Like all of the headphones Koss sells, the Pro4S are backed by the company's widely celebrated lifetime warranty. If they ever fail for any reason (even if it's your fault), all you have to do is send them to the company's headquarters in Milwaukee, Wis., along with a check or money order for $9 and you'll get a brand-new set in a week or so -- no questions asked, nor proof of purchase required.
I've done this myself on two occasions with my, and even though both instances were my fault, Koss was great about getting me a new pair in about a week. A true-to-its-word lifetime warranty goes a long way for someone like me who isn't afraid to test the durability of their headphones, and Koss gets major value points for being one of the only companies to make it so easy to get a replacement.
It's worth restating that the standard protocol for judging headphones doesn't apply to studio monitors. Of course, all sound quality is relative to your ear and the music you're playing, but the difference is that the Pro4S makes no compromises for modern listening preferences that lean heavily toward compressed music.
As such, the extremely flat register also means that electronic music generated from a computer sounds lifeless and dull compared to what you'll hear from extremely dynamicwhen playing the same track, but you should press play expecting this organic response from the Pro4S.
Rated at 35 ohms, these also aren't the most powerful studio monitors that you can buy compared to the, but they're also a lot less expensive and don't require an external amplifier, which is convenient for folks who just want to plug the headphones directly into a phone and start jamming.
The fact that these are closed-back headphones means that their passive noise-attenuation will likely be sought out for studio-tracking purposes where the engineer can ensure sound won't leak out of the headphones and make their way onto the recording.
The snug fit of the headband holding the ear cups in place also works well to keep ambient sounds away from your ears when you're playing music, making them a solid contender for use on a commute or elsewhere outside a recording studio.
Theis another option in the same sub-$150 price range that updates Grado's classic open-back design with smartphone controls, but the premium tier also offers plenty of options that can reach into the $500 and up range. If impedance and power are at the top of your list, the is worth a glance.
The Koss Pro4S are a well-built pair of studio monitor headphones with the audio chops to compete with big name competitors that have proven their value over the course of the last twenty years. They're not quite as fun to listen to as thein terms of versatility, but you get modern features like memory foam cushions, dual-entry jacks and of course Koss's unmatched lifetime warranty.
The Pro4S are a sound purchase if you understand and accept that these are basically the antithesis to the "big" sound that companies like Monster have built an entire industry upon. Brands such as Monster make headphones that are great for cranking up the volume and blasting tunes, but the Pro4S are meant for a more attentive user who really wants to pick out the nuances of the recording. If you fit into that profile and have $150 to spend, you won't be disappointed by the Pro4S.