Casio Exilim EX-F1 review: Casio Exilim EX-F1

The Good Stunning slow-motion movies; continuous flash shooting; long lens; manual features.

The Bad Heavy and bulky; slow zoom; 'only' 6 megapixels; very expensive.

The Bottom Line It's like an SLR but faster. It's a like a compact but smarter. It's like a movie camera but (slightly) smaller. In fact, Casio's EX-F1 is like nothing else out there. If high-speed sport or social photography and stunning slow-mo movies are your thing, there's nothing to beat it. But for anyone into more sedate snapping, there are better bargains to be had

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8.3 Overall

Launching a £700, 6-megapixel 'bridge' camera (one that sits between compacts and dSLRs) is a brave move for Casio, especially now that 10-megapixel genuine SLRs can be bought for less than half that. But the hefty EX-F1 has much to be proud of, from a stabilised 12x zoom lens to record-breaking high-speed modes that can shoot at a mind-boggling 1,200 frames per second -- as you can see in the video below.

Anyone who's ever missed a great photo waiting for automatic focus or flash systems to make up their minds knows the importance of high-speed shooting. Casio's Exilim EX-F1 takes it to the extreme, capable of capturing up to 60 full-resolution snaps in a second (about 30 times as many as most cameras). Even in the dark, the F1 hardly slows down, thanks to a pop-up flash that can unleash a lightning strobe of 7 flashes a second -- great for indoor portraits.

Image quality from the 12x lens is pretty good, full of rich colours and bright exposure, although lacking the crisp detail you get from real SLRs. What does match SLRs are the choice and competence of its manual and creative modes, from easy-to-use aperture and shutter priority exposure to tracking autofocus and digital tweaks.

Its movie modes are special, too. It will capture 'Full HD' 1,920x1,080-pixel movies at a glidingly smooth 60fps to rival dedicated movie cameras -- plus you get an HDMI port (although no cable) for instant hi-def playback.

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