Stanford law professor Lawrence Lessig warns in a new book that structural changes to the Internet are clouding the outlook for the kind of bold advances the network originally gave rise to. Is he an alarmist or an oracle?
With his 1999 book "Code and Other Laws of Cyberspace," Lessig warned that personal freedoms were at risk as the Internet's architecture changed from an open platform to a more closed, corporate-controlled one. In his new book, published this month by Random House and titled "The Future of Ideas: The Fate of the Commons in a Connected World," Lessig sounds the alarm about a corollary problem: the threat to technological innovation. As giant American profit-driven entities increasingly control the structure of the Internet, Lessig warns, that structure will become less and less fertile for the kind of invention that both gave rise to the network and has threatened the entrenched companies dependent on the status quo.
Following studies at the University of Pennsylvania; Trinity College, Cambridge; and Yale Law School, Lessig launched his career clerking for the renowned and controversial conservative jurists Richard Posner, on the Seventh Circuit Court of Appeals, and Antonin Scalia, on the U.S. Supreme Court. Since then he has taught at the University of Chicago Law School and Harvard Law School, and was a monthly columnist for The Industry Standard. He serves on the board of the Red Hat Center for Open Source and of the Electronic Frontier Foundation, and he recently co-founded the Center for Internet and Society, a Stanford group litigating Internet privacy, anonymity and hacker-related cases.
Lessig spoke to CNET News.com about recent flare-ups in the battle over the Internet's direction, including the Microsoft, Napster and Sklyarov cases, patent and copyright law, and the increasing power over the Internet exercised by the cable industry.
Q: What's the difference between the threats you identified in your first book and those you've named in the new one?
A: The changes I look at in this book are more fundamental than the ones in the first. These are changes in the core of the network that in effect will
compromise the original principles of the network, particularly the
principle of end-to-end, which says the network should be as simple as it
can be so it can't discriminate among uses and applications. That's
being compromised in the use of broadband on the Internet. It's at a lower
level of the network, but will have more profound effects.
These are modifications to the original protocols of the network that will facilitate the network owners' desire to discriminate, changing the network from a neutral platform to one that tilts against some uses and applications.
Can you give a specific example?
As cable has taken over the network, the cable companies have
begun to
architect the implementation of broadband in such a way that they're in a
position to control the way the network gets used, to decide what content
flows swiftly or slowly.
In the new book you say the Internet revolution faces what you call a
"counterrevolution of devastating power and effect." What does that
counterrevolution consist of?
The basic dynamic is that the original network presents threats
to existing
interests, that those are the ones fomenting the counterrevolution. This
includes network providers, the people who own the
wireless spectrum--they're resisting the original architecture of the
network because that architecture facilitates pretty significant
competition against them. It's the owners of the pipes, the cable
companies, acting in the way I just described, but also, given the power to
discriminate that the cable companies have, the telecoms are pushing bills
in Congress to be freed of the traditional regulations that require that
they remain neutral.
What is Congress doing on this front?
There are a number of bills floating around Congress to do
exactly this.
It's hard to see where the support lies, but it's pretty strong. (FCC)
Chairman (Michael)
Powell, in a speech about broadband, advocated that providers be free of
common-carrier-like regulations. In my view, that means they are free to
engage in the type of discrimination that the original Internet made
impossible.
What are some of the less obvious fronts in this war for control?
I'm also concerned about the way that intellectual property is
used to protect existing ways
of doing business or protect existing business models. In the context of
copyright in the music industry, you have a highly concentrated industry in
its present form that fears the kind of open competition that the Internet
could provide if it were free to deliver and produce content. So through
lawsuits the industry has resisted those ways of delivering content and
companies designed to facilitate that delivery, and that has left the field
empty except for methods they control or approve of. The music industry has effectively vetoed new innovation in the delivery and production of content.
Another threat is in the area of patents, where there has been an
explosion of patents in the arena of software and network technologies.
They're a kind of tax on the innovation process, in the sense that
companies competing in a field governed by patents have to secure defensive
patents and engage in significant licensing.
You seem to be identifying two threats, one to the Internet's
ability to
grow, the other to our personal freedoms. How are the two related?
With regard to the Internet's growth, to the extent that you
create burdens
in the innovative process, you make it harder to grow commercially by this
tax on innovation. In the personal context, one of the great promises in
the digital revolution was the promise of greater creativity among
individuals to distribute and produce new content, whether music or writing
or filmmaking...To the extent that the
enforcement of copyright succeeds in closing down access to those
resources, it will slow down people's ability to take advantage of this
opportunity.
What's the most pressing threat? And how can the average
person most effectively respond to it, both to protect him- or herself and
to help stem the larger tide of corporate control?
The greatest threat is that before we even recognize the value of
creativity and innovation that comes from a neutral platform, the neutral
platform will disappear. What people can do to resist this is to resist the
increasing efforts through law, like the law of copyright, to exercise
control over the future of the Internet.
