seems to me,"buss's answer", was simply stirring the question about, rather than,adressing it,the question,. oh gosh, I forgot the question. OH yeah, cables or conductor conduits. catch the drift? murph
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seems to me,"buss's answer", was simply stirring the question about, rather than,adressing it,the question,. oh gosh, I forgot the question. OH yeah, cables or conductor conduits. catch the drift? murph
And this was considered one of the TOP answers? I think I will have to agree with the other two comments posted on this thread- after I was done reading, and reading again, I was like "whaaat?"
I'm a Broadcast Engineer. I've cabled stations from NY to LA and here in Chicago. People need to loose the idea that spending $100 on a set of component cables will be the life of their system. No, don't buy junk ($3.00 cables), but paying extra for Gold connectors is totally ridiculous!!! First off, I make all my own cables using Belden or Clark Wire & Cable. I make them to the exact length & put on all the ends myself. Result? Perfect! I you're gonna claim to be an audiophile, learn to use a soldering iron!
G..
Hmmmm. The first TV pictures were considered "perfect." Mono was considered perfect until stereo arrived. Stereo was considered perfect until various surround sound schemes surfaced (BTW, none of them are any good today.) CD was touted as "Perfect Sound Forever" by the Philips-Sony union...and that is why we're in the seventh generation of CD playback and the third or fourth generation of CD manufacturing technology today that these two firms manufacture. We perfected the perfect. Well, they did. Black and white TV was perfect then. HDTV is perfect today.
Belden cable is perfect for those who can stand to listen to it. Transistors are perfect and that is why millions have gone back to using a 120 year old technology for amplification: tubes. Some of these people couldn't stand to listen to transistor "perfection" without climbing the walls.
There are literally hundreds of companies manufacturing tube technology today. Meaning hundreds more than there were in 1980.
Amazing, huh, how the perfect is shunned by those with ears and eyes and an open mind?
Meantime, enjoy your Belden wire. The top studios have rewired their consoles with better wire and they didn't do it to please the boss, but because keen listeners could hear and describe what they were hearing. Meaning, many people with ears could hear the very same things others who were not discerning cannot.
Here are the selected submissions grouped in one post. Read through them and place your votes in the newsletter poll.
Answer:
Question
Alright, so I've been trying to become involved in the high-definition era for a few years now. As far as I'm concerned, picking the right cables can be controversial. Whenever you go buy a new HDTV or an accessory component, the salesmen always ask if you have the appropriate connections. Then they always ask if you have "the best" connections that will provide the optimal picture and sound. So is there? Is a $15 cable going to provide equivalent performance to a $100 cable of the same type? And does this question have a different answer for analog and digital cables? I'd love to get the facts straight once and for all. Thanks! --Submitted by Derek M.
Answer
A good salesperson should ask you questions that produce the best choices for you that will allow your system to function at its highest performance level within your price range and living environment. In this busy world we live in, the sales interview is too time consuming to take place properly and the more common practice is the buyer finds the components/system at the best price and buys at the location of convenience with the understanding that the some system of cabling is included or in the case that no cabling is included the cheapest cabling available is bought to just make sure the system works.
After the components/system has been found to be functional the fine tuning of its performance becomes a consumer need, usually brought on by ads and a nagging feeling of having missed something along the way (what are all the connections on the back for). One of the areas that a consumer can upgrade at the component or system level is the cabling, just due to the fact that cabling doesn?t require a great deals of skill and tools. The industry/marketplace answers the need by providing cabling at various price levels. Once the marketplace has enough statistics a comfort price range is established usually incorporating, low end, good, and high end with very little reflection on true quality.
