With a lot of new technology but some interesting implementation choices, you should keep your eye on the Samsung NX1.
There's a lot of activity in the higher end of the enthusiast interchangeable-lens market, for both mirrorless and dSLR (price range $1,200 - $1,800/£800 - £1,110/AU$1,300 - AU$2,000). The -based Galaxy NX thus far has been Samsung's most expensive model, but its big draw -- cell-based connectivity -- never really materialized in a practical way. Now Samsung's going after the serious enthusiast who wants high performance to shoot action without sacrificing photo quality. Enter the $1,500/AU$1,899 Samsung NX1. (UK pricing was not available, but a direct conversion would be approximately £925.) It's a pretty powerful camera expected to ship in October.
The NX1 has tons of new technology and interesting implementations in it:
On one hand, there's a lot that sounds exciting in this camera as Samsung takes on midrange dSLRs and other mirrorless models like the Fujifilm X-T1 and Panasonic Lumix GH4 with its potentially exceptional autofocus speed and continuous-shooting performance. As usual, Samsung really goes all out with the connectivity options as well, and improved Wi-Fi bandwidth can only help. The single SD slot is a bit of a disappointment, though.
From a design standpoint, it's pretty functional; feels good to grip and has a streamlined control layout, with all the necessary quick access to the most frequently used operations.
But I'm skeptical about some aspects of the camera. An APS-C BSI sensor is certainly an engineering feat, but it remains to be seen if it delivers the image quality one expects from a $1,500 camera. BSI sensors perform well in dim conditions, but tend not to deliver in the highlights the way you'd expect them to, considering the price of the camera. Of course, the tradeoff is the readout speed of a BSI sensor is essential for achieving some of the performance.
And while its 4K support sounds great on paper, as with AVCHD, the HEVC/H.265 standard is designed to deliver high resolution video requiring the lowest bandwidth possible. It's really not intended for encoding high-quality original content that you plan to edit, it's meant to squash it down so it looks good streamed to your TV. And Samsung uses it for HD recording as well. Output to an external recorder is 8-bit 4:2:0; in contrast, the slightly more expensive GH4 outputs 10-bit 4:2:2 externally and offers a higher-quality all-I codec.
Still, there's enough here that Samsung has a chance to really make a splash in this market segment.
Fujifilm X-T1 | Panasonic Lumix DMC-GH4 | Pentax K-3 | Samsung NX1 | |
Sensor effective resolution | 16.3MP X-Trans CMOS II | 16.1MP Live MOS | 24.4MP CMOS | 28.2MP BSI CMOS 14-bit |
Sensor size | 23.6 x 15.8mm | 17.3 x 13mm | 23.5 x 15.6 mm | 23.5 x 15.7 mm |
Focal-length multiplier | 1.5x | 2.0x | 1.5x | 1.5x |
OLPF | No | Yes | No | Yes |
Sensitivity range | ISO 100 (exp)/200 - ISO 6400/51200 (exp) | ISO 100 (exp)/ISO 200 - ISO 25600 | ISO 100 - ISO 51200 | ISO 100 - ISO 25600/51200 (exp) |
Burst shooting | 8fps unlimited 47 JPEG/n/a raw | 12fps 100 JPEG/40 raw (40fps with electronic shutter) | 8.3fps 60 JPEG/23 raw | 15fps n/a |
Viewfinder (mag/ effective mag) | EVF 0.5-inch 2.4 million dots 100% coverage 1.2x/0.77x | OLED EVF 100% coverage 2.36m dots 1.34x/0.67x | Optical 100% coverage 0.95x/0.63x | OLED EVF 100% coverage 2.36m dots 1.04x/0.69x |
Hot Shoe | Yes | Yes | Yes | Yes |
Autofocus | Phase-detection AF 49-area Contrast AF | 49-area DFD Contrast AF | 27-point phase-detection AF 25 cross-type | 205 phase-detection AF 209 contrast AF |
AF sensitivity | n/a | -4 - 18 EV | -3 - 18 EV | -4 - n/a EV |
Shutter speed | 30-1/4,000 sec.; bulb to 60 min; 1/180 x-sync | 1/8,000 to 60 secs; bulb to 60 minutes; 1/250 sec x-sync | 1/8,000 to 30 secs; bulb; 1/180 sec x-sync | 1/8,000 to 30 secs; bulb; 1/250 sec x-sync |
Shutter durability | n/a | 200,000 cycles | 200,000 cycles | 150,000 cycles |
Metering | 256 zones | 1,728 zone | 86K pixel RGB sensor | 221 area |
Metering sensitivity | n/a | 0 - 18 EV | -3 - 20 EV | n/a |
Best video | H.264 QuickTime MOV 1080/60p | H.264 QuickTime MOV C4K/24p @100Mbps; UHD/30p, 25p, 24p @ 100Mbps; 1080/60p, 50p, 25p, 24p @ 200Mbps | H.264 QuickTime MOV 1080/30p, 25p, 24p; 720/60p, 50p | H.265 MP4 UHD/30p, C4K/24p, 1080/60p, 50p |
Audio | Stereo | Stereo, mic input, | Mono, mic input | Stereo, mic input, |
Manual aperture and shutter in video | Yes | Yes | Yes | Yes |
Maximum best-quality recording time | 14 minutes | 4GB/29:59 mins | 4GB/25 minutes | No |
Clean HDMI out | No | Yes | No | Yes |
IS | Optical | Optical | Sensor shift | Sensor shift |
Display | 3 in/7.5 cm Fixed 1.04m dots | 3 in/7.5cm Articulated touchscreen 1.04m dots | 3.2 in/8 cm Fixed 1.04m dots | 3 in/7.7 cm Tilting Super AMOLED touchscreen 1.04m dots |
Memory slots | 1 x SDXC | 1 x SDXC | 1 x SDXC | 1 x SDXC |
Wireless connection | Wi-Fi | Wi-Fi | via optional Pentax-custom Flucard | Wi-Fi, NFC, Bluetooth |
Flash | Yes | Yes | Yes | Yes |
Wireless flash | Yes | n/a | Yes | Yes |
Battery life (CIPA rating) | 350 shots (1,260 mAH) | 530 shots (1,860 mAh) | 560 shots (1,860 mAh) | 500 (est.) (1,860 mAh) |
Size (WHD) | 5.0 x 3.5 x 1.8 in 129.0 x 89.8 x 46.7 mm | 5.2 x 3.7 x 3.3 in 132.9 x 93.4 x 83.9mm | 5.2 x 3.9 x 3.1 in 131.5 x100 x 77.5 mm | 5.5 x 4.0 x 2.6 in 138.5 x 102.3 x 65.8 mm |
Body operating weight | 15.6 oz 442.3 g | 19.8 oz (est.) 560 g (est.) | 28.2 (est.) 800 g (est.) | 19.4 oz (est.) 550 g (est.) |
Mfr. price (body only) | $1,300 £1,050 (est.) AU$1,650 (est.) | $1,700 £1,300 AU$1,750 (est.) | $1,100 £900 AU$1,300 | $1,500 £TBD AU$1,899 |
Release date | February 2014 | February 2014 | November 2013 | October 2014 |