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Canon PowerShot A495 review: Canon PowerShot A495

Canon PowerShot A495

Joshua Goldman Managing Editor / Advice
Managing Editor Josh Goldman is a laptop expert and has been writing about and reviewing them since built-in Wi-Fi was an optional feature. He also covers almost anything connected to a PC, including keyboards, mice, USB-C docks and PC gaming accessories. In addition, he writes about cameras, including action cams and drones. And while he doesn't consider himself a gamer, he spends entirely too much time playing them.
Expertise Laptops, desktops and computer and PC gaming accessories including keyboards, mice and controllers, cameras, action cameras and drones Credentials
  • More than two decades experience writing about PCs and accessories, and 15 years writing about cameras of all kinds.
Joshua Goldman
6 min read

Canon updated 2009's PowerShot A480 by splitting it into two models: the A490 and the A495. The PowerShot A490 is about $20 less expensive than the A495, but it's only available in silver; has a 5-point Face AiAF autofocus system instead of the A495's 9-point; does not have Face Self-Timer (explained later in this review) or Canon's two, new creative shooting modes, Super Vivid and Poster Effect; and uses 13 scene settings for its Smart Auto mode whereas the A495 uses 18.

7.0

Canon PowerShot A495

The Good

Excellent photos for its price; reliable Auto mode.

The Bad

Short battery life; low-resolution LCD; slow shooting performance.

The Bottom Line

The Canon PowerShot A495 is a bargain for anyone concerned more with photo quality than features.

Regardless of those differences, they both turn out great photos for their budget price tags (though the A495 seemed to get negligibly better results in Auto mode). The biggest downside is that they aren't remotely fast when it comes to shooting performance; shot-to-shot times are particularly long. But, if you're strapped for cash and want a pocket camera, the A495 is certainly worth the money for its photos alone. The extra shooting modes are nice, too, but if you don't need them or any of the other things mentioned above, save $20 and get the A490.

The A495, which is available in red, blue, and silver, is chubby, but still reasonably compact. It's not very wide or tall, but is more than an inch thick, so though it'll fit in a pants pocket, it might be a tight squeeze. From the front, the camera looks reasonably stylish with nice rounded corners. Unlike the A480, the buttons don't feel cheap and are clearly marked in white on black. In fact, the overall build seems improved. Plus, Canon kept the controls straightforward and simple, and the menu systems are likewise uncomplicated.

On top are the power and shutter release buttons with the remaining controls on back to the right of the LCD. At the top is a zoom rocker followed down by a button for playback; four-way control pad with select button; and shooting mode and Menu buttons. The Menu button pulls up two tabs of general settings, whereas the select button (labeled Func. Set) opens shooting-mode-specific options. Overall, it's easy to control and should be simple enough for beginners out of the box.

The lens is narrow at a 35mm-equivalent of 37mm and it has an optical zoom of 3.3x; standard for cameras in its class. The LCD, though a decent size, is fairly low resolution; it gets fairly bright, but it can still be tough to see in direct sunlight.

This model is powered by AA-size batteries, something many people find convenient. However, you'll only get about 150 shots out of the A495 before they'll need replacing. Getting two NiMH AA-size batteries should more than double your shot count, though.

The A495 predictably doesn't have a lot of shooting options. The most complicated it gets is in Program, which gives you options for white balance, focus, metering, ISO, and color effects. Don't want to touch any of those things? Canon's Smart Auto (simply called Auto now) is very reliable at picking the appropriate settings based on 18 different scene types. Or you can choose from one of 13 special scene modes like Fireworks, Long Shutter, Foliage, or Kids & Pets. Canon renamed its High ISO mode to Low Light to alleviate confusion, but it's otherwise the same, capturing 2-megapixel shots at ISOs from 500 to 3,200. The highlights are new Super Vivid and Poster Effect modes. (They're appropriately named and you can see a sample of them in use in the slideshow in this review.) Canon also includes Face Self-Timer, which, when activated, will wait to take a shot until the camera detects an additional face in the frame. If you like taking a lot of close-up macro shots, the A495 is a great option for the money. You can get very close--down to 0.4 inch--and the autofocus seems improved from the A480, which struggled to properly focus.

The Movie mode is VGA only with no use of the optical zoom while recording. The video quality is good, on par with a standard-definition pocket video camera. It's fine for a quick clip to post online, but not much else.

Performance, though not dreadfully slow, is still pokey. It takes 2 seconds for the camera to go from off to first shot captured. Shutter lag is a little long in bright lighting conditions: 0.6 second from pressing the release to capture. In dim lighting, the shutter lag is 1 second. Shot-to-shot times are mediocre at 2.9 seconds without flash and jumping to lengthy 6.7 seconds with it on. Lastly, its continuous shooting time is only 0.6 frames per second. Basically, if you're hoping to catch shots of an active toddler, an athlete in action, or fast-moving pet, this camera isn't a good option.

The photo quality from the A495 is excellent for the money and actually better than some more-expensive models. Of course, it produces the best results below ISO 200, sharp with plenty of fine detail. But even at ISO 800, noise and noise suppression are well balanced making 4x6 prints possible. When photos are viewed at 100 percent, you will see noise, particularly in darker areas of photos. However, it's nothing that would keep me from recommending this model.

The lens has minor barrel distortion at its widest position and no discernable pincushion distortion when zoomed out. Center sharpness is very good, though there was some softness in the very corners. The amount of purple fringing in high-contrast areas is average for its class: visible when photos are viewed at full size, but not likely to destroy a photo.

Colors are great from the A495. Blues are a touch lighter than they should be according to our tests, but others are close to accurate along with being bright and pleasing. Exposure is generally very good, though clipped highlights aren't out of the question.

Canon's PowerShot A3000 IS is $20 more than the A495 and may have a better lens, a rechargeable battery, and image stabilization, but honestly, I'd rather save the money and get the A495 or the A490. The shooting performance was comparable, but the photo quality was better from the two less expensive models in my tests

.

Shooting speed (in seconds)
(Shorter bars indicate better performance)
Time to first shot  
Typical shot-to-shot time (flash)  
Typical shot-to-shot time  
Shutter lag (dim)  
Shutter lag (typical)  
Canon PowerShot A490
2 
7.1 
2.9 
1 
0.6 
Canon PowerShot A495
2 
6.7 
2.9 
1 
0.6 
Casio Exilim EX-Z33
2.5 
3.3 
2.9 
1 
0.8 
Nikon Coolpix S220
2.2 
3.3 
3 
1.3 
0.8 
Pentax Optio E70
2.4 
4.2 
3.3 
1.2 
0.6 

Typical continuous-shooting speed (in fps)
(Longer bars indicate better performance)
Canon PowerShot A495
0.6 

Find out more about how we test digital cameras.

7.0

Canon PowerShot A495

Score Breakdown

Design 7Features 7Performance 6Image quality 8