Pentax packs a lot into its full-frame debut, the K-1 (hands on)
Not only does Pentax finally launch its full-frame dSLR, but it's got a ton of features and interesting design choices at an enthusiast-friendly price.
Rumors have abounded for so long about a full-frame Pentax dSLR -- almost 15 years! -- that you could be forgiven for considering it the Loch Ness camera. The company says it had to choose a development priority between medium-format and full frame, and it went with the former. I don't think anyone would argue that was a mistake; the relatively inexpensive 645D has been quite popular, or at least as popular as medium format gets. But now, the moment has arrived: the Pentax K-1 is here.
I had a chance to shoot with an early-firmware model for a few hours (somewhat unpleasantly during a bout of frigid weather in New York City) and liked it quite a bit. I think Pentaxians will find it everything they expect it to be, and it looks like it will be a solid choice for an inexpensive full-frame dSLR for enthusiasts who have no brand allegiances to Canon, Nikon or Sony.
Pentax plans to ship the camera in the US in April, with a body-only price of $1,800. I don't have overseas details yet, but that works out to about £1,260 and AU$2,500 at current exchange rates. It will launch with two new lenses, the fast, wide-angle HD Pentax-D FA 15-30mm F2.8ED SDM WR ($1,450; directly converted, £1,015 and AU$2,040) and a more consumer-focused, less expensive HD Pentax-D FA 28-105mm F3.5-5.6ED DC WR ($500; directly converted, £350 and AU$700).
Image quality
Based on the preproduction model I used, JPEGs looks OK through ISO 3200 but I really wouldn't use them above ISO 6400. I managed to get better results up through about ISO 51200 by processing the raw files. It also seemed to have a reasonable amount of recoverable detail in highlight and shadow areas.
That's pretty good; and it's also unsurprising since it uses a 36.4-megapixel Sony sensor without an antialiasing filter to blur edges, based on its specs it's likely the same one that was in the original A7R. Despite being over two years old, that camera's sensor still ranks as one of the best available, at least per DxO's tests. However, camera-specific image-processing software can make a big difference for that, too, so my conclusions await more thorough and formal testing.
While the video looked pretty good, I believe the sensor-shift shake-reduction system produces wobble that we shouldn't be seeing in 2016.
Performance
The K-1 performs pretty well for its class, and the new 33-point autofocus system felt fast for both single-shot and continuous AF during continuous-shooting. The latter isn't exceptionally fast, but its 4.4fps-rated frame rate is fine for moderately fast action, with a reasonable hit rate on in-focus shots. And there's no lag while reviewing images or changing settings immediately after shooting, which you can see with the higher-resolution full-frame models.
I don't think Pentax's sensor-shift shake reduction works as well as either the optical image-stabilization systems in Canon and Nikons or Sony's sensor-shift, even though it's been updated to 5 axis; I think I saw some shake at reasonable shutter speeds. You only have an on/off option, which means you can't manually set it to just fix vertical shake, and I think it was fighting me while panning. Its contrast autofocus while shooting video is also unexceptional.
It also has a relatively short rated battery life at 760 shots, though that's practically infinite compared to the miserable life of Sony's A7 series.
Design and features
This is where Pentax really shines, bringing some new design elements and the company's unique features. Most practically, it uses the same K mount for lenses as its APS-C cameras; at launch there will be 12 full-frame lenses available (though only 7 of those were designed for digital cameras, as indicated by the "Pentax-D FA" nomenclature) and it will be able to automatically crop to APS-C. It remains to be seen how well many of the preexisting lenses can resolve to the sensor, since it's Pentax's highest resolution ever.
It also incorporates a cleverly designed LCD mechanism which allows you to angle it left, right and other shallow angles in addition to tilting up and down. Plus, Pentax put LEDs behind the LCD and above the lens mount for discreet illumination of the right-side controls and lens mount in dim light.
In addition to essentials like a weather-sealed body, dual SD card slots, a large, bright pentaprism optical viewfinder with 100 percent coverage, and Wi-Fi support, it also includes GPS. The GPS plus the sensor-shift mechanism enables its Astrotrace mode, which allows you take exposures up to five minutes without star trails, since it moves the sensor in tandem with the earth's rotation, a feature that Pentax has offered in the past with an add-on GPS. The camera offers Pentax's Pixel-Shift resolution mode, which microadjusts the sensor by fractional pixels for four sequential shots, then combines them to eliminate the moire you get without the AA filter.
