control of the content they choose," said Mark Hardie, a senior analyst at Forrester Research who follows the music industry. "It is inevitable that we will have a music industry that distributes its products digitally."
Hardie's prediction has not been lost on the recording industry. Last fall, the Recording Industry Association of America sued Diamond Multimedia, claiming that its Rio portable MP3 player violates copyright laws governing digital recording devices. The RIAA also has sued several Web sites that offered music downloads without the copyright holders' permission.
"The RIAA is trying to make every attempt to maintain control over the distribution of music in the United States," said Bob Kohn, coauthor of Kohn on Music Licensing and the chairman of GoodNoise, a company that distributes music over the Web, currently in the MP3 format. Kohn added that the initiative "is nothing about piracy and everything about maintaining control."
With formats like MP3, the cost of distributing music is drastically lowered because no physical good needs to be transported. Fledgling musicians, who often are ignored by record labels, easily can upload their music to Web sites for distribution to anyone. Online distribution also allows consumers to purchase only the songs they want, rather than having to buy an entire album. Songs can be easily arranged in play lists and with special software--such as that offered by a company called Beatnik, cofounded by Thomas Dolby Robertson--listeners can digitally remix the music they download. What's more, source code for MP3 is freely available, allowing programmers to offer new tools at little cost.
A glimpse of this grassroots future can be found at MP3.com, one of the more popular MP3 sites. It offers tens of thousands of rock, rap, and techno songs by independent bands from all over the world. MP3.com claims to receive 200,000 visits to its download page per day. Both MP3.com and GoodNoise provide more favorable licensing terms to musicians, allowing them to retain ownership of their songs and giving them a 50 percent share of profits.
So far, only a handful of top-tier musicians--including rapper Chuck D, Billy Idol, and just this week Alanis Morissette and Tori Amos--have embraced MP3, and with mixed results. For instance, rock singer and guitarist Tom Petty was forced to pull a single from his most recent album made available on MP3.com after his label, Warner Bros., objected to the promotion.
Still, with companies such as Liquid Audio, Microsoft, AT&T Labs' a2b Music, and Sony all offering technology they hope will be the standard for Net music downloads, digital distribution is inevitable. Despite the new possibilities, however, the recording industry is not likely to be radically transformed, Forrester's Hardie said.
"To take an artist and create superstars requires sophisticated production and access to other media outlets," Hardie explained. "You don't create an artist like Madonna simply by releasing music on the Internet." Unlike the mostly college-aged adopters of MP3 so far, the mass market is not willing to sift through thousands of obscure bands to find the ones they like.