or bad sound can't be credited to or blamed on digital, analog, vinyl, CD, or
even MP3. Those are
formats; it's the innate quality of a recording and the choices the engineers
made that make or break a given recording, and that's what I'm talking about in
these capsule reviews.
Arcade Fire's Richard Reed
Parry's music takes a classical turn on this album, and while it's definitely
serious music, its pulse and rhythm might fascinate rock fans. In any case, the
sound is simply gorgeous.
For this 1981 show, the band stretches out on a bunch of tunes, far more than they did on more recent performances. The Blu-ray's 96kHz/24-bit lossless DTS Master Audio sound is awesome, but "From the Vault: Hampton Coliseum" is also available on DVD, CD and LP.
movie starring Michael Keaton is a wild ride, but Antonio Sanchez' frenetic score
is something else again. It consists of a series of short, really well-recorded
drum solos that will test your speakers' or headphones' stamina. The palpable
textures and contrasts Sanchez produces from his drum kit are simply
astonishing. Play this album loud if you dare!
Brian Eno's back, accompanied by Karl
Hyde on guitar and bass, and on this album they uncork jagged rhythms and a nervous
energy that recall his best 1970s works. The sound is rich with texture and
rough edges -- Eno's got his mojo back!
This synth-fueled soundtrack
to the Cinemax TV series seems like an odd match for a drama set in a New York City hospital in 1900. Judged on its own, Cliff Martinez' ambient score has a steady
pulse and works as free-standing music unrelated to the TV series, easily the
best new show of 2014.
I have no idea why it took
more than 40 years for this stunning live recording to get a proper release,
but it was worth the wait. Blues harmonica master Paul Butterfield and his
Better Days band totally kicks butt!
Jan Kraybill recorded this album at a majestic
organ, performing French works with rare skill. This recording's uncompressed
dynamics and deep, deep bass will test the limits of your woofers' output. Some
tracks are so quiet they're closer to ambient music -- lots of "space"
in there. "Organ Polychrome" was recorded at Helzberg Hall in Kansas
City, Missouri in 2013.
The legendary "Super Session" is
a classic one-off, mostly
instrumental album recorded in 1968 with Kooper joined by Stephen Stills and Michael Bloomfield, but this brilliant surround SACD is a very
different sonic trip. It blasts open up the stereo mix and fills up all five
channels with sound. Highly entertaining.
These mono LPs, newly remastered from the
original analog tapes, are a real treat. Many audiophiles believe the Beatles mono albums better represent the band's sound than their stereo counterparts.
Check out one or two mono LPs and decide for yourself.
This remastered, seven-disc
box set covers Harrison's solo output from 1968 to 1975. Sound quality is
excellent, and the early experimental titles like "Wonderwall" reveal
another side of Harrison's talent -- his "Electronic Music" is
definitely out there. His greatest work, "All Things Must Pass," has
never sounded better.
These mid-period Beach Boys
recordings have aged well, and the newly remastered LPs are a feast for your
ears! You can't always count on remasters of 1960s albums retaining their
analog sound, but these Capitol LPs absolutely do!
Oh man, this album feels
fresh! Bassist Steve Swallow, keyboardist Jamie Saft and drummer Bobby Previte levitate the jazz standard up into our time. No tricks or electronics, just straight
performances you can't help but get caught up in.