Another novel aspect of the K-1's design is the top quick-set dial, which provides persistent access to some frequently used settings in conjunction with a third dial on the body. In other words, if you select ISO, the dial is dedicated to adjusting that. I had my doubts at first, but discovered it comes in really handy when you need to constantly adjust a specific setting. It's even more convenient than the usual button-press-with-dial-rotation.
And, as you'd expect, the K-1 includes all of Pentax's unique features, such as Sensitivity-priority mode (Sv, which automatically adjusts shutter and aperture settings based on ISO sensitivity setting) and Shutter-and-aperture priority mode (TAv, which which automatically adjusts ISO sensitivity based on user shutter and aperture settings). Its in-camera HDR has a lot more options than I've seen elsewhere, including the ability to save your custom settings as presets, although it's limited to three shots. It also offers five user settings slots on the mode dial, where most cameras max out at three (on the dial).
While it has some useful video features, including microphone input and
jack with the ability to control the gain for individual channels, and the variable-angle LCD, it lacks clean HDMI out, video-specific tone curves or even a direct record button.My take
Though Pentax compares the K-1 to far more expensive cameras like the Nikon D810, Sony A7R II and Canon 5DS R, I suspect that's because they all have AA-filter-free sensors with relatively high resolutions. But I think it's really more a direct competitor to the less expensive, more general-purpose class of cameras just below that, most notably the Nikon D750. It offers a ton of features with potentially excellent photo quality, but it also has one of the least-sophisticated autofocus systems and the slowest continuous shooting. It certainly looks like it will be a great deal for Pentax fans and provide a solid alternative to older and slightly less expensive models like the Canon EOS 6D. I look forward to doing more definitive tests -- and warmer-weather shooting -- with it.
Comparative specs
Canon EOS 5D Mark III | Nikon D750 | Pentax K-1 | Sony A7 II | Sony Alpha A7R | |
Sensor effective resolution | 22.3MP CMOS 14-bit | 24.3MP CMOS 14-bit | 36.4MP CMOS 14-bit | 24.3MP Exmor CMOS 14-bit | 36.4MP Exmor CMOS 14-bit |
Sensor size | 36 mm x 24mm | 35.9 x 24mm | 35.9 mm x 24mm | 35.8 x 23.9mm | 35.8 x 23.9mm |
Focal-length multiplier | 1.0x | 1.0x | 1.0x | 1.0x | 1.0x |
OLPF | Yes | Yes | No | Yes | No |
Sensitivity range | ISO 50 (exp)/100 - ISO 25600/102400 (exp) | ISO 50 (exp)/100 - ISO 12800/51200 (exp) | ISO 100 - ISO 204800 | ISO 50 (exp)/ ISO 100 - ISO 25600 | ISO 50 (exp)/ ISO 100 - ISO 25600 |
Burst shooting | 6fps 18 raw/unlimited JPEG (with AF/AE fixed on first exposure and IS off) | 6.5fps n/a | 4.4fps 23 raw/70 JPEG (6.5fps in APS-C crop mode) | 5fps n/a | 1.5fps (4fps with fixed focus) n/a |
Viewfinder (mag/ effective mag) | Optical 100% coverage 0.71x/0.71x | Optical 100% coverage 0.70x/0.70x | Optical 100% coverage 0.70x/0.70x | OLED EVF 0.5-inch 2.4 million dots 100% coverage 0.71x | OLED EVF 0.5-inch 2.4 million dots 100% coverage 0.71x |
