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JVC DLA-HD350 review: JVC DLA-HD350

The Good Incredible contrast performance; exceptional sharpness; decent design; runs very quietly; excellent standard-def performance.

The Bad Lack of colour-management features; colours could be richer; no D-Sub PC or 12V trigger jacks.

The Bottom Line JVC's DLA-HD350 improves even further on the remarkable black-level achievements of the ground-breaking DLA-HD1. If you couple that with the HD350's extreme sharpness and better brightness, you end up with a projector that -- although not perfect, and short of a feature or two -- is a bargain of gargantuan proportions

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8.8 Overall

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After years in the projection minor leagues, JVC suddenly brought its D-ILA projection technology into the premier league with the introduction of new wire-grid polarising technology on the DLA-HD1. That technology revolutionised the sort of black-level response that could be expected from a reasonably affordable projector.

As the first proper next-generation wire-grid machine, we were fascinated to see what JVC's DLA-HD350 -- priced at around £3,400 -- could do, and hoped it would take the company's burgeoning technology up another gear.

For a large projector, the HD350 is surprisingly attractive, thanks to the glossiness of its black finish and its distinctive, stretched-diamond shape.

The HD350 is much easier to set up than its HD1 and DLA-HD100 predecessors. The on-screen menus are excellent, for instance, and include motorised vertical/horizontal image shifting, zoom (with a x2 optical range) and focus options, as well as keystone correction, for straightening out the edges of images.

Technophobes can take heart from a mostly well-conceived set of image presets, while tinkerers can save the results of their endeavours into any of three provided memory slots. What's more, the number of adjustments that can be made with the HD350 is much higher than with the HD1, and every extra tweak enhances the prospect of you being able to get pictures looking exactly as you want them to.

Particularly good is the provision of three aperture adjustments, so that you can change the amount of light the projector lets through its lens. This gives you a degree of choice over the image's contrast/brightness balance.

The single best thing about the HD350, however, is its picture quality. Its all-important black-level response, for instance, is even better than that of the HD1. Dark scenes look almost completely devoid of the customary grey-misting effect that blights practically every other sub-£5,000 projector. Plus, even the blackest corners contain unprecedented amounts of shadow detail, ensuring that they look three-dimensional and 100 per cent natural.

We found the HD350 surprisingly attractive

What's more, all this is achieved without any need for the sort of dynamic-iris systems used by many rival projectors -- certainly all LCD and SXRD models. This means that the HD350's dark scenes look utterly stable, with none of the usual brightness 'stepping' that you get with dynamic-iris models.

We were also hugely impressed by the sharpness of the HD350's high-definition pictures. The amount of HD detail the projector reproduces is frequently stunning, and it's brought to the screen without being accompanied by grain or other noise.

More good news concerns the HD350's colours, which look notably richer and more dynamic than those of the HD1. This makes images much more eye-catching and cinematic, as well as more natural, since the HD350 seems able to portray a wider section of the visible colour gamut.

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