You have two topics.
The owners of IP getting paid on an ongoing basis for their work. (As an engineer I actually don't get paid for my IP on an ongoing basis though millions of people will enjoy my work and my IP).
DRM alternates.
One simple DRM alternate is simple in concept and hard to make real.
Either make digital content so cheap that copies are not worth the trouble. Or make it so you can't duplicate the product while making it so you can enjoy it wherever you happen to be.
A paperback book is a good example of the first. You can copy a book. The cost of photocoping it though is more than the book. The time to scan and shift to digital format to enjoy on your laptop, not worth the effort.
A DVD is a fair example of the latter. Any DVD player you put it in, it will play. I say fair because this actually isnt' true. Some DVD's will not play on some equipment due to copy protection schemes. DRM shemes try to make digital content work like that DVD. The lack of interoperablity, that you don't own the media, that you can't put the media on any device abler to play the media are all major problems.
If they could invent a file type that can't be copied (which is rather hard in digital) they would have the perfect DRM. You would own one book/dvd that can be enjoyed anywhere you want to enjoy it but you only have the one copy. Of course this would preclude a backup...but nobody has a backup for their paperbacks...
I see the anti-DRM crowd is going nuts over Spore and generally anything that has DRM. I get it. No one likes it, and it has issues that take away from the buyer's experience.
So, the question then becomes, if not DRM, then what? What do you think is fair for artists and copyright holders to expect if they just let their stuff be bought (without protection) but then freely copied and exchanged in this digital world?
I don't have the answer, btw. And no, I don't like DRM. But I do understand human nature, and in particular the entitlement mentality that many have that if its digital, it's fair game for copying and distribution.
I know there's going to be people saying things like "If there was no DRM, more people would actually legitimately buy copyrighted material vs. illegally downloading". Yeah, ok. I'm not "buying" that for a moment. Well, let me clarify. Yes, more people probably would buy, but the ease at which such material could be shared would also probably increase the number of "non-buyers" in the digital universe.
If every piece of music or film was digitized and made available "in the clear", what percentage of people do you think would actually buy it vs. finding some way of "sharing" it?
I've heard the arguments that DRM only hurts the legitimate users; that hackers will always find a way around it. But if the process becomes so simple so as not to require any hacking, analog hole recording, etc., do you honestly think that there will be LESS copyright file sharing in the world, or more?
And if there IS more sharing (i.e. not purchasing), can you legitimize that loss of income to copyright holders by saying that it's just the way of the digital world?
Of course, I'd be very interested to hear of any implementations that could protect copyright holders while not causing the havoc that DRM has.
To be clear, I'm not here to promote DRM! But I am wondering how artists/copyright holders can get compensated fairly for their work in a non-DRM world where file-sharing would be easier than ever.

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