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Canon Vixia HF M30 review: Canon Vixia HF M30

Canon Vixia HF M30

Lori Grunin Senior Editor / Advice
I've been reviewing hardware and software, devising testing methodology and handed out buying advice for what seems like forever; I'm currently absorbed by computers and gaming hardware, but previously spent many years concentrating on cameras. I've also volunteered with a cat rescue for over 15 years doing adoptions, designing marketing materials, managing volunteers and, of course, photographing cats.
Expertise Photography, PCs and laptops, gaming and gaming accessories
Lori Grunin
6 min read

7.5

Canon Vixia HF M30

The Good

Very good video at highest quality setting; nice lens performance.

The Bad

Poorly designed touch-screen menu system; short battery life; defaults to low-quality video mode.

The Bottom Line

At its best, the Canon Vixia HF M3x series--composed of the M300, M30, M31, and M32--delivers a very good blend of video quality, features, and performance for the money, but some people may find the touch-screen interface extremely frustrating to use and the battery life painfully short. Plus, you really need to bump up to the highest bit rate quality. Of the series, the HF M300 is the best deal.

I was a big fan of last year's mainstream Canon flash HD camcorders, the HF200 series, and much of what was great about them remains--solid performance and very good video quality. That's probably why I'm doubly frustrated by Canon's attempt to "improve" this year's models with its almost unusable new interface design.

The M series bodies are relatively small and lightweight, and though plastic, they feel pretty well-constructed. Plus, they're not too small for large hands to grip comfortably. Canon provides a physical switch for switching between manual and full auto modes. It's kind of annoying that you can't get into the menus in auto--which Canon calls "Dual Shot" mode--but if you adjust some settings in advance in Manual, they'll stick.


  Canon HF R100/R10/R11 Canon HF M300/M30/M31/M32 Canon HF S200/S20/S21
Sensor 2.4-megapixel CMOS 3-megapixel CMOS 8-megapixel CMOS
1/5.5 inch 1/4 inch 1/2.6 inch
Lens 20x
f1.8-3.6
40 - 800mm (16:9)
15x
f1.8-3.2
39.5 - 592.5mm (16:9)
10x
f1.8-3.0
43.5 - 435mm (16:9)
Min illumination (lux) standard: 5.5
low light: 0.4

recommended: > 100
standard: 5.5
low light: 0.4

standard: 4
low light: 0.3

EVF

No No Yes
123,000 dots
LCD 2.7-inch 211,000-dot 2.7-inch 211,000-dot touch screen 3.5-inch 922,000-dot touch screen
Primary media 0GB/8GB/32GB flash; SDHC 0GB/8GB/32/64GB flash; SDXC 0GB/32GB/64GB flash; SDHC
HD recording MPEG-4:
1080/60i @ 24 Mbps; 1440x1080/60i @ 12, 7, 5 Mbps
(all video interpolated up from 1,664 x 936)
AVCHD:
1080/60i @ 24, 17 Mbps; 1440x1080/60i @ 12, 7, 5 Mbps
AVCHD:
1080/60i @ 24, 17 Mbps; 1440x1080/60i @ 12, 7, 5 Mbps
Manual shutter speed and iris No Yes Yes
Accessory shoe No Yes Yes
Audio 2 channels;
mic, headphone jacks
2 channels;
mic, headphone jacks
2 channels;
mic, headphone jacks
Body dimensions (WHD, inches) 2.4 x 2.5 x 4.9 2.7 x 2.4 x 4.8 3 x 2.9 x 5.8
Operating weight (ounces) 11.3 13.1 18
Mfr. Price $499.99/$549.99/$699.99 $679.99/$699.99/$799.99/$999.99 $999.99/$1,099.99/$1,399.99
Ship date March 2010 March 2010 March 2010

On top of the camcorder, the zoom switch and photo button are comfortably located under your forefinger, and the zoom is easy to control for maintaining a steady rate. The mini accessory shoe sits behind them. The only control on the back is the record button. An 890mAH battery sits flush with the back, which means that if you upgrade to the higher capacity battery--to compensate for the camcorder's subpar battery life--it will stick out awkwardly.

There's a single button on the LCD bezel that enables Power IS mode (for when you're shooting at the telephoto end of the zoom range) or downconverting videos to Standard Definition quality. In the LCD recess sit the record/playback toggle button, display options and battery release switch. Because opening the LCD doesn't turn the camcorder on (unless you're in standby mode), the location presents slightly less of a problem here than on Panasonic's models.

In addition to the SDHC card slot, the mic and headphone jacks live in the LCD recess; the miniHDMI, USB, and component out connectors are under the hand strap.

The camcorders use the same menu interface design as their higher-end siblings, but the barely functional touch-screen implementation on those models fares even worse on the HF M series' smaller, less sensitive displays. It doesn't matter that the camcorders have nice manual feature set, because actually trying to get to and use the features is an exercise in frustration.

While the menus are structured straightforwardly and the interface is laid out in a logical manner, the horrible scrolling design makes it almost impossible to use; you slide your finger along the inside edge, so your hand blocks the display while you're scrolling. Second, the multitouch-like scroll operations make it impossible to accurately move a single entry at a time, so I always scroll past the entry I want and repeatedly select the wrong entries along the way. At best, it will take some getting used to, at worst, it will make you nuts.


