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Aiptek AHD200 review: Aiptek AHD200

High-definition filming couldn't be simpler with the Aiptek AHD200 camcorder. Plug in a memory card, open the screen and away you go. It's a perfectly decent camcorder for anyone on a budget who's looking to take a compact shooter on holiday or someone ready to start an HD career

Richard Trenholm Former Movie and TV Senior Editor
Richard Trenholm was CNET's film and TV editor, covering the big screen, small screen and streaming. A member of the Film Critic's Circle, he's covered technology and culture from London's tech scene to Europe's refugee camps to the Sundance film festival.
Expertise Films, TV, Movies, Television, Technology
Richard Trenholm
3 min read

The Aiptek AHD200 has to be one of the best deals on high definition camcorders going, at a meagre £150. While Sony, Canon and other manufacturers compete on image quality and features, Aiptek has nipped in with models like this. We gave this affordable camcorder a thorough going-over to see if it's cheap at twice the price or a false economy.


Aiptek AHD200

The Good

Affordable HD; simple design.

The Bad

Barebones feature set; some fussy controls; no HDMI.

The Bottom Line

The Aiptek AHD200 merits its HD sticker by shooting 720p footage, but it won't be winning any filmmaking prizes. The stripped-down feature set at least makes operation easy with this no-frills shooter, for which image quality comes second to supreme affordability

The AHD200's design is simplicity itself: you turn the pistol-shaped camcorder on by flipping out the screen, and off by closing the screen or hitting the off button next to the screen. Playback controls are positioned beside the 61mm (2.4-inch) LCD. At the back of the camcorder, the right thumb operates mode and menu buttons, a still shutter release, and a small joystick. The only other controls are a switch on the lens barrel to toggle between portrait/landscape and macro modes, and the record button in the index finger 'trigger' position.

The AHD200 is powered up by opening the 61mm (2.4-inch) screen with playback controls next to it, while a joystick at the back controls shooting

Keep your finger on the trigger that starts and stops recording and you have the advantage over rear-placed record buttons in that it keeps you from covering the flash with your finger. This is a common problem with the pistol form factor.

Although the rear-mounted buttons feel plasticky, the AHD200's overall construction is sturdy, without too much flexing and creaking. The thumb-level joystick is flexible enough to be fun to use, although zooming is brisk and takes practise for sensitive movements. The stick is set in an illuminated well that flashes while recording. This is distracting, but at least it provides a visual cue that the camera is rolling.

The AHD200 doesn't really do features: witness the meagre 2x zoom and fixed focus. As well as video, it takes stills -- but not while filming -- records voice clips and plays MP3s. There are exposure compensation and white balance options, but again these cannot be altered during filming and both require entering the menu.

The method of getting to your images and video is also somewhat fussy. There isn't a direct access to recorded footage; instead, a press of the Mode button takes you into a menu that allows you to scroll to My Works, containing stills, video and voice recordings. Another button press accesses footage. There isn't a dedicated Delete switch either, necessitating more button-pushing.

One letdown on the HD front is the lack of HDMI. You only get USB and component outputs.

High-definition filming couldn't be simpler. Plug in a memory card, open the screen and away you go. With a decent card footage is processed near instantaneously, so it's perfectly feasible to stop and start recording to save memory.

On some pistol-grip camcorders, it's easy to cover the light with your finger, but the placement of the record button should prevent this on the AHD200

Video is recorded to SD or SDHC card. The use of removable memory is a concern for HD shooters as it can limit the amount of footage captured: a Kingston 2GB Ultimate SD card will shoot just over an hour, with a PNY 4GB SDHC card managing double that. You'll need at least an SDHC for a wedding and multiple cards for a holiday.

Image quality
Sadly, image quality doesn't match ease of use. Footage is 1,280x720-pixel H.264 video at 30 frames per second. Video is passable rather than outstanding. There's more compression artefacts than we'd like, and panning leads to a certain amount of motion blur. Colour is consistent, and the fixed focus copes well with movement.

Low-light performance also sees a lot of noise and loss of detail in dark areas, with high-contrast light sources blowing out highlights.

The Aiptek AHD200 is a high-definition camcorder, but just barely. Sticking an HD sticker on everything seems to be the technology industry's latest wheeze, and while this shooter will never compete with even entry-level Canon or Sony products on image quality or features, it isn't even trying to. At this price there are few HD competitors, and if budget is the primary consideration it's a perfectly decent shooter for the casual holidaymaker or video newcomer.

Edited by Jason Jenkins
Additional editing by Shannon Doubleday