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MEElectronics HT-21 Travel (Black) review: MEElectronics HT-21 Travel (Black)

MEElectronics HT-21 Travel (Black)

Justin Yu Associate Editor / Reviews - Printers and peripherals
Justin Yu covered headphones and peripherals for CNET.
Justin Yu
4 min read

MEElectronics hits the mark with the HT-21, the company's first pair of supra-aural (on-ear) headphones. Priced at just $40, they fall into the same budget portable category as the Koss PortaPro and the Sennheiser PX 100-IIi sets, but deliver a balanced sound signature with less attention to bass despite their closed design. You can spend more for other pairs that block ambient noise, or offer extras like a remote control on the wire, but you won't find a better combination of price and performance than the MEElectronics HT-21 headphones.


MEElectronics HT-21 Travel (Black)

The Good

The <b>MEElectronics HT-21</b> over-ear headphones harmoniously blend comfort, durability, and balanced sound for a bargain price.

The Bad

Noise isolation is nearly nonexistent despite their closed-backed design.

The Bottom Line

You may be fooled by their featherweight design, but the MEElectronics HT-21s earn our recommendation for their ample soundstage, subtle aesthetic, and portable convenience.

Design and features
MEElectronics made few adjustments to the quintessential over-ear headphone model with the HT-21s. While some modern brands favor loud colors and trendy prints, the all-black plastic and black faux-leather earpads give these headphones a timeless look without the fashion statement.

The silver metal headband is wrapped in thick plastic all the way around for extra durability, and the top section is cushioned with the same pleather that lines the dual earpads. The portion that connects the earpad to the headband also forms a wider angle than most competitive models, so the headphones feel loose on your temples--we don't mind the extra material, but some of you might prefer a headband that hugs your skull more tightly.

The HT-21's dual earcups swivel in one direction and fold up easily into the headband for mobile storage in the soft carrying case, and we prefer their pleather material around the cups as it retains the comfort of the real thing without the sweaty ears that marred long-term use of the Marshall Majors. We listened to the HT-21 headphones for 8 hours a day during a week of testing and experienced zero ear fatigue attributed to the high comfort level along with the balanced sound architecture.

Two distinct features set the HT-21 headphones apart from the competition: MEElectronics continues the trend of attaching the cable to only one side of the earcups to cut down on tangled wires, and the 4-foot rubber cable terminates in a unique 45-degree, 3.5mm hybrid-plug that combines the sturdiness of the L-plug with the universal fit of the straight plug.

If noise isolation is a high priority for you, the HT-21s aren't your best bet; although they technically have a closed-back design, the loose fit caused by the wide-angled headband structure unfortunately bleeds music to the outside world and doesn't do much to prevent peripheral noise from entering your ears. That said, a simple workaround is to simply adjust the volume to prevent sound leakage or raise it to drown out unwanted background noise, but this method is an easy way to damage your hearing over time.

Keep in mind that these are $40 headphones, so the HT-21s aren't in direct competition with high-end DJ headphones or professional quality monitors designed to expose your ears to undiscovered nuances in music. That being said, their overall sound signature is still a vast improvement over most of the stock earphones that come bundled with modern music players and we don't doubt your satisfaction with them, although certain sonic characteristics differentiate them from their direct competitors from Sennheiser and Koss.

Compared with the PortaPros, the most glaring distinction is the subdued attention to the low end. The HT-21s still emit a punchy beat but seem to cut back on the booming extension in favor of a more balanced mid and treble section. You can certainly add more bass emphasis using the equalizer on your music device, but you'll also lose the natural sound that puts MEElectronics in good standing with the mobile audiophile community. We also prefer the smoother bass control over the Sennheiser PX 100-IIi set's thudding quality that can get muddy and weighed down in hip-hop and electronic tracks that employ artificial drum machines.

On the other hand, the HT-21 headphones handle midrange and treble tones with crisp feedback that borders on the cooler end of the spectrum, sometimes giving off an unwelcome hiss in songs that are heavy with sibilant consonants (S and SH sounds). You can cut down these imperfections by lowering the listening volume through the headphones, although issue is easily ignored regardless.

The MEElectronics HT-21 headphones are suitable for anyone who doesn't want to spend a lot of money but still insists on a above-average sound without the retro flair of the Koss PortaPro or the smartphone-friendly remote on the Sennheiser PX 100-IIi. Sporting a comfortable design and a forward-thinking wire-and-plug combination, the HT-21 cans are a solid choice in the sub-$50 headphone market.


MEElectronics HT-21 Travel (Black)

Score Breakdown

Design 8Features 8Performance 8