The final point, is your satisfaction. With most reliable vendors, you can buy what you want with the understanding you can and will return items your are unsatisfied with. So the next time you are faced with a salesperson asking the question ?do you have "the best" connections that will provide the optimal picture and sound?? listen and then tell them you will take both with the understanding that you will return what is unsatisfactory. Take the purchases home and see what you think and based on that return what you don?t like. When you are using your components/system you are using your analog receptor systems that you were born with. The components/system is passing the signal through an analog medium (the speaker and display) so you can experience it as a reproduction of the original media. The only time digital comes into play is when the reproduction of the original media requires conversion from digital to analog to allow you to experience it. Until we can be equipped with digital input jacks you should not worry yourself about the shape and size of ones and zeros.
http://forums.cnet.com/5208-10149_102-0.html?forumID=7&threadID=250288&messageID=2507778#2507778
Submitted by: bus
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Answer:
Cables = Profit
Having worked in the sound & video industry since long before the advent of HDTV (let's just say that the average projector was several hundred pounds in those days), cables have always been a dirty little secret for the retail side of the business.
The primary reason that you are asked about cables is that the salesman can make more of a commission on that $100 cable than he does off of the HDTV on which you just spent $1500 or more. Profit margins on TVs have gotten very small, and may only be a couple of percentage points at most. On the other hand, the cable that you are paying $100 to buy costs the store about $15 to purchase.
Now for the question of quality... There are some differences in the quality of cable, connectors, and construction, but not enough to justify the large cost differential in most cases. RG6 Quad Shield cable is probably your best choice for coaxial digital connections, but chances are that the cable itself all comes from the same source for both the cheap cable and the expensive one. More important that choosing the "best" cable is choosing the RIGHT cable. 110-Ohm? 75-Ohm? 50-Ohm? All have their appropriate uses, but the bast way to choose is by looking at the suggested applications on the package or website description. When it comes to connectors, more expensive is not always better, just go for something that has a sturdy look and feel. Gold is not necessarily better than nickel, unless you have some very long cable runs (or are looking at an oscilloscope). Your best bet is to match the metal on the connector on the TV itself. Basic electrical principles tell you that like metals will always make a better connection than unlike ones.
With regard to HD signals, digital is a different world from analogue, when it comes to signal loss. Analogue signals degrade over distance, and will provide some image even if you are below the optimal threshold. Consider being able to pick up a radio station from several hundred miles away... It may have alot of static, but it is still there. Digital signals require a signal above the threshold to function, so if the signal drops below a distance limit, you get nothing. That is why your satellite TV goes out during periods of extreme weather rather than just delivering a snowy picture. The same is true for the signal between your Blu Ray DVD player and your HDTV. If You can see a picture, you are above the threshold, and a "better" cable will likely make no discernible difference. Just determine your connection in order of quality.... HDMI is better than YPbPr (Component Video), and these are the only true HD connection types readily available today. DVI-D is the same, and interchangeable with HDMI with a simple adapter. You may have some may have some issues with HDCP using an older set with DVI-D and not HMDI, but that is another issue.
All in all, don't buy the expensive cables that the sales person tells you are "the best" ones out there, as they are only "the best" source of revenue for him. Those thicker brand M cables are typically nothing more than a few extra layers of rubber on the same conductor used by everyone else. At the same time, don't necessarily buy the cheapest cables either, as these are sometimes very flimsy and won't last for repeated use. Buy the least expensive ones with a quality construction and solid feel. Ask to see one out of the package... If they won't do it, go somewhere that will
http://forums.cnet.com/5208-10149_102-0.html?forumID=7&threadID=250288&messageID=2503089#2503089
Submitted by: davdunlap
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Answer:
HDTV Cabling
Cables and connections for stereo, HDTV, or any electronic media can be compared to hoses for moving water around your house. If you have a pump that will deliver 50 gallons of water per minute and you need to deliver 75 gallons per minute to some plants or a fountain, sorry. It will deliver 50 gallons max and your fountain will not chirp merrily, it will just slog along.
Cables have a maximum delivery capablity and if you don't meet or exceed that your media will suffer. But on the same line of thought, if your plumbing will deliver 200 gallons of water and your pump will supply 100, you have wasted a lot of capability (which you paid for and will never get). Same with some of the monster cables that are around today, they are built to deliver ear shattering amount of wattage to speakers that if you did deliver, would soon reduce your ability to hear it to deafness.