What people can do is they can become politically involved to insist on a more limited, balanced protection of copyright so it doesn't become a tool by which innovation gets stifled.
Be more specific. What can someone do now, today, if they're concerned about this trend?And your relationship to that group is...
I'm on the board of directors. Among civil liberties groups
they're the
only ones thinking about the relationship between architecture and policy.
What's the proper role of intellectual property law on the
Internet? How is
it being abused?
The conception of some in the intellectual property community
is that
intellectual property should give the intellectual property owner the right
to perfectly control the use of intellectual property. So they should be
able to decide whether you have the right to read a book once or five
times, the right to loan it to a friend, the right to copy a section out of
it to use in a school report. They believe they should have the right to
control it.
That's the extreme position of control that our tradition and
good sense should resist. We've never protected intellectual property
perfectly; instead we have always protected it in a way that preserved
opportunities for uses that copyright owners cannot perfectly control.
So there's something better about an imperfect system?
We have always sought a leaky system of protecting
intellectual property,
so that people can build around it. Take jazz music as an example: If
everyone writing jazz music had to negotiate with everyone they were
building upon, we would not have jazz, because the costs of that kind of
negotiation would be just too great. So this is true of creativity in many
contexts, that it involves the taking and building upon of someone who has
done it before. That's the view of freedom that this extreme view of
copyright rejects.
Who are the worst offenders in this story?
Cable companies, the copyrights of the recording industry. The
same
principle was at stake in the Microsoft case. Microsoft was using its power
to protect itself against new innovation. That's just another example of
how you can manipulate the platform.
Many think Microsoft is getting off too easy in the proposed
antitrust
settlement. Do you agree?
I think the consent decree is a great failure. The general
form is a good
one--trying to use the competitive process to police the company--but
there's no effective enforcement mechanism. After four years of struggling
with Microsoft to get them to understand the law, the enforcement mechanism
would be the most important to solve. But there's none.
What lessons should we draw from the Sklyarov case?
That's an example of copyright law's extremes. He's produced
technology
that could be used consistently with fair use, and he's branded a criminal
and now faces 25 years in jail. What we can learn is the extremism that the
present copyright system pushes in the defense of copyrighting and its
potential for intervening with legitimate use and technologies.
What about what happened with MP3 and Napster?
That's an example of how the recording industry uses the law
to stop new
innovation in the delivery and production of content.
Where do we go from here on the copyright front?
The courts have basically shut down innovation that the
recording industry
does not approve of. In my view Congress should step in and establish a
baseline of neutral rights so that anyone has a right to access music to
distribute in this medium.
I have supported a compulsory license for online music so that many Napsters can pay for content that consumers were taking, but they would have the right to access so they could compete with the recording industry with respect to distribution and ultimately production of new music.
What are the odds of getting that from this Congress?
Extremely low.
You've called for "strong but short" copyright protection with a
five-year
term that could be renewed for up to 75 years. What would this accomplish?
It would allow more stuff to fall into the public domain automatically. And
if we could eliminate an expansive derivative right, it could allow much
greater innovation on top of what has been produced.
What was special about the way the Internet's architecture
developed? How
is that special quality now endangered?
What was special was that the network architects built the
Internet in such
a way that recognized they didn't understand how it would be used. They
built it to be as simple and flexible as possible so that it could be
developed in any number of ways as users and innovators wanted it. They
were humble, in an sense, about their own insight about this. That humility
translated into a architecture that inspired the innovation that the
Internet produced.
In a review of your new book, Salon.com writes that you are
"reluctant to
criticize directly the software giants and the architects of the controlled
future, noting that they have obligations to stockholders." Are you
throwing up your hands at the problem?
What I'm saying is that there's no reason to believe that business will do what's good for the country. Business will do what's good for business. To
the extent that there's a public policy at stake, we should use
policy-makers to do the right thing. We should not trust that AOL or AT&T will build the architecture to benefit the nation as a whole, because they will build it to benefit themselves. That's what they were hired to do. Public
policy has to come from public-policy-makers, not from business.
You write about the "public" or "intellectual" commons. What
does that mean, and is it something that can coexist with free markets?
The sense of commons that I've been talking about is the commons produced by a neutral platform, where everyone has an equal right to build and create. In that sense it's just like a public highway system, which was built so that GM cars run on it just as well as Ford cars.
You've accused programmers of dropping the ball, politically.
What are they
doing and what should they be doing?
They need to do a better job in showing us the values that are built into the code they're writing. The point of both my books is that the architecture had certain values build into it. The people changing them should do a better job of making us aware of how the values change with the code.
In the wake of 9/11, national identity cards have received renewed
attention. Do you think it's a good idea?
At the crude level people think about this now, no. But I
believe there is a
way to architect identity that would increase security and increase privacy.
No one, however, is thinking along these lines now.
What's the biggest misconception people have about the Internet?
That its freedoms will always be. They won't. The freedoms are a function of its architecture. Its architecture can change.