  Canon HF M300/M30/M31/M32 JVC Everio GZ-HM400 JVC Everio GZ-HM550 Samsung HMX-S10/S15 Sony Handycam HDR-CX300 / CX350V
Sensor 3-megapixel CMOS 10-megapixel CMOS 10-megapixel BIS CMOS 10-megapixel CMOS 4-megapixel Exmor R CMOS
1/4 inch 1/2.33 inch 1/2.3 inch 1/2.33 inch 1/4 inch
Lens 15x
f1.8-3.2
39.5 - 592.5mm (16:9)
10x
f2.8-4.5
48.5 - 485mm (n/a)
10x
f2.8-4.5
48.3 - 483mm (n/a)
15x
f1.8-3.3
n/a (n/a)
12x
f1.8-3.4
29.8 - 357.6mm (16:9)
Min recommended illumination (lux) recommended: > 100
standard: 5.5
low light: 0.4
n/a n/a n/a standard: 11
low light: 3

EVF

No No No No No
LCD 2.7-inch 211,000-dot touch screen 2.8-inch 207,000-dot 2.7-inch 123,000-dot 3.5-inch 1.2-megapixel touch screen 2.7-inch 230,000-dot touch screen
Primary media 0GB/8GB/32/64GB flash; SDXC 32GB flash; SDHC 32GB flash; SDHC 0/32GB flash; SDHC 16GB/32GB flash; SDHC
HD recording AVCHD:
1080/60i @ 24, 17 Mbps; 1440x1080/60i @ 12, 7, 5 Mbps
AVCHD:
1080/60i @ 24, 17, 12, 5 Mbps
AVCHD:
1080/60i @ 24, 17, 12, 5 Mbps
H.264 MPEG-4:
1080/60i, 30p; 720/60p
(bitrates n/a)
AVCHD:
1080/60i @ 24, 17 Mbps; 1440x1080/60i @ 9,5 Mbps
Manual shutter speed and iris Yes Yes No Yes No
Accessory shoe Yes Yes No No Yes
Audio 2 channels;
mic, headphone jacks
2 channels, mic, headphone jacks 2 channels 2 channels; mic jack 2 channels
Body dimensions (WHD, inches) 2.7 x 2.4 x 4.8 2.7 x 2.9 x 5.4 2.3 x 2.5 x 4.4 2.6 x 2.7 x 5.1 2.1 x 2.6 x 5.0
Operating weight (ounces) 13.1 17 (est) 10.6 (est) 15.2 (est) 13.3 (est)
Mfr. Price $679.99/$699.99/$799.99/$999.99 $699.95 $799.95 $799.99/999.99 $799.99/$899.99
Ship date March 2010 September 2009 March 2010 March 2010 February 2010

The feature set is similar to its predecessors'. A virtual function button pulls up both the frequently used settings as well as the full menu system another level down. In addition to the usual--white balance, image effects, digital effects, video quality, and still-photo size, program, and a handful of scene modes--the camcorders offer real shutter- and aperture-priority shooting modes with a shutter speed range of 1/6 to 1/2,000 second and aperture options ranging from f1.8 to f8, giving you more control over depth of field than you generally see in a consumer model, especially a compact one. It also offers Canon's Cine mode for adjusting color and gamma to go with its 24F progressive modes, though it and 30F get recorded as 60i. In still mode you can select metering and drive modes as well. Other high-end features accessible via the menus include three fixed or variable zoom speed and x.v.Color mode.

Performance is mixed. I have no complaints about the HF M series' autofocus. The system generally does a very good job of differentiating subject from background and adjusts quickly to changes. As a rule, the camcorder tends to slightly underexpose scenes, though like most consumer models it still blows out highlights. There's very little fringing, however, and the image stabilization is dependable. However, the battery life comes up short--maybe about 45 minutes in practice--and the LCD gets difficult to see in direct sunlight, plus it's too low-resolution to accurately judge focus. The audio sounds good, if somewhat bright, though the wind filter doesn't do a great job.

At its best, in its 24Mbps mode, the video looks reasonably sharp, with solid detail and lack of artifacts for its class. Though not terribly accurate with overly saturated reds and purples, most people should find the camcorder's colors pleasing. But you can see a notable increase in artifacts when dropping to 17Mbps, and it's simply bad in its default 1,440x1,080 7Mbps mode. That means the video you get out of the box looks soft and rife with compression artifacts. This might make sense if it was a cheap model with videos destined for nothing more than quick-and-dirty Web upload, but not in a $600 model. There's no reason not to default to the second-best, 17Mbps full HD mode, which looks quite good and likely won't have the playback issues you might run into with the best-quality 24Mbps mode. The low-light video is just satisfactory; soft and somewhat noisy but well exposed and with decent color saturation.

Canon's Vixia M3xx is a solid series of camcorders and competitive with other models in its price class, and if you're not as sensitive to the issues with the touch screen as I am, you'll probably find them a good midrange choice, with the M300 the best value of the bunch. That said, I think the Vixia M3x models aren't quite as good as their predecessors, which are slowly disappearing from the market (at least at reasonable prices). That's frustrating and sad.

7.5

Canon Vixia HF M30

Score Breakdown

Design 7Features 8Performance 7Image quality 8