Stanton DaScratch: Fingers-on the DJ intro

If you're just starting out as a DJ, it's unlikely you'll want to spend many hundreds of pounds on the full DJ rig. Why not find out if you're the next superstar DJ with something a little cheaper?

Ian Morris

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Here's the problem many wannabe DJs face: it's hella expensive to buy all the gear you need to start, but until you buy it, you don't know if you'll actually be any good. So if you're interested in spinning records for fun -- or profit -- you'll need to start somewhere.

DaScratch is Stanton's answer to the problem of cost. At just £180 it's a relative bargain, considering it doesn't require a mixer or a huge collection of vinyl records. You'll need some PC software to get started, but we'll get to that in due course. You'll also need some digital music, but we're pretty sure everyone has a pile of MP3s to hand in this day and age.

The unit itself is a pretty slick bit of hardware. Made out of tough plastic, it feels like it could manage to survive some serious nightlife. It operates over USB and uses a MIDI interface to communicate with your PC. We tested it with Traktor DJ Studio, which is one of our favourite pieces of DJ software, and ideal, because DaScratch works pretty much out of the box with it.

In order to pass the MIDI commands from the hardware to something like Traktor, you need a little bit of software called DaRouter. This is a free download from the Stanton Web site, and the key to making the whole thing work. As we were playing with DaScratch, it was this that caused us the most problems. That's not to say it was a difficult process, but something about our Vista install upset the software. The good news is the Stanton forums are very good, and people in the know are on-hand to help you with problems.

DaRouter can manage two DaScratch consoles, so if you want to go for the more DJ-like feel, you can. If you want to save money, DaScratch allows you to switch between decks at the touch of a button.

Once everything was sorted, we got everything fired up and off we went. Now, being rank amateurs in the DJ stakes, we wouldn't feel confident opening for Ferry Corsten, but we certainly managed to get Traktor to do its job with considerable ease.

We noticed that, despite its diminutive size and reasonably low price, DaScratch was fast and responsive to whatever button or pad we touched. Coupled with Traktor, it felt like we could, with practice, put together a respectable mix with one of these. We doubt you'd want to DJ in a club with one, but it's a great way to learn beat-matching without investing thousands in decks, only to discover you're a rhythm- and talent-free zone.

DaScratch is available now and costs around £180, but you'll need something like Traktor to make it do anything useful. Traktor Pro costs around £150, but there is a free trial available on the Native Instruments Web site.

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This is the DaRouter interface. You can't really do much here, but it tells you when DaScratch is sending MIDI signals to the PC. You can connect two DaScratch consoles to it, and there are several presets for various DJ apps.
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It would be hard to argue that the name is silly. Its other name is SCS.3d, which is harder to remember, but less lame.
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On the bottom of the unit is a cover, under which is the MIDI output and not much else.
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Output is via USB -- nothing unexpected here, but we quite like the way the cable is kept tidy. It's a sturdy design, and it offers you the choice of where the USB cable emerges from the unit.
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The Traktor DJ interface is likely to be familiar to many, and DaScratch can control most of its important features. There is, however, no crossfader on DaScratch, which is a shame as it means you'll need to use the software, or a hardware mixer.
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The buttons are all illuminated, which makes it easy to use in the dark, so superclubs and teenage boys' bedrooms will both be fine.
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Proper buttons at the bottom of the unit make for easy control over certain functions. The sync button is for filthy cheats who can't beatmatch. Suffice to say, we used it constantly.
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The slider on the left is for adjusting the volume of the current 'deck'. On the right is a pitch control, enabling you to match one track to the other.
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The four round buttons around the main control surface are programmable and can be configured to perform any functions you like.
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The buttons at the top are designed to allow you to quickly switch modes. For example, the 'Deck' button switches between your two decks, and two lights -- A and B -- tell you which is currently active.
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In EQ mode, the main control surface allows you to tweak high, mid and low frequencies with a simple touch. This control is so much like the transporter control in Star Trek that we think you'll want to allow at least 45 minutes to play with it while yelling, "I haven't got a lock captain. I'm losing him!"
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The control surface is multi-touch, which opens up loads of possible control opportunities. Although the area is reasonably small, we think that could cause problems if both hands are trying to do something. When you're trying to control a deck, rolling your finger around the outer edge of the surface moves the music forwards (or backwards). Rubbing the middle section vigorously allows you to 'scratch' the deck. So to speak.
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And all of that in a tiny little box. We tried DaScratch with both Windows XP and Vista, and while the Vista PC had some problems, these were ultimately solvable with help from the Stanton forums.

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