Pentax weather-sealed K-S2 joins the $900 club
Pentax adds to its entry/enthusiast dSLR options with a full-featured model.
Editors' note, February 19, 2015: Updated with UK pricing and some additional specifications.
Shop for Pentax K-S2 (Body Only, Black)
See all pricesThough the K-S1 is barely six months old, Pentax revisits the newest K-S series dSLRs with the family-targeted K-S2, which joins the K-S1 in the product line. Abandoning most of the somewhat radical and rather unnecessary design changes it made for the K-S1 -- curved grip and flashing lights, to name two -- the K-S2 has a far more traditional design, with some nice touches for its price.
In the US, Pentax plans to sell the camera with its new 18-50mm f4-5.6 collapsible kit lens for $900 (£650), although in the US, at least, there's also an $800 kit with the older, non-collapsible 18-50mm lens. At update time we still couldn't find pricing for Australia. Directly converted, that $900 is AU$1,151.
What's new
- Design. The body reverts to the more traditional design of Pentax dSLRs, and in a lot of ways the K-S2 hearkens back to the K-50. It's weather sealed, has a large, 100-percent field-of-view viewfinder, and front and rear control dials -- design perks typically not found in its price class. It also has a flip-out-and-twist LCD -- the K-S2's was fixed -- and does retain the second shutter button of the K-S1 for easier selfies.
- Connectivity. For the first time, Pentax builds Wi-Fi into the camera instead of bundling a Flucard.
- Updated autofocus module. Pentax bumps it its AF module to Safox X. That make eke some better performance and accuracy out of it.
- Features. There's a new Clarity Enhancement effect, which emphasizes textures, and a new A-HDR mode that combines multishot HDR with an HDR effect for broader tonal range and that overprocessed look. It also inherits the 4K automatic time-lapse mode from the K-3 and a mode that handles star trails in movies.
My take
I'm not sure how this model falls into the K-S series, since from a price, performance, design, build quality and features standpoint it really seems more like a successor to the K-50, which now runs about $600 for the basic kit (£470, AU$650). The only carryover seems to be the color choices (those will ship in April). And it looks like it will be the price premium over the older model, given all the updates.
Compared with new competitors from Canon and Nikon it stands up quite well given its weather-sealed design and big viewfinder. The biggest downer is the new lens: yes, it shrinks the overall profile of the camera, but you sacrifice focal range (it's 18-50mm vs. the usual 18-55mm) and the lens is slower than most (maximum aperture is f4 vs. f3.5). That limits your shooting flexibility, especially in low light.
Comparative specs
Canon EOS T6s EOS 760D | Pentax K-S1 | Pentax K-S2 | Pentax K-50 | |
Sensor effective resolution | 24.2MP CMOS Hybrid CMOS III | 20.1MP CMOS | 20.1MP CMOS | 16.3MP CMOS |
Sensor size | 22.3 x 14.9mm | 23.5 x 15.6 mm | 23.5 x 15.6 mm | 23.7 x 15.7mm |
Focal-length multiplier | 1.6x | 1.5x | 1.5x | 1.5x |
OLPF | Yes | No | No | Yes |
Sensitivity range | ISO 100 - ISO 12800/25600 (exp) | ISO 100 - ISO 51200 | ISO 100 - ISO 51200 | ISO 100 - ISO 51200 |
Burst shooting | 5fps 8 raw/940 JPEG (likely without continuous AF and IS off) | 5.4fps 20 JPEG/5 raw | 5.5fps n/a | 6fps 30 JPEG/8 raw |
Viewfinder (mag/ effective mag) | Optical 95% coverage 0.82x/0.51x | Optical 100% coverage 0.95x/0.63x | Optical 100% coverage 0.95x/0.63x | Optical 100% coverage 0.92x/0.61x |
Hot shoe | Yes | Yes | Yes | Yes |
Autofocus | 19-point phase-detection AF all cross-type center dual cross to f2.8 | 11 pt AF 9 cross type (SAFOX IXi+) | 11 pt AF 9 cross type (SAFOX X) | 11 pt AF 9 cross type (SAFOX IXi+) |
AF sensitivity | -0.5 - 18 EV | - 1 - 18 EV | - 3 - 18 EV | - 1 - 18 EV |
Shutter speed | 1/4,000 to 30 secs; bulb; 1/200 sec x-sync | 1/6000 to 30 seconds; bulb; 1/180 x-sync | 1/6000 to 30 seconds; bulb; 1/180 x-sync | 1/6000 to 30 seconds; bulb; 1/180 x-sync |
Shutter durability | n/a | n/a | n/a | n/a |
Metering | 63-segment 7,560-zone RGB+IR | 77 segment | 77 segment | 77 segment |
Metering sensitivity | 1 - 20 EV | 0 to 22 EV | 0 to 22 EV | 0 to 22 EV |
Best video | H.264 QuickTime MOV 1080/30p, 25p, 24p; 720/60p | H.264 QuickTime MOV 1080/30p, 24p, 25p; 720/50p, 60p | H.264 QuickTime MOV 1080/30p, 24p, 25p; 720/50p, 60p | H.264 QuickTime MOV 1080/30p, 24p, 25p; 720/50p, 60p |
Audio | Stereo, mic input | Stereo | Stereo | Mono |
Manual aperture and shutter in video | Yes | n/a | n/a | Yes |
Maximum best-quality recording time per clip | 4GB | 25m | 4GB/25m | 25m |
Clean HDMI out | Yes | n/a | n/a | No HDMI |
IS | Optical | Sensor shift | Sensor shift | Sensor shift |
LCD | 3 in/7.7 cm Articulated touchscreen 1.04m dots | 3 in/7.7 cm Fixed 921,000 dots | 3 in/7.7 cm Articulated 921,000 dots | in/7.7 cm Fixed 921,000 dots |
Memory slots | 1 x SDXC | 1 x SDXC | 1 x SDXC | 1 x SDXC |
Wireless connection | Wi-Fi, NFC | Wi-Fi via bundled Flucard | Wi-Fi, NFC | No |
Flash | Yes | Yes | Yes | Yes |
Wireless flash | Yes | No | n/a | No |
Battery life (CIPA rating) | 440 shots n/a | 410 shots | 480 shots | Li-Ion: 480; AA lithium: 1250 |
Size (WHD) | 5.2 x 4.0 x 3.1 in 131.9 x 100.9 x 77.8 mm | 4.8 x 3.7 x 2.8 in 121.9 x 94.0 x 71.1 mm | 4.8 x 3.6 x 2.6 in 122.5 x 91 x 72.5mm | 5.1 x 3.8 x 2.8 in 129.0 x 96.5 x 70.0 mm |
Body operating weight | 20.0 oz (est.) 565 g (est.) | 19.7 oz (est) 558.5 g (est) | 23.9 oz (est.) 678g (est.) | 23.2 oz 657.7 g |
Mfr. price (body only) | $850 £650 | $600 (est.) £470 AU$700 | $700 £550 | $700 (est) £430 AU$650 |
Primary kit | $1,200 Australian pricing to come (with 18-135mm STM lens) | $650 (est.) £500 AU$750 (with 18-55mm lens) | $900 £650 Australian pricing to come (with retractable 18-50mm lens) | $780 (est) £470 AU$690 (with 18-55 WR lens) |
Release date | April 2015 | September 2014 | March 2015 | July 2013 |