The idea behind HDTV is that they are now sliding more data down the channels, and you can't do that with the old cables (maybe 25 gallon pipes). Same with HD DVD, Blue Ray and all the new things. You need to have a pipe that will deliver the amount that is being sent. You definitely need HDMI or better when using any HD device. You can use the other cabling (component, s-type, etc) but there is a difference. Some things won't even work without the proper cable, like upconversion to an HD set.
As for the price, that is something else entirely. Just because you pay $100 for a hose, doesn't mean it is made to stand the pressure of delivery. It is almost a matter of 'You get what you pay for', but not quite. There are connections at both ends of the hose and there are connections at both ends that belong to the other components, like your TV and the HD DVD. They are just as critical as the cable, they could be below par so that needs to be checked in the buying phase. I will say that buying cable from a reputable source has always made sense (when money is no object). I have however, bought from many different sources and compared and find that workmanship, and a quality product is not guaranteed by price.
What I have done is buy a great cable at a high price (you are going to need many cables by the way) and then bought a few from other sources at reasonable prices and compared them. Most have a return policy anyway, so the ones that didn't perform, I just sent back. Some times the ones that went back were the high priced ones. If you can't see or hear the difference, what are you paying for?
http://forums.cnet.com/5208-10149_102-0.html?forumID=7&threadID=250288&messageID=2504006#2504006
Submitted by: the_shelton
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Answer:
Sometimes more expensive does not equal more quality
Often we relate higher price with higher quality, and indeed the phrase "you get what you pay for" is often true. Retailers who sell higher priced cables for audio and video want you to believe that is true. However in reality, this is a product area where more money does not mean higher quality.
Let's think about what a good connection cable does for a moment. A good cable will pass a signal with no noticeable degredation of the signal. With analog signals, this can be a little tricky as you start dealing with highly refined, high resolution components. With digital cables, contrary to what some would want you to believe, a cable is a cable.
With analog cables, each cable has electrical characteristics which are dictated primarily by how the cable itself is made. Some use a single solid strand core, others use a braided wire. Some use silver, some use copper - you get the idea. The source and destination components also have electrical characteristics of their own. When you assemble the source/cable/destination combination, typically very subtile results happen. I must emphasize that the differences are subtle at best, and cost is not a factor!
How about digital? The true luxury of digital connections is that the electrical characteristics are taken out of the connection. Digital either works or it doesn't. Cables are a non-issue.
When making a purchase, keep in mind that cables are a huge markup item. When the sales person tries to talk you into buying "the best" cable, line filter, etc. to go with your new purchase, they are doing their job. In chain stores, they do so to keep their job.
Submitted by: thekidrocks
http://forums.cnet.com/5208-10149_102-0.html?forumID=7&threadID=250288&messageID=2503400#2503400
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Answer:
Derek,
This really should not be difficult at all: In a nutshell, ?ultra premium cables? are the snake oil of the consumer electronics business. Nothing more than an attempt to separate you from more of your money.
Go to www.monoprice.com and buy your AV cables there. You will, in some cases, pay less than 10% of what some comparable cables will cost from some other sources. I mean this literally, some of the cables that some outlets and retail stores sell for more than $100 can be bought for $10-$20, with quality that is just as good (including gold plated connectors). Yes, SOME $15 cables are as good as --and in a few cases may even be better than-- SOME $100 cables.
Some other places that I use (I have not found these to be as good as monoprice for AV cables, but they are as good for some other types of cables, including network cables) include:
www.pimfg.com
www.computergate.com
www.stanleysupplyservices.com (used to be Contact East)
I will add that while the ?super premium? cables are, in my view, nothing but a scam, there definitely are ?junk? cables that you need to avoid. However, paying $100+ for a $10 cable isn?t the way to do it.
