Fujifilm packs the 's successor with a ton of new capabilities for the money. The X-T3 boasts a new 26-megapixel backside-illuminated (BSI) version of the company's CMOS X-Trans 4 sensor, with millions of phase-detection autofocus points that cover the entire frame; the ability to record 10-bit Cinema 4K/30p video to SD card (albeit in 4:2:0 H.265); a bump from a dual-core X-Processor image-processing engine to quad core for improved performance for operations like continuous shooting and applying its film simulations; and more.
The body costs $1,500 and a kit with the XF18-55mm lens runs $1,900. We don't have pricing or availability for other regions yet, but those prices directly convert to £1,160 and AU$2,080 for the body and £1,470 and AU$2,640 for the kit. The X-T3 will ship by the end of this month in the US.
I'll have a chance to use the X-T3 on launch day and will report back subsequently with hands-on analysis.
Off the top of my head, though, there's one major disappointment: the X-T3 didn't incorporate the sensor-shift image stabilization that we celebrated when Fujifilm launched the. And the grip is still on the shallow side; it really peeves me when there are optional accessories to remedy design drawbacks. In this case, the MHG-XT3 Metal Hand Grip.
But most of the news is good. Here are the highlights:
New sensor and autofocus system: Fujifilm's X-Trans sensors are differentiated by their green-intensive color filter array and were some of the first to drop the blurring antialiasing filter in favor of sharpness. (Early on the technology got a bad rap, which is, for the most part, undeserved.) The X-Trans 4 moves to BSI technology from standard CMOS, which among other things confers speed benefits essential for 4K video, fast continuous shooting and more.
The X-Trans sensors, like Canon's Dual-Pixel CMOS, have the phase-detection focus sensors on the image sensor. Fujifilm spreads the PD sensors across the entire chip, which allows it to cover 100 percent of the scene; most cameras cover at best about 85-90 percent of the center. Focus areas at the edges of the frame can be critical for shooting fast action, because it allows you to get more interesting shots of the subject entering and leaving the frame that can otherwise be difficult. The new AF system probably partly accounts for the claimed improvements in Eye Detection AF -- now it works in continuous-AF mode -- and support for face and eye detection AF in video.
The trade-off for on-chip focus is that you lose space for the photodiodes, the light-capturing wells of the imaging part of the sensor, which frequently decreases the dynamic range. Fujifilm says it has mitigated that problem, and certainly some of the best sensors today, like that in the Sony A7R III, have on-chip phase-detection circuits.
Upgraded video: Like its recent video-focused Samsung exited the camera business taking the with it., the X-T3 now supports DCI 4K (4,096x2,160) along with 4K UHD (3,840 x 2,160) video. But the X-T3 can capture it at 60p thanks to the faster readout speed of the sensor. Fujifilm also says that the readout speed helps eliminate rolling shutter as well. In addition, the camera can capture 10-bit 4:2:0 DCI 4K video internally simultaneously with recording 4:2:2 to an external drive. It requires the fastest class of SD cards, but that's okay. There are several caveats, such as having to use the higher-compression H.265 HEVC codec to cram it into 200 megabits per second, which we haven't seen much of in midrange cameras since
New viewfinder: One frequent problem with continuous shooting via an electronic viewfinder is that like any display, it's limited by how many frames per second it can show; fast action happens in the interval between frames. Fujifilm says the X-T3's viewfinder refreshes at up to 100fps. While that's still not as fast as optical, it's pretty fast. There's also a new "sports finder" mode, but it's not clear what that means yet.
Faster continuous shooting: Now it hits 11fps, which required the battery grip in the X-T2, for a reasonable number of shots. It also can capture at up to 20fps with electronic shutter. Fujifilm has also adopted a pre-shoot feature, which starts capturing when you prefocus and continues after you've released the shutter, for 40 shots on either end, but that's in a 1.25x (20MP) crop mode.
Body design: While Fujifilm didn't change a lot here, they did streamline the experience, with the ability to lock the EVF diopter, a better touchscreen, bigger dials, larger buttons and better feedback on the jog dials (like the X-H1).
