Apple Aperture 1.5 review: Apple Aperture 1.5

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The Good Excellent retouching tools in a streamlined interface. Delivers great results. Integrated colour management.

The Bad No Windows version. Relatively steep hardware requirements. Limited Apple support options. Restrictive file-management system. No curves view or editor.

The Bottom Line This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

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7.6 Overall

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Though it might seem as if Apple spawned the raw-workflow-software category -- or any other category -- with a mere fiat lux from the lips of Steve Jobs, fiat fiat probably hits closer to the mark. With the launch of Aperture in early 2006, Apple bestowed its design sensibility and hefty marketing budget on an application area that pro and enthusiast photographers considered, if not boring, then at best a necessary evil standing between them and their envisioned imagery. That influx of money and exposure roused Adobe from its complacency, galvanising the year-long development of Photoshop Lightroom, which finally shipped early this year.

For the uninitiated, raw-workflow software supplies tools for those who don't require the compositing and effects capabilities of Photoshop, delivering a more targeted, streamlined approach to photographic production tasks -- specifically viewing, selecting, organising, retouching, and outputting photos. (For an example of what that means, see the first few paragraphs of the Lightroom review, linked above.)

Aperture's file handling ranks as the most important change introduced with the 1.5 update. One of its biggest weaknesses had been the way it secreted all your images from view into an operating system package file, the type usually reserved for installation programs. Now when you import your photos from removable media, it copies them to wherever you want; it also allows you to reference files on optical discs or detached drives. And you can still create a replica of the Library, called a Vault, for backup purposes.

However, the program remains fairly restrictive about the Master -- original -- files. For instance, you can't rename them. When you import the files, Aperture builds its database of references and gives you powerful tools for automatically naming the Version, which is the referenced Master that you work on. When you export the images, you can use the same powerful tools to name the final file. However, Apple's philosophy, and the philosophy of many Aperture acolytes, is that you have no reason to care what the file is named or where it's located. We disagree with this for a variety of reasons, but we'll offer what we consider the most compelling: many of us don't run Aperture (or Lightroom, or Photoshop) all day. We sometimes have to close applications. Who wants to launch Aperture simply to locate and copy a file? Ironically, the touted integration with Apple's iLife '06 and iWork '06 software suites was likely necessary because of the way Aperture's file handling forces you to bypass the Finder. And we'd like more flexibility in renaming files from both Aperture and Lightroom, such as the ability to automatically rename using the file's keywords.

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