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At the 2009 launch of Panasonic's Lumix and camcorder range in Singapore this week, we saw the company's first foray into waterproof and shockproof cameras, and a new update to its popular travel camera.

Click through for our photo gallery of the new cameras and camcorders, and pictures around Singapore that were taken with the DMC-TZ7 and the waterproof DMC-FT1.

Alexandra Savvides travelled to Singapore as a guest of Panasonic.

The launch event had walls of photos from world renowned photographers, taken with Panasonic Lumix cameras. Just to make the rest of us feel slightly incompetent in our photo-taking capabilities, of course.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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A demonstration of the 70x optical zoom that is now standard on the new SDR-S26, a camcorder which records to SD cards and has a low resolution recording option with YouTube uploading functionality.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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As seems to be the tradition at Panasonic launches, models paraded down the catwalk holding a number of the new cameras.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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From the outside, the new waterproof and shockproof FT1 is on par with the Olympus Mju 1050SW in the style stakes, but it does come in more vivid colours — orange, electric blue, silver and olive green.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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The FT1 is not only waterproof, but it survives being submerged in a box of pebbles.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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If you were ever one of those kids who had to pull apart everything electronic that passed through your hands, we'll save you the trouble — here's a cross-section of the FT1 showing its rugged construction.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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This model is Panasonic's waterproof standard-definition camcorder ... which, unfortunately, won't be coming to Australia.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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And what's this? Looks suspiciously like the new Lumix G1 HD model, tucked away in a case far from the main action on the showroom floor. Note the "HD" tag surreptitiously placed in the top corner. Alongside it were the new lenses Panasonic promised us this year: the 14-140mm, 7-14mm and the 20mm pancake. The company touted a spring launch date for this one, so we'll keep our fingers crossed.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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Outside the Buddha Tooth Relic Temple in Chinatown, we got the chance to play with the new DMC-TZ7. It's safe to say that the camera doesn't stray too much from the TZ15 which it replaces, except it's a little thinner and has support for the new AVCHD Lite video-recording format.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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The city was still filled with remnants of the Chinese New Year celebrations. We really liked how the TZ7 delivered punchy, but not overly saturated, colours especially in frames with lots of different things happening, like this one.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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More lanterns, this time outside the temple. Again, taken on the TZ7.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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Inside the temple, in low light situations, the TZ7 coped admirably as the image stabilisation kicked in.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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Using the TZ7's film grain scene mode produced some unexpected, and lovely results — the pattern on this door showed the amount of detail present in the design that is much more noticeable in black and white.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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The FT1's waterproof cred kicked in when diving with sharks and other fish at Sentosa. We particularly liked how the FT1 didn't produce an excessively green tinge when used underwater, producing some nicely coloured shots.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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Even in dark situations, the flash on the FT1 coped admirably. There was quite a considerable shutter delay though, meaning that we missed a couple of really excellent shots because the camera was just too slow.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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More evidence of vivid colours produced from the Lumix cameras, this time in Sentosa's Underwater World.

Updated:Caption:Photo:Alexandra Savvides/CBS Interactive
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A cluster of jellyfish show off the intense colours that these cameras can produce.

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