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Sony Cyber-shot DSC-N2 review: Sony Cyber-shot DSC-N2

Sony Cyber-shot DSC-N2

Will Greenwald

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3 min read

The Sony Cyber-shot DSC-N2's menus themselves could also use some refinement. For instance, the first screen you come to includes seven choices--shooting mode, flash mode, focus mode, resolution, exposure compensation, timer on/off, and macro/magnifying glass on/off--as well as a menu button. That menu button leads you to a second level of menus, which lets you adjust other settings, such as ISO sensitivity, white balance, color mode, metering mode, JPEG quality, and others. It also has a button to lead you to the Setup menu, where you can adjust still more settings. This means you have to toggle past the main menu page every time you want to change the ISO, and you have to navigate past two pages just to format a memory card or turn the red-eye reduction preflash burst on or off.

7.0

Sony Cyber-shot DSC-N2

The Good

Speedy shooting in well-lit scenes.

The Bad

Fuzzy images; shutter lags when shooting in dim light; some users might find the touch screen awkward.

The Bottom Line

The Sony Cyber-shot DSC-N2 is small and fast, but compression artifacts and an awkward touch screen hinder its use.
Sony seems to love touch screens. First, it put a touch screen on its 8-megapixel . Then, it put touch screens on several of its camcorders, including the high-definition Handycam HDR-SR1 and the HDR-UX1. Then, it put a touch screen on the ultracompact Cyber-shot DSC-T50. Now Sony has come full circle with the Cyber-shot DSC-N2. This little camera isn't especially stylish, but its big, 3-inch touch screen and its 10-megapixel sensor make it an attractive little shooter as well as a worthy upgrade to the N1.The almost entirely touch-screen-driven control scheme results in a menu system that's finicky and awkward to use, and display that's not quite crisp or colorful enough to frame shots. The worst part is that touch screens often aren't as responsive as hard buttons. I often ended up pressing the virtual buttons multiple times before they worked. Unlike the T50, the N2 doesn't come with a built-in stylus. My best advice is to keep your fingernails long enough to use them when navigating the camera's menus. The screen is more responsive to fingernails than to softer fingertips.

Besides the 3-inch touch screen and the 10-megapixel sensor, the DSC-N2's features are rather mundane. While hardly ugly, it's a great deal chunkier and less streamlined than Sony's style-minded Cyber-shot T-series cameras. The inch-thick, 6.4-ounce camera is a nondescript, rounded metal rectangle that seems designed more for simplicity than fashion. It feels comfortable enough to use, but the tiny zoom rocker and edge-mounted mode switch makes one-handed use feel awkward and off-balance.

It uses a fairly standard 38m-to-114mm-equivalent lens with no image stabilization or any other low-light/high-speed features besides its ISO 1,600 sensitivity boost. While the DSC-N2 has a few manual focus settings, you have to select a specific focal length such as 7 meters or half a meter in the menu, rather than tweaking the focus while framing your shot. Like all Sony snapshot cameras, the N2 uses Sony's Memory Stick Duo card format. The camera includes 25MB of internal memory, but that'll get you just 10 or so 10-megapixel shots.

In good light, the shutter lagged just 0.3 second. In low light, however, even with the focus-assist lamp enabled, we experienced a lengthy 2.2 seconds of shutter lag. Otherwise, the camera's performance was quite satisfying. After a 1.4-second wait from power-on to first shot, we could take a frame every 1.8 seconds. Even with the flash enabled, that wait increased just 0.2 second to 2 seconds. Burst mode took 1.1 shots per second, a respectable rate for a 10-megapixel camera.

Compression artifacts and noise are the DSC-N2's biggest weaknesses. The camera's aggressive JPEG compression that gave nearly all of our images a mottled, feltlike texture that softened and distorted fine details. This problem magnified when shooting at greater than ISO 400, when noise made already fuzzy pictures look like a television screen. Lens distortion was minimal, but we noticed significant chromatic abberations (colored fringes) along high-contrast edges. The N2's colors were slightly warm and, like most cameras, its automatic white balance produced a yellow pallor under incandescent light.

The Sony Cyber-shot DSC-N2 is a responsive, 10-megapixel shooter you can easily fit into your pocket. Unfortunately, compression artifacts hurt its images, and its touch screen controls feel awkward. The slightly smaller and more conventionally designed Canon PowerShot SD900 offers cleaner shots at the same resolution.

Shooting speed
(Shorter bars indicate better performance)
Typical shot-to-shot time  
Time to first shot  
Shutter lag (typical)  
Sony Cyber-shot DSC-N2
1.8 
1.4 
0.3 
Casio Exilim EX-Z1000
3.5 
1.8 
0.3 
Canon PowerShot SD900
2.3 
1.3 
0.5 
Olympus Stylus 1000
3.3 
1.7 
0.7 

7.0

Sony Cyber-shot DSC-N2

Score Breakdown

Design 7Features 7Performance 8Image quality 6
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