||Fujifilm X-T2||Fujifilm X-T3||Panasonic Lumix G9||Sony A6500|
|Sensor effective resolution||24.3MP X-Trans CMOS III 14-bit||26MP X-Trans BSI CMOS 4 14-bit||20.3MP Live MOS 12-bit||24.2MP Exmor CMOS 14 bit|
|Sensor size||23.6 x 15.6mm||23.5 x 15.6mm||17.3 x 13mm||23.5 x 15.6mm|
|Sensitivity range||ISO 100 (exp)/200 - ISO 6400/51200 (exp)||ISO 80 (exp)/ISO 160 (exp)/200 - ISO 12800/51200 (exp)||ISO 100 (exp)/ISO 200 - ISO 25600||ISO 100 - ISO 25600/ISO 51200 (exp)|
|Burst shooting||8fps 83 JPEG/27 raw (11fps with battery grip; 14fps with electronic shutter)||11fps 145 JPEG/42 raw (20fps with eshutter)||20fps (with eshutter); 9fps (with mechanical shutter) 600 JPEG/60 raw (With fixed focus and exposure, 60fps with eshutter and 12fps with mechanical shutter)||11fps 233 JPEG/107 raw|
|Viewfinder (mag/ effective mag)||OLED EVF 0.5-inch/13mm 2.4 million dots 100% coverage 1.2x/0.77x||OLED EVF 0.5-inch/13mm 3.7m million dots 100% coverage 1.1x/0.75x||OLED EVF 100% coverage 3.68m dots 1.66x/0.83x||OLED EVF 0.4 in/10 mm 2.4 million dots 100% coverage 1.07x/0.7x|
|Autofocus||325-point phase-detection AF 91-area Contrast AF||2.2-million-point phase-detection AF, 91-area contrast AF||225-area DFD Contrast AF||425-point phase detection, 169-area contrast AF|
|AF sensitivity||-1 to n/a EV||-3 to n/a EV||-4 - 18 EV||-1 - 20 EV|
|Shutter speed||1/8,000 to 30 sec (1/32,000 sec with electronic shutter); bulb to 60 min; 1/250 sec x-sync||1/8,000 to 30 sec (1/32,000 sec with electronic shutter); bulb to 60 min; 1/250 sec x-sync||1/8,000 to 60 secs (1/32,000 electronic); bulb to 60 minutes; 1/250 sec x-sync||30-1/4000 sec.; bulb; 1/160 x-sync|
|Shutter durability||n/a||n/a||200,000 cycles||n/a|
|Metering||256 zones||256 zones||1,728 zone||1,200 zone|
|Metering sensitivity||n/a||n/a||0 - 18 EV||-2 - 20 EV|
|Best video||H.264 UHD 4K/30p, 25p, 24p||H.265 QuickTime MOV DCI 4K/60p @400Mbps; H.264 QuickTime MOV UHD 4K/30p, 25p, 24p at 400Mbps; 10-bit 4:2:0 internal||H.264 MP4 4K UHD/60p @ 150Mbps ; 1080/60p, 50p, 25p, 24p; 1080/180fps||XAVC S @ 100Mbps; UHD 4K 2160/30p, 25p, 24p; 1080/120p|
|Audio||Stereo; mic input||Stereo; mic input, headphone jack||Stereo, mic input, headphones||Stereo, mic input|
|Manual aperture and shutter in video||Yes||Yes||Yes||Yes|
|Maximum best-quality recording time per clip||10 minutes (30 minutes with battery grip)||20 minutes||10 minutes||29 minutes|
|Clean HDMI out||Yes||Yes||Yes||Yes|
|IS||Optical||Optical||Dual IS 2 (5 axis)||Sensor shift 5 axis|
|Display||3 in/7.5 cm Multiangle tilting 1.04 million dots||3 in/7.5 cm Multiangle tilting touch 1.04 million dots||3 in/7.5cm Articulated touchscreen 1.04m dots||3-inch/7.5cm Tilting, flip-up touchscreen (focus only) 921,600 dots|
|Memory slots||2 x SDXC UHS-II||2 x SDXC UHS-III U3, V90||2 x SDXC UHS-II U3||1 x SDXC UHS-I|
|Wireless connection||Wi-Fi||Wi-Fi (802.11b/g/n), Bluetooth||Wi-Fi (802.11ac), Bluetooth 4.2||Wi-Fi, NFC|
|Battery life (CIPA rating)||340 shots (1,260 mAh)||390 shots (1,260 mAh)||380 shots (1,860 mAh)||310 (VF), 350 (LCD) (1,020 mAh)|
|Size (WHD)||5.2 x 3.6 x 1.9 in 133 x 92 x 49 mm||5.2 x 3.7 x 2.3 in 133 × 93 × 59 mm||5.4 x 3.8 x 3.6 in 137 x 97 x 92 mm||4.8 x 2.8 x 2.1 in 120 x 67 x 53 mm|
|Body operating weight||17.9 oz (est.) 507 g (est.)||19 oz (est.) 539 g (est.)||23.2 (est.) 658 g (est.)||16 oz (est.) 453 g (est.)|
|Mfr. price (body only)||$1,100 (est.) £1,200 (est.) AU$1,50 (est.)||$1,500||$1,700 £1,500 AU$2,500||$1,100 £1,500 AU$1,650|
|Release date||September 2016||September 2018||January 2018||November 2016|