Don't let Josh's big hands fool you -- the Panasonic Lumix DMC-G5 isn't terribly compact, and in fact is larger than the G3 and is one of the larger full-size ILCs out there. That's partly due to a much deeper grip than its predecessor has.
Photo by: Lori Grunin/CNET


Here you can see the Panasonic DMC-G5's dSLR-like grip, which I consider an improvement over the earlier model's. It's not a small camera, so trying to shave dimensions off with a shallow grip is kind of silly. You can also see the zoom lever just behind the shutter button, which is designed to work with Panasonic's Power Zoom line of lenses. I think that's another good idea, since I don't like where the zoom lever sits on the lens.
Photo by: Lori Grunin/CNET

Top controls

While the mode dial and Intelligent auto buttons remain the same, Panasonic moved the record button from the back to the top, where I don't like it.
Photo by: Lori Grunin/CNET

Articulated display

The new LCD is a bit higher-resolution than the old, but it's otherwise the same flip-and-twist touch screen, with an interface from more recent models.
Photo by: Lori Grunin/CNET


Panasonic rearranged the back controls slightly, adding a programmable AE/AF lock button at the top, which is welcome, and giving the thumb rest a more pronounced feel. However, it's also got the etched labels on the four-way-navigation switch, which I find annoyingly invisible.
Photo by: Lori Grunin/CNET

Friendlier display

The new menu design offers helpful interface tips.
Photo by: Lori Grunin/CNET


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