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Fujifilm FinePix HS10 review: Fujifilm FinePix HS10

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The Good Impressive lens range and performance; high-speed shooting tech; manual zoom control.

The Bad Poor-quality electronic viewfinder; crude-looking interface; loud and irritating sound effects.

The Bottom Line Superzooms are often disappointing, with poor definition at longer focal lengths, sluggish operation and average handling, but the Fujifilm FinePix HS10 is an exception. It's big and expensive, but it's also pretty darned good

8.3 Overall

At around £380, the 10.3-megapixel Fujifilm FinePix HS10 sits near the top of the superzoom price range. The 'HS' stands for 'high speed', so it looks like Fujifilm has found something new to bring to this particular market sector. The company also joins a growing list of manufacturers that are ditching increased megapixel counts in favour of smarter sensor designs.

Moderated megapixels
The HS10 uses one of the latest backlit sensors, in which the grid of electrical circuits is placed behind the light-receptor layer, rather than in front. This means the receptors themselves can be slightly larger, gathering more light and generating less noise. Opting for a 10-megapixel resolution, rather than the 12- or 14-megapixels used by mass-market compact cameras, is another step in the right direction in the quest for better all-round picture quality.

The HS10's backlit CMOS sensor sacrifices a few megapixels, but it's worth it for the high ISO performance. ISO 6,400 is dodgy, but ISO 3,200 is tolerable and ISO 1,600 isn't bad at all (click image to enlarge)

The other advantage of CMOS technology is the potential for high-speed processing. The HS10 can shoot at an excellent 10 frames per second (although only for seven  frames), and has a high-speed movie mode that can shoot at speeds of up to 1,000fps (at progressively reduced resolutions, admittedly). It also has a 'motion panorama' mode -- you press the shutter button, make a panning movement with the HS10, and then your photos will be seamlessly stitched together in-camera.

The high-speed processing and merging tools are also put to work in the 'motion remover' mode. The camera takes a series of shots and removes anything that's moved, such as pesky pedestrians who've got in your way. The 'pro low-light' mode also takes a series of shots, blending them to produce a sharp, low-light image.

Even without this fancy technology, the HS10 is a pretty decent superzoom. Its 30x zoom range is one of the widest yet, starting at a very handy 24mm and going right up to 720mm. There's an effective sensor-shift anti-shake system to keep your subjects still at ultra-long zoom settings, and the 76mm (3-inch) LCD display on the back tilts upwards for easier waist-level or ground-level shooting.

It's particularly pleasing that you get a manual zoom mechanism rather than a motor-driven one. It's also a welcome surprise to discover that the HS10 can shoot 1080p, high-definition movies, and focus while filming.

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