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Canon PowerShot A580 review: Canon PowerShot A580

If you're looking for a cheap and cheerful point-and-shoot compact, the Canon PowerShot A580 could be right up your street. With its cute, plastic yet sturdy body and running on AA batteries, it features image stabilisation and 15-second long shutter for interesting night shots

Richard Trenholm

Richard Trenholm

Movie and TV Senior Editor

Richard Trenholm is CNET's film and TV editor, covering the big screen, small screen and streaming. A member of the Film Critic's Circle, he's covered technology and culture over the past 15 years from London's tech scene to Europe's refugee camps to the Sundance film festival.

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4 min read

The Canon PowerShot A580 is a friendly 8-megapixel point-and-shoot camera. It has a £100 price tag, cheerful styling and runs off AA batteries: all of which make it a family or novice-friendly digital snapper. But beneath the cuddly exterior, is there a camera that deserves to be taken seriously?


Canon PowerShot A580

The Good

Accessible controls; decent images.

The Bad

Lacks panache; vanilla feature set; no optical image stabilisation.

The Bottom Line

The chunky, cheery styling isn't to our taste, but the friendly price, accessible controls and respectable image quality pull it out of the bag for this unsophisticated and easy-to-use point-and-shoot

The blocky PowerShots are at the far extreme of design when compared to the sleek, glossy IXUS range. The cute design and plastic body gives the chunky A580 a toy-like appearance, but we're not keen on it. The rounded buttons and exaggerated curves have a hint of cheapness and we wonder who will find the design appealing. The frame has no flex or creakiness despite the plasticky feel, so it's sturdy.

The bubbly, rounded buttons and large labels add to the cutesy, non-threatening feel of this friendly snapper

Bulbous, clearly-labelled buttons control the camera with a Func button to provide quick access to shooting options. The mode dial, which offers common scene modes and manual or automatic settings, makes an initially satisfying, later annoying clicking noise when turned, but at least it goes around 360 degrees in both directions.

The 64mm (2.5-inch) LCD screen is joined by a dinky round optical viewfinder, which lets you switch off the screen to preserve battery life. The viewfinder chops a strip of the sides and bottom off the frame -- known as parallax error -- so you should be careful when composing shots.

One subjective concern that some may not even notice was that the zoom rocker -- a collar switch on the camera's shoulder -- was at a very slight angle that made it less comfortable to use.

The A580's specs and feature set are as vanilla as its styling. The imaging is handled by a relatively small 1/2.5-inch CCD sensor. The lens has a 35mm-equivalent focal length of 35-140mm, which isn't especially wide, but is a slightly longer than usual 4x optical zoom. Image stabilisation is built in to the lens and orientation sensor works out which way round the picture was taken.

Additionally, a 9-point TTL autofocus also uses face detection to focus on and set exposure for faces spotted in the frame. You can also select a face and track it as they move around. There are 16 shooting modes including automatic mode with options like portrait and landscape on the mode dial and less commonly-used options like beach and foliage in the menus. One impressive feature is a 15-second long shutter, which can be used to create interesting night shots.

Red-eye features can pre-fire an orange flash and/or remove red eye automatically as you snap or manually in playback mode. In playback, images can be tagged or more accurately filed into preset categories. You can choose people and scenery categories as well as three user categories. This makes sorting pictures easier and allows for slideshows showing just the pictures you want.

Movie modes include VGA resolution at 20 frames per second, a compressed long play setting and a 30fps option at half VGA resolution. A 4GB SD card holds 49 minutes of VGA footage, 95 minutes on long play and 91 minutes of half-size video. Canon compacts do not include onboard memory, which we don't mind as internal memory is laughably meagre in most cameras, although bundling a paltry 32MB SD card is pretty pointless.

We also felt that, as so often happens on lower-end compacts, the manual mode is misnamed. You don't even get shutter or aperture priority modes.

Despite the impression the cheery -- and to our eyes, slightly cheap -- styling gives, this is not a bad camera. It's a Canon after all and image quality is unlikely to be the weakest link. Barrel distortion at the wide end is present, but purple fringing is kept well under control.

Our only real concern is that images are soft. The lack of optical image stabilisation means that hand-held snaps -- the A580's bread and butter -- aren't as crisp as they could be. It's worth sharpening images in post-processing, but that's a matter of taste.

The lack of image stabilisation also leads to the A580's quickly resorting to higher sensor sensitivity when the light is anything but perfect. Predictably, images taken at the highest ISO setting of 1,600 were unusable: noise showed up even at ISO 400 and 800.

Turning it on takes less than two seconds and it boasts a respectable 1-second shot-to-shot time. Unlike all too many contemporary compacts, the A580's continuous mode is not limited to three shots. It seemed happy to snap away indefinitely at just over one frame per second, but our gratification at this was tempered by the annoying ticking noise it made and the fact that the supplied batteries were reduced to flashing red status in just over two minutes.

Puppy-dog styling and an anonymous feature set leave the Canon PowerShot A580 feeling short of personality. Cameras from the IXUS or Lumix ranges, such as Panasonic Lumix DMC-FS5, are much sleeker and more innovative, if more expensive. If you're really keen on a chunky snapper and your heart is set on AA batteries, the Kodak EasyShare Z712 IS packs a 12x zoom and twice the panache.

Edited by Shannon Doubleday

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