By the way, about my qualifications: I?m a degreed Electronics Engineer. I also have a number of computer certifications, including CompTIA A+ and Network+. I teach college courses in computers and networking. I got my amateur radio license in 1963 (at age 13), and my FCC 1st Class commercial license in 1966, and I worked as a radio and TV broadcast engineer while in high school and college. I?ve been in the electronics industry my entire life, and working with all kinds of cables for a long, long time. The rip-off that I see just about daily from the makers of ?ginormous? cables offends me no end. It takes all the restraint I can muster when I?m in the ?Greatest Purchase? or the ?Electronics Metropolis? retail stores not to scream at them when they try to sell a customer an HDMI cable for $100+ (sometimes a very big plus) that can readily be bought online for $15-$20. You have better things to spend your money on than ultra-premium cables which are no better than what you get from the sources that I listed above.
[You might now want to ask how to avoid the real ?junk? cables, and I can?t give you a good answer. The problem is that you can?t see the internal construction of a cable. The good news, however, is that excluding analog video, cables that are so badly made that they impact performance (especially without failing totally) are not all that common. As for total failures, although it doesn?t help the inconvenience, the warranty, at least up to a year or so, is a good guide to what you can expect.]
Two other comments:
Analog cables are actually [far] more critical than digital cables, especially for video. A digital video cable (for example HDMI or DVI) generally either works or it doesn?t; the cable generally doesn't (can't, really) degrade the image quality, as long as it?s working. But an analog video cable (say a 15-pin VGA cable) CAN degrade the video quality and cause ringing, ghosting and smearing, and, frankly, a lot (most) of the analog computer video cables are pretty bad. But it?s usually fairly easy to judge these: The diameter of the cable is very nearly directly related to the quality of the cable (the fatter the cable the better ... you want a big, fat cable). So definitely avoid thin, slender cheap feeling cables for analog applications (and note that component video cables are analog, not digital). But, that said, the bandwidth of "old style" [NTSC or SDTV] composite video cables (yellow RCA cables and even S-Video cables) is low enough that in short lengths the quality does not have a big impact. It's another matter, however, for computer video cables (analog VGA) and for HDTV component video cables (although if at all possible, these should be avoided entirely in favor of HDMI or DVI digital video cables).
Also, there is a difference between a cable that is subject to continuous motion (say a headphone or microphone cable as about the worst case) and a cable that, once installed, will just about never be subject to any mechanical motion or stress at all (the cables interconnecting your components from the rear, tucked away way deep in your dusty but otherwise untouched equipment cabinet). I?ll pay a little more for a good headphone extension cord (or, perhaps more relevantly, a good warranty on the cord), because being subject to constant motion and physical strain, it?s physical construction is a bit more relevant. Mechanical construction of many other cables is far less critical; once you install them, they may not be subject to much in the way of mechanical stress.
Still, the AV cables I?ve gotten from monoprice (with whom I have no connection other than as a mail order retail customer) have been top-drawer in quality and bottom drawer in price, and I?ve had no need to even look at other sources.
Regards,
Barry Watzman
Watzman@neo.rr.com
http://forums.cnet.com/5208-10149_102-0.html?forumID=7&threadID=250288&messageID=2502808#2502808
Submitted by: Watzman
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Answer:
Video Cables for Hi Def
There is controversy surrounding the older S-Video, DVI and the new HDMI standard for use between your display and source (set top box or satellite receiver) with respect to what is "best." Or better. DVI is HDMI minus the audio interconnects. S-Video is no longer acceptable. Yes, new cable technologies are coming on the market regularly. Some users, like myself, still prefer to use the older standard "component video," which too, has a controversy surrounding it.
I have seen and heard substantial differences in performance between video AND audio cables (as a former reviewer for a high end audio publication.) The rule is, one needs to spend more to get performance...but not always much more. A good component video cable will likely outperform -- in fine systems -- even a good HDMI, though the newer technologies I speak of that incorporate EMI and noise suppression have made significant leaps to close the gaps and possibly surpass component video.
There are good technical reasons why some interconnects perform better than others, however in the cable business the manufacturers provide "White Papers" to explain theirs that more resemble sorcery than science. Yet it IS science, not advertisement, that proves a cable's mettle.
