Good or bad sound can't be credited to
or blamed on digital, analog, vinyl, CD, or even MP3 -- those are release formats. It's the innate quality of a
recording and the choices the engineers made that make or break the sound, and
that's what I'm talking about in these capsule reviews.
This one comes from the Live Bruce Springsteen website, and it's amazing. Springsteen and the E Street Band
are young and they play their asses off! This awesome-sounding analog recording
was transferred to high-res digital in 2015, and it's now available in a range
of formats: MP3, CD, and lossless files. The site has a great selection of the
Boss' shows from the glory days up to 2014.
Stetson's sax's deep-from-the-gut moans, while the textural cascades of Neufeld's violin run over and
through your ears. This album sometimes sounds like a crazy film score or a
somber meditation, cueing reactions over an emotionally treacherous terrain. Neufeld (who is also a member of Arcade Fire) and her violin sooth, careen or swoop like a wild animal. "Never Were the
Way She Was" is an experience like no other.
This 2014 remaster by Zeppelin's
Jimmy Page of the 180-gram LP album sounds fantastic. Heavy metal started with
the band's debut, "Led Zeppelin," and only got better with the second
album. This LP sounds clearer than ever, with a deeper, bigger soundstage;
"II" is the best place to start if you're curious about why the Led
Zeppelin legend looms so large.
To mark the 10th anniversary of Dr. Robert Moog's passing, Sony Classical released "Bach to Moog," a brand-new
album showcasing the newly reissued Moog System 55 Modular Synthesizer and featuring the works of Johann Sebastian Bach. The synthesizer is accompanied by
a beautifully recorded acoustic orchestra.
Even so, "Bach to Moog" must be compared with Walter (now Wendy)
Carlos' groundbreaking all-Moog synthesizer album "Switched-On Bach"
from 1968. That one sold millions of albums worldwide and is credited with
bringing the synthesizer into the mainstream of pop music. "Bach to
Moog" sounds better, more refined, and thanks to the acoustic instruments,
more natural. That said, "Switched-On Bach" is still an extraordinary
This album brings together two string masters,
David Grisman and Tony Rice, mix bluegrass and jazz on a duets collection, playing
vintage Martin and Gibson mandolins and guitars. "Tone Poems" and its
follow-up, "Tone Poems II" were recorded, mixed, and mastered without
any added equalization or dynamic range compression.
Knuffke plays coronet, and
leads his trio and guest players through a varied set of tunes. Knuffke's
drummer's sound is massive, and his bassist is no slouch; together they lock
down fierce grooves. Definitely the sort of CD you can use to show off your
headphones' or speakers' sound to friends.
Villagers are pretty much
all about just one guy, singer/songwriter, Conor O'Brien, and on his new album
he quietly spills his guts. "Darling Arithmetic" is an intimate,
mostly acoustic journey of a man thinking about relationships. The minimally
produced, sparse instrumentation and quiet vocals really draw you in.
A stunning recording of a
great band, led by Art Halperin. It's mostly acoustic, and Halperin's infectious
tunes are performed with real joy. The title tune, "Wind of Change,"
is next to impossible to get out of your head. It's the sort of album that's
easy to get into, and one you'll keep in heavy rotation. I listened to the CD,
but "Winds of Change," is also available in high-resolution formats.
With a title like "Early
Music" you might assume the Kronos String Quartet was headed back to the
14th century, and while there's some of that in here, most of the music veers closer
to our time. There's music by Arvo Part, Harry
Partch, John Cage, Moondog, and more. In addition to the Quartet, some tracks
feature harmonium, bagpipe, zhong ruan, nyckelharpa and drums. It's a lovely
recording, full of space and air.
Doug MacLeod sounds so darn comfortable
playing the blues as his band lays down the supplest of grooves. The sound is
something else again, pure and clean as can be, with unencumbered dynamic
range. This CD will probably make your headphones and speakers sound better
than you've heard before.
Terrasson's hands sound like
they're on fire. For his latest album he's pounding the keys on acoustic and
Fender Rhodes electric piano, and his hyper-kinetic rhythm section give their
all. You hear African, Caribbean and Cuban influences -- and then there's the
bass, deep and tight!
A bona-fide audiophile
masterpiece, this jazz album sounds shockingly realistic, free of dynamic range
compression and processing. Pianist Dick Hyman leads an all-star band with Phil Bodner, Urbie Green, Milt Hinton, Butch Miles, Bucky
Pizzarelli, Joe Temperley, Frank Wess and Joe Wilder. If you want to hear how
natural recorded sound can be, buy this album.