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'Do Revenge' Review: Just Watch 'Mean Girls' Again Instead

Review: Or just watch Netflix's new teen comedy for the costumes.

Meara Isenberg Writer
Meara covers streaming service news for CNET. She recently graduated from the University of Texas at Austin, where she wrote for her college newspaper, The Daily Texan, as well as for state and local magazines. When she's not writing, she likes to dote over her cat, sip black coffee and try out new horror movies.
Meara Isenberg
4 min read
Camilla Mendes and Maya Hawke standing in a doorway with nature behind them

Maya Hawke and Camila Mendes are out for payback.


When I watched the trailer for Do Revenge last month, the Netflix teen movie instantly had me wrapped around an impeccably manicured finger.

The clip teased black comedy, a dream-like, pastel world and girls too cool to care about correct grammar. It stars Austin Abrams and Maya Hawke, who I knew from Euphoria and Stranger Things, and Camila Mendes, a Riverdale alum that I kept up with on Instagram. The flick seemed unpredictable and destined to be a lot of fun.

When the time came for me to actually view Do Revenge, I found the candy-colored movie disappointingly bland.

Basically, the movie doesn't push the revenge far enough. I wanted bold scheming, a transfixing friendship and surprising, biting dark humor. I wanted the film embodiment of the money quote in the trailer: "Teenage girls, we're psychopaths." 

Instead, Do Revenge offers a palatable friendship, an underwhelming plot and a head-scratching scene that looms over the entire ending.

The setting is Rosehill Country Day, a prep school in Miami that's drenched in cotton candy hues and stocked with rich kids. But before we arrive there, we meet Drea, the queen B of the school. Drea was recently recognized by Teen Vogue, and her friends are throwing an extravagant party to celebrate. Drea isn't as wealthy as her peers and attends Rosehill on scholarship. Still, she's managed to "meticulously curate the perfect life," complete with cool friends, a dreamy boyfriend and fellow students who literally say they want to wear her skin.


The cast of Do Revenge, looking pretty in pastel.


But all too quickly, the bubblegum bubble pops. A sex tape Drea sends to her boyfriend Max ends up on every one of her classmate's screens. She believes Max leaked it, but the school headmaster and her friends side with him ("So much for believing women," she quips).

Enter Eleanor, a girl she meets over the summer at tennis camp. We learn Eleanor is queer, she's transferring to Rosehill, and she also has a sworn enemy: a girl named Carissa who had spread a rumor about her years prior. The two teens strike a deal to "do revenge," taking down each other's villains. "I don't want to make her pay," Eleanor says of her antagonist. "I want to burn her to the ground."

The movie is directed by Jennifer Kaytin Robinson, who's also behind the Netflix rom-com Someone Great. Among the teen stars Gen-Z would likely recognize are Talia Ryder (Never Rarely Sometimes Always), Alisha Boe (13 Reasons Why), Rish Shah (Ms. Marvel), Maia Reficco (Pretty Little Liars: Original Sin), Paris Berelc (Alexa & Katie), Jonathan Daviss (Outer Banks), Ava Capri (Love, Victor) and Sophie Turner (Game of Thrones). Sarah Michelle Gellar plays the headmaster.

Their outfits are a standout here. Drea's character cycles through seemingly endless pairs of humongous earrings. There are shimmery tie-front tops, platform boots and bejeweled headbands. I'd put on Do Revenge again just to study all the looks.

The surreal aesthetic isn't just created with clothes -- even a bathroom at the school has dreamy, swirly cotton candy-colored windows. The stage at the senior class ring dinner is decorated with white decorative columns and powder-white plants. The soundtrack fit the mood perfectly, filling the space with Olivia Rodrigo bangers and Billie Eilish ballads that will hit the spot for teenage (or young adult) masses.

But what it chooses to fill its carefully crafted and surreal landscape with is far less interesting. After declaring revenge, what the ladies get up to is silly and feels like it could be seen in any Netflix teen movie. One of the things Eleanor does is just go to a party. Drea meets a guy and engages in a romantic paint fight scene with him. These scenes made me forget I was even watching a dark comedy.

Maya Hawke as Eleanor and Camila Mendes as Drea, lying in bed

The satire stands out when it takes aim at Max (and thus, the Maxes of the world), an untouchable male who introduces the "Cis Hetero Men Championing Female-Identifying Students League" after Drea's intimate video leaks. In a makeover scene (yes, just like She's All That and other teen movies you've seen before), Drea tells Eleanor that it's easier to destroy a girl than it is a guy and lists her grievances with their unequal treatment.

Abrams is convincing as the calculated boyfriend who wields power and influence at the school. But even that interesting discussion gets lost in the many other things going on in this movie. Drea randomly (and correctly) guesses an improbable criminal scheme, while Eleanor does something later on that I will not detail here, but that lacks sense so much that it sours the film's ending.

Some of the movie's references to classic teen flicks are more than references, they're conspicuous borrowed plot points. A new girl infiltrates her high school's popular clique, complicating things with her real friends... Mean Girls anyone?

The flick is inspired by Strangers on a Train, an Alfred Hitchcock-directed thriller, but apparently the similarities end with the idea of people carrying out each other's dirty work.

Abrams and Game of Thrones star Turner deliver the best performances. (Turner appears in a cameo as an actually unhinged teen who delivers a delicious scream.) When they're not around, the impeccable outfits and spot-on soundtrack often steal the scene.

I really wanted to like Do Revenge. And it may be worth tuning in just to be dazzled by the outfits. But if you want to do teen scheming, do Mean Girls instead. 

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