Even higher-end camera lines need an entry-level model.
Fujifilm's X-series cameras -- made up of mirrorless interchangeable lens models and premium compacts -- are primarily targeted at enthusiasts and professionals. For compacts, the XQ2 is the current entry point for the line coming in around $400 in the US, £270 in the UK and AU$480 in Australia.
That pricing might not scream "entry level," especially in a world where many people go for their phones first when they need a camera, but we're talking about premium compacts that can cost more than $1,000, not basic point-and-shoots.
With the XQ2, you get a nice-looking little camera with a larger sensor than most models competing with it at this price, a 4x f1.8-4.9 25-100mm lens, abundant shooting options and manual controls and fast performance. The combination makes this camera a good step-up from a smartphone or more entry-level point-and-shoots, giving you more control and better photo quality, particularly in low light.
The camera is a minimal update from the XQ1, however, so if you have one of those there is little reason to upgrade or if can find an XQ1 at a lower price, it will likely serve you just as well as the XQ2. For reference, the new features include a Multi-Target AF (autofocus) mode, which selects up to nine focus areas for faster and more precise focusing; movie scene recognition for better automatic settings under a variety of shooting conditions; and Classic Chrome is added to Fujifilm's film simulation settings, which reproduces the "deep colors and rich shades distinctive of documentary images."
Though the years-old original around $400, the XQ2 comes close enough to warrant your consideration as it's a little less expensive and has built-in Wi-Fi for on-the-go sharing.is still our top choice for an enthusiast compact
|Canon Powershot G16||Fujiflm XQ2||Panasonic Lumix DMC-LX7||Sony Cyber-shot DSC-RX100|
|Sensor effective resolution||12.1MP CMOS||12MP X-Trans CMOS II||10.1MP MOS||20.2MP Exmor R CMOS|
|Sensor size|| 1/1.7-inch |
(7.6 x 5.7 mm)
| 2/3-inch |
(8.8 x 6.6 mm)
| 1/1.7-inch |
(7.6 x 5.7 mm)
| 1-inch |
(13.2 x 8.8mm)
|Sensitivity range||ISO 80 - ISO 12800||ISO 100 - ISO 3200/ISO 12800 (exp)||ISO 80- ISO 6400||ISO 100 - ISO 25600|
|Lens (35mm equivalent)|| 28-140mm |
| 25-100mm |
| 24-90mm |
| 28-100mm |
|Closest focus||0.4 in/1.0 cm||1.1 in/3 cm||0.4 in/1 cm||1.9 in/5 cm|
|Burst shooting|| 10fps |
| 3fps |
(12fps for 9 frames or 9fps for 11 frames with focus and exposure fixed at first frame)
| 5 fps |
12 JPEG/ n/a raw
(11fps without tracking AF)
| 2.5fps |
(10fps with fixed exposure)
12 JPEG/13 raw
| Viewfinder |
(mag/ effective mag)
| Optical |
|None|| Optional |
|Autofocus|| n/a |
| n/a |
Hybrid contrast/phase-detection AF
| 23 area |
| 25-area |
|Shutter speed||30 - 1/4,000 sec||30 - 1/4,000 sec||30 - 1/4,000 sec||30 - 1/2,000 sec; bulb|
|Metering||n/a||256 zones||23 area||n/a|
|Best video|| H.264 QuickTime MOV |
| H.264 QuickTime MOV |
|AVCHD 1080/60p @ 28 Mbps|| AVCHD |
1080/60p, 50p, 25p,
|Manual aperture and shutter in video||No||n/a||Yes||Yes|
|Maximum best-quality recording time||4GB/29:59 minutes||14 minutes||29:59 minutes||29 minutes|
|Optical zoom while recording||Yes||Yes||Yes||Yes|
|LCD|| 3-inch |
| 3 in/7.5cm |
| 3 in/7.5 cm |
| 3-inch |
|Memory slots||1 x SDXC||1 X SDXC||1 x SDXC||1 x SDXC|
|Battery life (CIPA rating)||360 shots||240 shots||330 shots||330 shots|
|Size (WHD)|| 4.4 x 3.0 x 1.6 in |
108.8 x 75.9 x 40.3 mm
| 3.9 x 2.3 x 1.3 in |
100 x 58.5 x 33.3 mm
| 4.4 x 2.6 x 1.8 in |
110.5 x 67.1 x 45.6 mm
| 4.0 x 2.4 x 1.4 inches |
101.6 x 58.1 x 35.9 mm
|Body operating weight|| 12.5 oz |
| 7.3 oz (est.) |
206 g (est.)
| 10.5 oz (est.) |
298 g (est.)
| 8.5 oz |
The XQ2's 12-megapixel 2/3-inch sensor is larger than the 1/1.7-inch sensors typically found in advanced compacts at or below its price and considerably larger than the 1/2.3 or 1/3.2-inch sensors used in smartphones. (The aforementioned RX100 bests the XQ2 with a 1-inch sensor.) Generally speaking, the larger the sensor is, the better the photo quality will be with less noise and improved low-light performance.
That's certainly the case with the XQ2, which delivered relatively little noise right up to ISO 800 with only a slight increase at ISO 1600. Even shots at ISO 3200 are usable, at least at smaller sizes, as they retain a fair amount of detail without getting overly soft. You do see color desaturation above ISO 800, though.
The sensor is still small compared to a dSLR's, and dynamic range suffers a bit for it. Highlights still blow out, but if you're OK shooting in raw, some detail can be rescued in post-processing. (If you want to share straight from the camera, you can edit the raw images right on the XQ2.) Plus, if the light is really challenging, you can take advantage of Fujifilm's in-camera dynamic range bracketing, which takes three shots at different settings to improve the balance between highlights and shadows. (There are also bracketing options for ISO, exposure compensation and Fujifilm's film simulations, which reproduces the colors for the company's film styles.)
Video quality is less impressive, with a distracting amount of artifacts around subjects and in backgrounds. The XQ2's clips would be fine for occasional clips, but if you're looking for something to do double duty regularly, I would definitely step up to the Sony RX100.
Along with its nice photo quality, the XQ2 has pretty fast shooting performance. From off to first shot was 1.8 seconds in my tests with the shot-to-shot lag clocking in at 0.8 second. Shooting in raw bumped that up to only 1 second. When using the flash, that time was a reasonable 2.1 seconds. The time from pressing the shutter release to capture -- without prefocusing -- was 0.3 second in both bright and low-light conditions.
Burst shooting at full resolution hit a rate of 13 frames per second, which is faster than the 12fps Fujifilm claims. However, it drops off after nine shots are captured and focus and exposure are set with the first shot, so if you're tracking a moving subject there's a good chance not all of your photos will be in focus. You can put on continuous autofocus and the camera only slows down to about 9fps, dropping off in speed after 11 shots. Shooting in raw slowed the burst rate down to about 6 shots per seconds.