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Fujifilm FinePix S2000HD review: Fujifilm FinePix S2000HD

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For a sub-$300 megazoom digital camera, the Fujifilm FinePix S2000HD offers a lot for an advanced amateur photographer. It's as easy to operate as a budget point-and-shoot, but puts forth an abundant array of settings, modes, and trickery to make experimentation just as simple. This package isn't perfect however, as image quality and performance don't match the S2000HD's feature set--just its budget price tag.

6.6

Fujifilm FinePix S2000HD

The Good

Very compact, comfortable design; lots of shooting options; 720p MPEG-4 video; relatively inexpensive.

The Bad

Slow performance; visible image noise even at low ISO sensitivities; mediocre EVF.

The Bottom Line

The nicely designed Fujifilm FinePix S2000HD has more going on than just its long lens, but photo quality isn't quite there.

Like most megazooms, the S2000HD is slightly bigger than an average compact camera--more of a coat-pocket camera, than a pants-pocket one--at 4.4 inches wide by 3.1 inches high by 3 inches deep. It weighs 17.1 ounces equipped with its four AA batteries and an SDHC card. Then there's that 15x f3.5-5.4 27.6-414mm-equivalent lens out front. The weight is balanced, though, and the large hand grip/battery compartment, rear thumb rest, well-positioned controls, and the inclusion of optical image stabilization make one-handed operation doable. You'll still want to use a tripod when you've got that lens fully extended.

On back is a 2.7-inch LCD as well as a 0.2-inch electronic viewfinder (EVF). Both are coarse and noisy when shooting, but it's considerably more noticeable and distracting in the EVF. All the controls and menus are straightforward and I like that there are dedicated buttons on top for activating the up-to-10-people face detection (with or without red-eye removal) and the multiple continuous shooting choices.

The mode dial features 11 options, including program, manual, shutter-priority (but no aperture priority), Dual Shot (it takes two photos simultaneously, one with flash, one without), and Zoom Bracketing. That last one records three images at 1x, 1.4x, and 2x digital zoom--cropped to 10, 5 and 3 megapixels, respectively--with a single press of the shutter. Per its HD moniker, the camera also captures HD video clips up to 15 minutes long at 1,280x720 (720p) and you get full use of the optical zoom (but only electronic image stabilization). Scene Position gives you access to 13 scene modes or you can slip over to Custom to set up your own group of settings. In general, however, I found it best to stay in Program Auto because you get control over white balance, exposure, focus, sharpness, flash strength, and bracketing (in 1/3, 2/3, or full stops).

Unfortunately, much like other megazooms, the S200HD is relatively slow. The wakeup time is 1.9 seconds to first shot. The average shot-to-shot time is 2.4 seconds and adding flash takes it up to 2.8 seconds. Luckily shutter lag is an acceptable 0.5 second in bright conditions and 0.8 second in dim.

As for continuous shooting, there are four speeds to choose from: Top 3, Long Period, Top 33 High speed, and Top 33 Ultra High speed (the last two capture 5-megapixel and 3-megapixel photos, respectively). CNET Labs tested with Long Period, the closest to a traditional burst mode, resulting in a sluggish 0.5 frame per second typical burst speed. The Top 33 options do perform faster, but they do not refocus, and once you release the shutter it takes 20 to 25 seconds to store photos to memory in order to start shooting again.

Photo quality is also less than stellar. All the shots, regardless of ISO, exhibited some amount of noise manifesting itself as off-color specks. The auto white balance was inconsistent, but exposure and detail were good. However, the noise suppression tended to make everything look like an oil painting, both onscreen and in prints. This does give you a better than average chance of getting a usable photo in low-light conditions, they just look very soft and artificial. Also, there was noticeable barrel distortion at the lens' widest setting. In spite of all this, it's possible to coax some good photos from the S2000HD, but it'll take some practice manipulating the settings.

Those considering buying the S2000HD for its video abilities might be disappointed as well. The MPEG-4 video quality is good for a point-and-shoot camera, especially if you're keeping the camera focused on the subject and not moving around too much. Otherwise the camera's exposure metering will abruptly change causing scenes to be suddenly improperly exposed.

The Fujifilm FinePix S2000HD is a comparatively inexpensive, nice-looking, uncomplicated, megazoom digital camera with some fun features including HD video. Its photo quality and performance are just not as remarkable as the rest of the package.

Shooting speed (in seconds)
(Smaller bars indicate better performance)
Time to first shot  
Typical shot-to-shot time  
Shutter lag (dim)  
Shutter lag (typical)  
Canon PowerShot S5 IS
1.3 
1.6 
0.8 
0.5 
Fujifilm FinePix S2000HD
2.8 
2.4 
0.8 
0.5 
Panasonic Lumix DMC-FZ18
1.8 
1.7 
1.1 
0.7 
Sony Cyber-shot DSC-H50
2.3 
1.8 
1.3 
0.7 
Nikon Coolpix P80
2.9 
2.4 
1.4 
1.1 
Olympus SP-570 UZ
3.3 
2.5 
1.8 
0.8 

Typical continuous-shooting speed (in frames per second)
(Longer bars indicate better performance)

6.6

Fujifilm FinePix S2000HD

Score Breakdown

Design 7Features 7Performance 6Image quality 6