And the burst mode is less of a continuous shooting mode than a best-shot mode; it runs at about 5.2fps, but only for 2 seconds, and then you have to wait while it writes those 10 photos to the card.
Though I ultimately rated the X100's design an 8, I feel really ambivalent about it. On one hand, it's undeniably well built with a lovely retro appeal, comfortable to grip and shoot. I was initially skeptical about the hybrid viewfinder, which toggles between an old-fashioned reverse Galilean, updated for the 21st century with an electronic information overlay, and an EVF via a lever on the front of the camera. But it's big and bright and eventually won me over, even though the EVF is a bit sluggish to update, especially when panning. The viewfinder quality is doubly important given how disappointing the LCD is--it's low resolution and difficult to see in bright sunlight.
|Fujifilm FinePix X100||Olympus E-PL2||Panasonic Lumix DMC-GF2||Samsung NX100||Sony Alpha NEX-5|
|Sensor (effective resolution)||12.3 megapixel CMOS||12.3-megapixel Live MOS||12.1-megapixel Live MOS||14.6-megapixel CMOS||14.2-megapixel Exmor CMOS|
|23.6 x 15.8mm||17.3mm x 13mm||17.3 x 13.0mm||23.4mm x 15.6mm||23.4mm x 15.6mm|
|Sensitivity range||ISO 100 (expanded)/200 - ISO 6400/12,800 (expanded)||ISO 200 - ISO 6,400||ISO 100 - ISO 6,400||ISO 100 - ISO 3,200/6,400 (expanded)||ISO 200 - ISO 12,800|
10 JPEG/8 raw
unlimited JPEG/7 raw
10 JPEG/ 3 raw
unlimited JPEG/8 raw
magnification/ effective magnification
90 percent coverage/
1, 440,000 dots 0.47x
|Optional plug-in articulating EVF
|Optional plug-in EVF
(98 percent coverage)
|11-area contrast AF||23-area contrast AF||15-point contrast AF||25-point contrast AF|
|Shutter speed||30 - 1/4000 sec; bulb to 60 min||60-1/2000 sec; bulb to 30 minutes||60-1/4000 sec; bulb to 4 minutes; 1/160 x-sync||30-1/4000 sec.; bulb to 8 minutes||30-1/4000 sec.; bulb; 1/160 flash sync|
|Metering||256 zones||324 area||144 zone||247 segment||40 segment|
|Image stabilization||None||Sensor shift||Optical||Optical||Optical|
|Video||720/24p H.264 QuickTime MOV||720p Motion JPEG AVI||1080/60i/50i @ 17, 13 Mbps
720/60p @17, 13 Mbps AVCHD or Motion JPEG QuickTime MOV
|720/30p H.264 MPEG-4||1080/60i AVCHD|
|Audio||Stereo||Mono; mic input||Stereo||Mono||Stereo; mic input|
|LCD size||2.8-inch fixed
| 3-inch fixed touch screen
|3-inch fixed AMOLED
|Battery life (CIPA rating)||300 shots||280 shots||300 shots||420 shots||330 shots|
|Dimensions (inches, WHD)||5.0 x 2.9 x 2.1||4.5 x 2.8 x 1.6||4.4 x 2.7 x 1.3||4.7 x 2.8 x 1.4||4.4 x 2.4 x 1.6|
|Body operating weight (ounces)||15.8||12.7||11||12.2||10.2 (without flash); 10.9 (with flash)|
|Mfr. price||n/a||n/a||$499.95 (body only, est)||n/a||n/a|
|$1,195.95 (built-in 35mm lens)||$599.99 (with 14-42mm f3.5-5.6 msc lens)||$599.95 (with 14-42mm f3.5-5.6 lens)||$499.99 (est, with 20-50mm f3.5-5.6 i-Function lens)||$699.99 (with 18-55mm 3.5-5.6 lens)|
|n/a||$799.00 (est, with 14-42mm and 40-150mm lenses)||$699.95 (with 14mm f2.5 lens)||$599.00 (with 50-200mm lens)||$649.99 (with 16mm f2.8 lens)|
|Ship date||March 2011||January 2011||January 2011||October 2010||July 2010|
In addition to a great manual aperture dial on the lens, the X100 has shutter-speed and exposure compensation dials on top; in its default configuration, the Fn button brings up the ISO sensitivity options. Despite the retro look of the front and top, the back has the typical layout of a digital camera. On the left side is a switch for selecting among manual, single-shot autofocus and continuous AF. The AE button brings up metering choices, while AF lets you choose the AF point (when in the default area AF mode). The jog dial Command Control in the upper right triggers a zoom view in manual focus, as well as duplicates functions of the dial such as program shift. And I love having a raw override button.
I loathe the command dial/navigation control. It's nearly impossible to press the menu button without hitting one of the other buttons and vice versa. I lost a shot fumbling to enable the neutral density filter. Constantly having to switch between macro and normal shooting mode using that control made me want to scream; I had to slow down to hit the buttons, sometimes using my fingernail. The whole point of a camera designed like this is to get out of the way of your shooting, and that control is the photographic equivalent of a speed bump.
And there are just a few too many things for which you have to use the menu system. It's great that the camera has a built-in neutral density filter, dynamic range and film-simulation presets, and the ability to configure three sets of custom settings, but you can only map one of them to the Fn button--that is, if you want to change it from the default ISO sensitivity mapping. Otherwise you face the hurdle of the interface. And why is the self-timer in the menus instead of under drive modes, where everyone else puts it, and movie mode under the drive modes? It almost feels like the camera needs to be either more digital, with an interactive control panel (and a better navigation control), or more analog, with more buttons and dials.
Aside from what I've already mentioned, there aren't a lot of glitzy features, just basics (for its price) like the ability to adjust color, sharpness, highlight tone, shadow tone, and noise reduction. Oddly, it incorporates Motion Panorama, which operates like Sony's Sweep Panorama: as you pan it records a 120- or 180-degree scene either horizontally or vertically. You can 3-shot bracket the dynamic range and film simulation presets, as well as ISO sensitivity and exposure, but I can't help but think it should have more exposure bracketing latitude than 3 shots up to 1 stop for HDR work, and how nice it would be to have an intervalometer.
For some people considering this camera, autofocus performance won't matter; for instance, it's a great choice for landscape photography or portraits, or using it like a fixed-focus camera for street photography. If you want to use manual focus, you really should try before you buy to make sure you'll be comfortable with the mechanism and viewfinder.
For others, the price is a stumbling block (and in the wake of Japanese shortages, the prices have been rising rather than falling). While the X100 is probably the best photo quality you can get for about $1,200, I think many people will be perfectly happy with the trade-off of slightly less fab photos you can get out of an ILC with a prime lens for a lot less money.
(Longer bars indicate better performance)
|Time to first shot||Raw shot-to-shot time||Typical shot-to-shot time||Shutter lag (dim)||Shutter lag (typical)|
(Longer bars indicate better performance)