2016 has been an outstanding year for great sounding headphones. In every price range there are truly superb wired headphones to choose from, but since I don't review wireless headphones you won't find any on this survey of in-, on-, and over-the-ear headphones.
The Final Audio Design Sonorous III is exactly the sort of headphone I recommend to people when they want to get a taste of what's so special about high-end audio, but can't go overboard on the budget.
This in-ear departs from V-Moda's bassy sound signature a bit, which we consider a good thing, at least for folks searching for more neutral sounding headphones. A full Audiophiliac review is in the works.
The Audeze iSine 10 doesn't look or sound like any other in-ear headphone, that's for sure! For one thing, it's an open-back design, so you can hear the world around you. It comes with Apple Lightning and standard headphone cables.
Just when you thought the high-end headphone market peaked, along comes another mind-bending 'phone! This new one's from Focal, France's best-selling speaker brand, and while they've been making perfectly fine headphones for years, the Focal Utopia is in a very different league. The Utopia digs deeper into the sound of music than other headphones.
"Remastered" strikes me as a funny name for a headphone, but that's exactly what the Ultimate Ears Reference Remastered is, a refinement of the original Ultimate Ears Reference Monitor I reviewed in 2010. Now that I've spent more time with the Remaster it's really grown on me; it's the best in-ear I've heard this year.
Etymotic ER4 SR Studio Reference In-Ear Headphones
Etymotic introduced in-ear headphones in the mid 1980s, decades before other headphone companies followed its lead. For a quarter century the ER4 remained the company's flagship model, with only slight changes, until now. The all-new ER4 Studio Reference builds on the original's strengths, but still sounds very much like an ER4, only better. It's one of my day-to-day reference 'phones.
There are two versions of this headphone, a SoundTrue Ultra for Apple devices, and another for Samsung/Android devices. The SoundTrue Ultras aren't the shy and retiring type, they can party. Bass isn't overdone or boomy, the low-end is full, and definition decent. Treble is likewise clear, and voices sound natural. Stereo is unusually broad, so it never feels crowded inside my scull.
The headphone and its matching vacuum tube/solid-state headphone amplifier are a sight to behold. The amp's tubes are hidden within the amp when it's off, but once turned on, eight tubes ever so slowly rise up and glow a deep orange. The HE 1 may cost as much as a very nice car, but the sound is like no sound at all, so music sounds more like itself than any other headphone -- it's not even close.
Sennheiser's original HD 800 headphone debuted in 2009 and was a huge smash with audiophiles worldwide, the new HD 800S is a sweeter, less analytical sounding headphone than the still available HD 800, I prefer the HD 800S.
Right away the FXA5 proved itself a contender, it's a lively sounding headphone, dynamics are strong, bass is really deep and tuneful, and the treble is clear. All of that was evident with lossless files streamed from Tidal on my iPhone 6S. I listened at home and on the noisy NYC subway, and the FXA5 consistently impressed.