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Photos and image samples: Panasonic Lumix DMC-LX2

Lori Grunin
I've been reviewing hardware and software, devising testing methodology and handed out buying advice for what seems like forever; I'm currently absorbed by computers and gaming hardware, but previously spent many years concentrating on cameras. I've also volunteered with a cat rescue for over 15 years doing adoptions, designing marketing materials, managing volunteers and, of course, photographing cats.
Lori Grunin
1 of 10 CNET Networks
By using a pop-up flash rather than an inset design, Panasonic keeps the lens from casting a shadow in flash shots.
2 of 10 CNET Networks
In addition to a standard brightness setting, the LX2 has a boosted-brightness mode as well as a mode that boosts brightness and adjusts the gamma so that you can see it well when it's above your head.
3 of 10 CNET Networks
The joystick control smoothly handles shooting adjustments, such as aperture and shutter-speed settings. And though it's nice to have the AE/AF lock capabilities--a rarity in a compact camera--it's difficult to grip the camera and hold the button at the same time.
4 of 10 CNET Networks
With a complete set of exposure modes and optical image stabilization, the DMC-LX2 makes a nice second camera for enthusiasts.
5 of 10 CNET Networks
Although the LX2 lets you quickly switch between 4:3, 3:2, and 16:9 aspect ratios, the only reason to ever leave 16:9 is to shoot movies; in 16:9, the movie frame rate drops to 15fps.
6 of 10 CNET Networks
The LX2 can focus as close as 2 inches in macro mode when zoomed out completely.
31975861-2-440-SIC1.jpg
7 of 10 Lori Grunin
The LX2 uses an excellent Leica lens. There's no distortion in the middle of the zoom range (top), and though there's understandable barrel distortion at the 28mm-equivalent wide end, it's symmetrical and relatively modest. Nor does the lens's focus on the sides drop off severely, so there's no significant chromatic aberration (fringing).
31975861-2-440-SIC2.jpg
8 of 10 Lori Grunin
Though the photos look a bit soft and noisy at ISO 100, they appear very good and quite sharp when printed at 240dpi (10x17.5).
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9 of 10 Lori Grunin
Ironically, there's less visible noise in shots taken at ISO 400, such as this one, than those taken at ISO 100. The trade-off is a bit of softness.
31975861-2-440-SIC4.jpg
10 of 10 Lori Grunin
The LX2 seems to be weakest at low ISO sensitivities with optical stabilization and maximum zoom. The shots of distant subjects are quite soft and noisy.

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