The Hifiman RE-400i is the
easiest recommendation of all, it's affordable, but offers more than a glimpse of
high-end sound. Play a good lossless file over these 'phones, and you'll be
totally sold on high-end sound.
RE-400i's sound is so well-balanced and pure, at first you might not realize
how good it is. Its unforced clarity is easy to listen to for hours on end,
probably because there's no boosted treble or trickery of any kind, the RE-400i
just goes about its business sounding accurate and natural.
Beyerdynamic DX160 IE ($115)
No doubt about it, the Beyerdynamic DX 160 iE's makes a lot of bass, but it's not thick or muddy. Definition is
excellent, and this headphone's sound clicks with rock, jazz, electronica, and
classical music. Midrange detailing is excellent.
Aurisonics Rockets ($249)
This is easily the most transparent sounding in-ear headphone I've heard for this kind of money. It's
also super-comfortable, solidly built and comes with possibly the longest headphone
warranty extant, it runs a full 5 years (review to come).
RHA T10i ($200)
These sleek-looking, stainless steel T10i in-ears come with three sets of "tuning filters " that slightly
alter its frequency response. In any case, the T10i is clearer sounding than
the Bowers & Wilkins' excellent C5 S2 on-ear headphones.
Hifiman RE-600 ($200)
With the Hifiman RE-600 it's
all about accuracy and precision, and while you might think those are givens
with all audiophile headphones, most have at least some bass bulge or midrange
enhancement. Not this one, and their tiny size ensures maximum comfort.
Ultimate Ears UE900s ($400)
When it comes to getting the
sound you paid for with in-ear headphones, achieving a perfect ear tip seal is
absolutely crucial. The seal also more effectively blocks external noise, so to
that end Ultimate Ears includes the biggest selection of tip types and sizes
than any other in-ear we know. The UE900s sound is also beautifully balanced
and highly transparent.
Sennheiser IE 800 ($800)
These tiny, universal fit
in-ears are super-comfy, and the bass-midrange-treble balance is perfect, says
the Audiophiliac. This is one of the very best sounding universal-fit in-ears,
on par with much more expensive custom molded in-ear designs. There's only one downside,
the IE 800 doesn't block external noise as well as the customs.
1964 Ears V6 Stage ($699)
The custom-molded 1964 Ears V6-Stage is a
"three-way" design with six balanced
armature drivers (dual bass, dual
midrange, and dual treble). Each pair of 1964
Ears V6 Stages are made to order,
so custom colors, finishes, and artwork can be used to personalize your
headphones. This headphone digs deep into the more subtle elements of a
recording, so I heard stuff like the singers' breaths and the instruments'
NuForce Primo 8 ($499)
The NuForce Primo 8 is a true
audiophile headphone, and while it's expensive, you'd have to spend a lot more
to get something better.
Westone ES60 ($1,300)
The Westone ES60 custom molded in-ear is the
"quietest" headphone we've heard. Superior noise-blocking makes a
huge difference when you're in a plane, bus, train, office, park, or any noisy
environment. Unlike noise-canceling headphones that use battery-powered
electronics, the ES60 hushes noise by creating a tight seal in your ear
The treble detailing is incredible, so
percussion instruments really come alive. Bass is flat-out amazing; when a
drummer really hammers his kick drum you feel
it. The bass' taut definition, texture, and shading is ahead of the pack. The Westone ES60 is the best sounding in-ear headphone on
Each ES60 is hand-built in Colorado