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AKG K551 headphones review: These 'phones should've stayed at home

The AKG K551s are portable headphones with an airy sound, but their relative lack of bass means they're actually better for use at home.

Ty Pendlebury Editor
Ty Pendlebury is a journalism graduate of RMIT Melbourne, and has worked at CNET since 2006. He lives in New York City where he writes about streaming and home audio.
Expertise Ty has worked for radio, print, and online publications, and has been writing about home entertainment since 2004. He majored in Cinema Studies when studying at RMIT. He is an avid record collector and streaming music enthusiast. Credentials
  • Ty was nominated for Best New Journalist at the Australian IT Journalism awards, but he has only ever won one thing. As a youth, he was awarded a free session for the photography studio at a local supermarket.
Ty Pendlebury
4 min read

Over the last few years you've probably noticed more and more people using "studio headphones" out in public, and recently I even saw one brave soul use the open Sennheiser HD 700 headphones in the turbulent bowels of New York's subway. AKG has seemingly picked up on this trend, too, and has added a three-button remote to the existing K550 headphones in the name of portability, resulting in the K551 model.


AKG K551 headphones

The Good

The <b>AKG K551</b> headphones have a sturdy build and are very comfortable; closed headphones offer some passive noise reduction; airy sound suited to classical or acoustic music.

The Bad

Loss of bass in noisy environments even with passive noise reduction; treble can overwhelm bass with some music; not suited to rock or dance; obnoxious-looking; no carrying case; large and not as portable as alternatives.

The Bottom Line

The AKG K551s are closed portable headphones with an open, airy sound, but their relative lack of bass means they're actually better for use at home.

Design and features
Compared with headphones that are designed for portability like the Bowers and Wilkins P5 -- and in a lesser way the Sennheiser Momentum -- the K551s' hi-fi roots are obvious. These are very large cans and feature enormous, supra-aural earcups. If you choose to wear them outside, you are truly making a statement: "I am an audiophile, and I do not bow to your dictates of fashion." Witness the baby-blue(!) headphone cord and the white color scheme, and when I asked my colleague Jeff Bakalar to score them on a scale of 1 to 10 for potential "douche factor," he rated them as "a hot 7."

However, if you like to be a little more invisible when in public, you might prefer the silver/black version with a black cable. In either color choice, it's a short cable, though -- only 3.6 feet -- and if you want something more suitable for home use you should try the cheaper, hi-fi version of these headphones, the K550s.

Sarah Tew/CNET

Sarah Tew/CNET

The build quality of the K551s is excellent and they feel very sturdy. The swiveling earcups do fold flat for carting them about; no carrying case is supplied. Thanks to the swiveling nature, you might need to adjust the earcups to get a good fit; otherwise you might find an extensive loss of bass response or get some intrusive street noise.

Sarah Tew/CNET

Get it right, though, and the fit is very comfortable, with soft padded earcups and padding at the top of the headband. Though most headphones need bending to fit, I found that these sat perfectly without alteration.

The sound is very balanced, but a little on the exciting side of neutral. Unlike Beats, there isn't a bass bump; instead there is a presence bump and quite a significant one. This type of bias is common for high-end headphones designed to be listened to at home, but it doesn't make much sense for listening on the move. The reason for this? If you're on a bus, train, or plane, there is usually so much rumble as to drown out any bass, so you'll want a little bit of a boost to even the response out. Even though the cans will go deep, the bass on the K551 headphones is still fairly slender, even in a quiet room and just gets obliterated on the subway.

The best thing about the K551s is that there isn't a "stuck inside my head" feeling. While you're not ever tricked into thinking you're wearing open headphones, the sound stage is nice and wide, and there is the elusive sense of "air" that many audiophiles crave. I only wish that the headphones were able to give rock or dance music the kick in the butt that they need.

For example, "Salt in the Wounds" by Pendulum is meant to be a bass-heavy assault on the auditory nerves, but in the hands of the K551s, it verges on a sibilant screech. There is some very deep bass in there, but it is so overwhelmed by the headphones' overly forward treble as to be almost inaudible. Rather than being pummeled with wub-wubs as expected, it sounded like I was listening to next-door's dance party over a fence.

If you like chamber music or anything with a sense of acoustic space, the K551s do this very effectively. Get out your harpsichord and have a Bach party, whydontcha? Tracks with tighter bass response -- like Talking Heads, or soul, for example -- also work surprisingly well.

AKG is going for the mobile audiophile with the K551s, a market that hasn't really existed -- except for a passionate few individuals -- until very recently. While Sennheiser's Momentum also fits into this category, it was seemingly designed as mobile from the start. "Mobile" feels tacked on with the K551s. For audiophile sound on the go at this price, I'd instead recommend something like the Bowers and Wilkins P5s -- they're compact, sound more even-handed, and don't experience bass suckout when things get noisy.

The AKG K551s look serious and they're well-built, but I would buy the slightly cheaper K550s without the mic and leave the headphones at home.


AKG K551 headphones

Score Breakdown

Design 8Features 7Performance 7Value 6