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Casio Exilim EX-FC100 review: Casio Exilim EX-FC100

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MSRP: $299.99

The Good Amazing high-speed features for size, cost; integrated Eye-Fi support; very good regular performance.

The Bad Mixed photo quality; narrow lens; noisy AF system; high-speed modes require low resolutions; no optical zoom while recording movies.

The Bottom Line Casio provides affordable, advanced high-speed shooting for the masses with the Exilim EX-FC100, but other aspects lag behind its class.

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7.0 Overall
  • Design 7
  • Features 8
  • Performance 7
  • Image quality 6

There's no doubt the high-speed photo and movie shooting features of the Casio Exilim EX-FC100 are remarkable given its size and price. Its features tackle one of the biggest problems with point-and-shoot cameras: missed shots because of slow performance. Even its regular shooting performance is reasonably quick. Look past the high-speed features, though, and the FC100 is considerably less attractive with a narrow lens, a control and menu design that takes some adjusting to, and photos that are simply OK for its class. Plus, the high-speed options come at the cost of resolution and battery life.

Key specs Casio Exilim EX-FC100
Price (MSRP) $300
Dimensions (WHD) 3.9x2.3x0.9 inches
Weight (with battery and media) 6.2 ounces
Megapixels, image sensor size, type 9 megapixels, 1/2.3-inch CMOS
LCD size, resolution/viewfinder 2.7-inch LCD, 230K dots/None
Lens (zoom, aperture, focal length) 5x, f3.6-4.5, 37-185mm (35mm equivalent)
File format (still/video) JPEG/Motion JPEG (.AVI)
Highest resolution size (still/video) 3,456x2,592 pixels/1,280x720 at 30fps
Image stabilization type Mechanical and digital
Battery type, rated life Lithium ion rechargeable, 300 shots
Storage type SD/SDHC

The FC100 is a hefty compact camera, but it's still easily pocketed and not nearly as large as Casio's forebearers of its speedy shooting options, the FH20 and F1. The all-metal casing adds to the solid feel as does the weighty 5x zoom lens. Unlike a lot of the compact competition, the FC100's lens is a narrow 37mm-equivalent with a maximum aperture of only f3.6. (After testing so many wide-angle point-and-shoots this year, the difference is really noticeable.) Also, the autofocus system is distractingly loud; leave it in Continuous AF and it'll never shut up.

Like the FH20 and F1, this camera has an above-average number of controls. On its top is a power button and shutter release with zoom ring. There is also a button for switching to continuous shooting--either high-speed or normal depending on what you've set it to in the main menu system--and a Slow button. Hitting Slow starts the camera prerecording images and playing them back in slow motion. When you see the shot you want to capture, say the moment a raindrop hits the surface of a puddle, you press the shutter release down and the camera will capture the shot.

On its back, to the right of the excellent-quality LCD, is a discrete movie record button with a selector for going between the high- and normal-speed capture modes. Below that are buttons for moving between playback and shooting modes, a circular directional pad centered with a Set button, and Menu and Best Shot (BS) buttons. Pressing up on the directional pad changes the amount of information on the display, down sets the flash, and left and right can be programmed to turn on and off face detection or the self-timer, or switch light metering. The Set button brings up mode-specific shooting options while the Menu brings up three tabs of recording, quality, and system settings. The BS button is for picking a shooting mode. Got all that? Probably not, and that's what using this camera is like; there's so much going on it can be disorienting.

One feature you'll find buried in the system menu is the option to activate support for Eye-Fi Wireless SD cards, which allow you to transfer photos off the card and onto a computer over a wireless network.

General shooting options Casio Exilim EX-FC100
ISO sensitivity (full resolution) Auto, 100, 200, 400, 800, 1,600
White balance Auto, Daylight, Overcast, Tungsten, Shade, Day White Fluorescent, Daylight Fluorescent, Manual
Recording modes Auto (program AE), Scene (Best Shot), User Scene, Movie, High-Speed Burst, High-Speed Movie
Focus modes Spot, Free, Tracking, Manual, Macro, Pan, Infinity
Metering Multi, Center-weighted average, Spot
Color effects Sepia, Black & White, Red, Green, Blue, Yellow, Pink, Purple
Burst mode shot limit (full resolution) Unlimited continuous

Shooting options are based around picking a scene mode from the Best Shot menu (there are 20 to pick from) or putting it in Auto and deciding on the camera settings for yourself. Basically everything but shutter speed and aperture are at your disposal in Auto including adjustments for color saturation, sharpness, and contrast. If you compile a mix of settings you like for a particular subject or situation, you can easily establish a User Scene mode for them; you can create up to 999 of them, in fact.

With the FC100, Casio plays up the 30-frames-per-second continuous shooting and slow-motion movie modes, but barely touts two other features that make good use of its high-speed capabilities: High-Speed Night Scene and High-Speed Anti Shake. Both use the speed of the camera to quickly capture and combine multiple images to remove blur caused by shaky hands regardless of lighting conditions. The results are good enough that the modes deserve more recognition. However, like all of the high-speed shooting options, the photo resolution drops from 9 megapixels to 6MP.

Reduced resolutions are a problem for the high-speed movie modes, too. The mode can shoot at 210fps, 420fps, and 1,000fps at resolutions of 480x360, 224x168, and 224x64 pixels, respectively. There is, though, a variable 30-210fps option letting you toggle the movie recording speed between 30fps and 210fps, basically going from normal to slow motion when the moment's right. Regardless of what type of movie, though, there is no use of the optical zoom while recording.

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