Gateway DLP56TV review: Gateway DLP56TV

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The Good Relatively inexpensive; excellent connectivity; versatile PIP; bright, incredibly detailed image; robust, low-maintenance technology; wide viewing angle.

The Bad Still much pricier than similar-size CRT rear projectors; some rainbow effects; video noise and grayish blacks in darker scenes; inaccurate color.

The Bottom Line Gateway's budget DLP rear projector won't win on style, but its picture was a pleasant surprise.

7.1 Overall
  • Design 6
  • Features 8
  • Performance 7

Review summary

Digital light processing (DLP) is a technology that's relatively new to rear-projection televisions, and Gateway is a TV rookie itself--just look at some of the recent scores our reviews team has given the company. That's why we were pleasantly surprised by Gateway's sole rear-projection set, officially dubbed the 56-inch DLP HD-ready TV. It offers performance on a par with that of its more expensive DLP competition (the swankier Samsung HLN567W), plus a feast of inputs and a spouse-friendly PIP function. Yes, less-expensive, bulkier tube-based rear projectors, such as the Hitachi 57S500, will outperform this 56-incher, but it can handle computer images and delivers an equally bright picture from all viewing angles. All that and a relatively affordable list price make the Gateway our favorite value among DLP televisions.

While silver has been in vogue among most television makers for the past year, Gateway has taken its own stylistic direction. This DLP TV is a rectangular black hole: black borders frame a black screen sitting atop a black base. Only a line of gray buttons and the silver Gateway logo escape the gravity well. In its favor, this study in black-matte plastic doesn't reflect much room lighting.

Despite its large screen, this TV isn't furniture in its own right. You'll need to place it on a stand or a low bench to raise the display to eye level. Thanks to DLP technology, the set measures only 19 inches deep and weighs a mere 130 pounds. Its build quality seems a little light as well, but at least the jack connections are solid.

We liked the large, blue-backlit remote, though we would have preferred fewer buttons and tighter organization; novices may find this clicker confusing. Keys provide direct access to groups of inputs; for example, Comp cycles between the two component-video ins. The text-only internal menu system won't win any beauty contests and can be a challenge to navigate.

One unusual trait of DLP TVs is that they don't turn on immediately. After we'd hit the power button, the screen took an average of nearly 40 seconds to light up with a picture. The delay was quite a bit longer than what we experienced with Samsung's HLN467W. And the Gateway has its very own weird characteristic: you have to press the power key twice to turn off the set. Also, a couple of times during testing, our review unit's display went blank for one or two seconds.

Two major features stick out on the spec sheet: DLP technology and an extremely versatile picture-in-picture (PIP) function. The set's DLP engine is Texas Instruments' HD2 chip, which has a native resolution of 1,280x720--enough to display every pixel of a 720p high-definition signal. Like any fixed-pixel set, the Gateway converts 1080i HDTV; DVD; VHS; standard cable, antenna, and satellite television; and all other resolutions to fit the native pixel count. You'll need to attach a separate HDTV tuner to watch high-def programming.

The folks from Gateway say that their PIP feature makes it easy for two people to enjoy different shows simultaneously on the wide screen, and for the most part, they're right. The television comes with two remotes, so you and your TV buddy can independently change channels, swap sources, and even adjust the volume; the second window is linked to a dedicated headphone jack with a volume control. The PIP function's main limitation comes up with cable and/or satellite boxes; you'll need two to access all channels in both windows. Your DVI and RGB (computer) images must appear in the main display, but otherwise, any source can appear alongside any other.

Our favorite performance-enhancing feature, individual input memories, enables you to adjust contrast, brightness, and other parameters for each source. You also get a choice of three color temperatures. Four aspect ratios let you resize images on the wide screen: along with 4:3 and 16:9, you get Zoom for nonanamorphic DVDs and Panorama for stretching the picture's sides more than its center. Choices for HD sources are limited: via component video, Panorama and Zoom are totally inactive in 1080i, and you can't change aspect at all in 720p. Every mode but Panorama is available for 720p DVI transmission, but the set didn't accept our 1080i DVI signals.

Speaking of inputs, this Gateway has 'em in spades. Its DVI jack has HDCP copy protection for compatibility with HDTV receivers and DVI-equipped DVD players. Both of the rear component-video hookups can accept standard, 480p, and HDTV signals. A flip-out bay on the face's left side holds one A/V connection, and the back provides two more with S-Video. That front-panel compartment also hosts a headphone jack for each PIP window and one of the two VGA inputs for your computer. Finally, there's a full set of A/V outputs, complete with S-Video.

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