Hot shoe | Yes | Yes | Yes | Yes | Yes |
Autofocus | 61-pt. High Density Reticular AF 21 center diagonal to f5.6 5 center to f2.8 20 outer to f4 | 51-pt. 15 cross type 11 cross type to f8 (Multi-CAM 3500-FX II) | 33-point phase detection 25 cross type 3 center to f2.8 (SAFOX 12) | Hybrid AF system Full frame: 25-area contrast AF; 117-pt. phase- detection APS-C: 25-area contrast AF; 99-point phase detection | 25-area contrast AF |
AF sensitivity (at center point) | -2 - 20 EV | -3 - 19 EV | -3 - 18 EV | -1 - 20 EV | 0 - 20 EV |
Shutter speed | 1/8,000 to 30 sec.; bulb; 1/200 sec. x-sync | 1/4,000 to 30 sec.; bulb; 1/200 sec. x-sync | 1/8,000 to 30 sec.; bulb; 1/200 sec. x-sync | 1/8,000 to 30 sec.; bulb; 1/250 sec. x-sync | 1/8,000 to 30 sec.; bulb |
Shutter durability | 150,000 cycles | 150,000 cycles | n/a | n/a | n/a |
Metering | 63-area iFCL | 91,000-pixel RGB 3D Color Matrix Metering III | 86,000-pixel RGB | 1,200 zones | 1,200 zones |
Metering sensitivity | 1 - 20 EV | 0 - 20 EV | -3 - 20 EV | -1 - 20 EV | 0 - 20 EV |
Best video | H.264 QuickTime MOV 1080/30p, 25p, 24p; 720/60p, 50p | H.264 Quicktime MOV 1080/60p, 50p, 30p, 25p, 24p | H.264 QuickTime MOV 1080/30p, 25p, 24p; 720/60p | XAVC S 1080/60p, 50p, 30p, 25p, 24p; 720/120p @ 50Mbps; | AVCHD 1080/60p @ 28Mbps, 1080/60i/ 24p @ 24Mbps |
Audio | mono; mic input; jack | stereo; mic input; jack | stereo, mic input, jack | Stereo; mic input; jack | Stereo; mic input; jack |
Manual aperture and shutter in video | Yes | Yes | Yes | Yes | Yes |
Maximum best-quality recording time | 29m59s | 20 minutes | 4GB/25 minutes | 29 minutes | n/a |
Clean HDMI out | Yes | Yes | Yes | Yes | Yes |
IS | Optical | Optical | Sensor shift (5 axis) | Sensor shift (5 axis) | Optical |
LCD | 3.2 in./8.1 cm Fixed 1.04m dots | 3.2 in./8cm Tilting 921,000 dots plus extra set of white dots | 3.2 in./8 cm Variable angle 1.04m dots | 3 in./7.5cm Tilting 921,600 dots plus extra set of white dots | 3 in./7.5cm Tilting 921,600 dots |
Memory slots | 1 x CF (UDMA mode 7), 1 x SDXC | 2 x SDXC | 2 x SDXC | 1 x SDXC | 1 x SDXC |
Wireless connection | Optional (Wireless File Transmitter WFT-E7A) | Wi-Fi | Wi-Fi, NFC | Wi-Fi, NFC | Wi-Fi, NFC |
Flash | No | Yes | No | No | No |
Wireless flash | Yes | Yes | Yes | No | No |
Battery life (CIPA rating) | 950 shots (1,800mAh) | 1,230 shots (1,900 mAh) | 760 shots (1,860 mAh) | 270 shots (VF), 350 shots (LCD) (1,080 mAh) | 340 shots (1,080 mAh) |
Size (WHD) | 6.0 x 4.6 x 3.0 in. 152.0 x 116.4 x 76.4 mm | 5.6 x 4.5 x 3.1 in. 140.5 x 113 x 78 mm | 5.4 x 4.3 x 3.4 in. 137 x 110 x 86mm | 4.7 x 2.7 x 1.5 in. 127 x 96 x 60 mm | 5.0 x 3.8 x 1.9 in. 126.9 x 94.4 x 48.2 mm |
Body operating weight | 33.5 oz. 950 g | 29.6 oz. 840 g | 35.6 oz. (est.) 1,010 g (est.) | 22.2 oz. 628 g | 17.2 oz. 487.6 g |
Mfr. price (body only) | $2,500 £2,180 (est.) AU$3,500 (est.) | $2,000 £1,400 (est) AU$2,700 | $1,800 | $1,700 £1,270 AU$2,300 | $2,300 £1,400 AU$2,900 |
Release date | March 2012 | September 2014 | April 2016 | December 2014 | December 2013 |