Panasonic Lumix FX9 review: Panasonic Lumix FX9

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The Good Optical stabilization improves low-light shooting without flash; jewel-like design and build; decent color rendition; snappy performance.

The Bad Some minor lens aberrations; image-processing artifacts; several controls and icons don't make sense without manual.

The Bottom Line The Panasonic Lumix DMC-FX9 is a beautifully built pocket camera that's good for slow-shutter shooting but suffers from a variety of image flaws.

7.0 Overall
  • Design 7
  • Features 7
  • Performance 8
  • Image quality 6

The 6-megapixel Panasonic Lumix DMC-FX9, available in either all-silver metal or silver metal with black accents, is a slim, beautifully built pocket camera that weighs just 5.3 ounces with battery and SD card and boasts Panasonic's Mega OIS optical image stabilization. Usually reserved for cameras with long zooms--the FX9's is only 3X, with a 35mm-film equivalent range of just 35mm to 105mm--the stabilization allows you to capture sharp images at slow shutter speeds without a tripod or flash. The camera is also a snappy performer speedwise, but photographers with a critical eye will pause at the less than stellar photo quality.

The camera's stabilization, which works using tiny mechanical sensors and lens motors that counter hand shake, really works wonders. Shots taken without a tripod or flash at 1/8-second shutter speeds were as sharp as shots taken at 1/30 or 1/60 second, the typical limits for handheld shooting. This feature, common to all current Panasonic models, is useful for indoor spaces like museums or theaters, where tripods and flash aren't usually allowed, as well as distant landscapes where a flash wouldn't reach anyway.

While the Panasonic Lumix DMC-FX9 has excellent automatic white balance and solid color rendition, including natural, pleasing flesh tones, it does suffer from noticeable lens aberrations and image-processing artifacts--visible purple fringing in backlit and high-contrast scenes, for example. There is also significant vignetting, with not only the corners but also the sides of the image being a bit darker than the center. This is usually only visible with uniform backgrounds such as clear skies or walls, though. While generally clean at the camera's lowest sensitivity, ISO 80, areas of uniform color exhibit blotchiness that appears to be the result of poor blue-channel processing. At ISO 400, the camera's highest setting, a dithered fuzziness with yellowish noise patterns make some pictures look unsightly. The camera's optical stabilization, though, should eliminate the need to use ISO 400 in most situations.

Note the vignetting (dark areas around the edges) in the photo on the left and the severe fringing in the photo on the right.
The FX9 is a snappy performer, besting many in its class in various shooting scenarios. Shutter lag, for example, is only 0.5 second, continuous shooting can reach more than 3fps, and it takes only 2.3 seconds to take a picture when starting with the power off.

Despite its jewel-like finish and solid build quality, the FX9 does suffer from some interface quirks in which cryptic icons and features will force you to read the instruction manual--not necessarily a bad thing. Once you're familiar with its functions, though, using the camera is a pleasure. There are 12 scene modes to help you shoot using the best settings, for example.

If you predominantly take snapshots at parties, concerts, bars, or other dimly lit indoor venues, the Panasonic Lumix DMC-FX9's image stabilization makes it a great choice. Daylight denizens, however, may be frustrated by the artifacts that become visible in brightly lit shots.

Shooting speed in seconds  
(Shorter bars indicate better performance)
Shutter lag (typical)  
Time to first shot  
Typical shot-to-shot time  
Panasonic Lumix DMC-FX9
Casio Exilim EX-Z110
Sanyo Xacti VPC-E6
Nikon Coolpix S4
Nikon Coolpix L1
Olympus FE-120

Typical continuous-shooting speed in frames per second  
(Longer bars indicate better performance)

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