Whether you choose HDMI or component video, do experiment WITH BOTH. Buy with return privileges and see for yourself. Also consider that unless your audio is held in the digital domain from source to your amplifiers, digital cables will not, and cannot sound as good as discrete audio cables specifically designed for the purpose.
And have no doubt about it, your sound (audio) is as, if not more important to your enjoyment of a film, or sport, as your video setup!
But first, do have your hi def set, whenever possible, calibrated by an ISF certified technician to get the correct black and white levels...and the correct grays. You cannot have accurate and natural color rendition if you do not have correct grays, blacks and whites. On the other hand, some later model hi def sets can be adjusted by the user to come close enough if the user uses common sense. Remember to reduce contrast and brightness first!
Finally, DO read the publications that are at the forefront of the science, The Perfect Vision and Home Theater Magazine.
Why some cables are more expensive
In addition to my answer above Derek, I'll add issues of psychology.
A man's credentials as a technician, reviewer, installer, or years in the industry do not matter. His REAL experience listening and viewing interconnects DO matter.
If the man is set in his views that either he always will hear or see differences or improvements between cables, than it is his psychology, and not reality, speaking. And if he tells you that there are no differences between audio and video interconnects, it is the same.
A Chevy will get you there. So will a Ferrari. If you can't afford a Ferrari you will, sometimes, actually believe that there is NO reason to spend $200,000 for a Ferrari, or that the improvements you see, feel, or believe regarding the quality of one over the other, does not warrant the higher price. In the case of a car, one can say we are talking values, not value. There is a huge distinction between one's values, and the objective value of the subject matter.
Objectively, as well as subjectively, many people have an huge investment in their belief systems. Objectively and subjectively, in the highest quality systems -- as in a high quality microscope -- one can hear and see dramatic differences between interconnects. But not always...just most of the time.
There are levels of qualitative improvements between cables that can be repeatedly demonstrated to anyone with an open mind.
If a man has never heard, let's say (and I'll choose one lesser known but a very competitive and successful brand) NORDOST video or audio cables, one can actually continue to believe that his Best Buy cables...even by a major well known manufacturer -- is good enough, or the best. For example, a Nordost component video interconnect, if I remember correctly, costs about $500. To many it is insanely priced.
So the way I see it....I mean "see" it....is that is is 10% of the price of your $5000 large screen TV. Or about 15% of your $3500 large screen TV. What if I told you that it can improve your picture quality 30%? Even after calibration!
You'd probably not believe me and believe the gents on this post who -- never having experienced it for themselves -- tell you to just go ahead and buy the $19 cables.
No I say. Order the high priced spread with return privileges...see for yourself...and improve your enjoyment of the hobby.
The fact is, meeting the specs is NOT enough. The impedance terminations of these cables are critical. Close enough is not enough.
The sad truth about quality is that it costs money. There are no free lunches, no free health care, no free drugs. Someone has to pay for all of those. There are consequences to be paid for short cuts to quality (your Ferrari will beat the pants off your Chevy and the girl sitting next to you just may be hotter than the one sitting next to the guy in the Chevy...) All steaks do not taste the same; all suits do not feel the same, nor fit the same; all amplifiers do not sound the same; all hi def TV displays do not have the same quality of video processing.
All cables do not have the same performance because in fact they do not have the same transmission capability...
...because we cannot measure all things. We, well, some of us, just believe that we can. And it is what you have not yet measured that makes the difference...especially if someone has measured and identified what makes the important differences. Ferrari has. But it costs money to give you the F-048's performance. Sorry, but reality does not care what we think...only what is.
http://forums.cnet.com/5208-10149_102-0.html?forumID=7&threadID=250288&messageID=2503082#2503082
Submitted by: agb100
Hi Derek,
I would not recommend spending too much money on video cables, but would separate entry-level and stuff that comes with your TV set from more advanced and better-made cables. At the end of the day it is all about the quality of connection between two or more devices.
I guarantee that if you connect the same cable-box to your TV using similar type of cables; you would not see any difference, unless of course you are using some sophisticated optical tuning devices in which case people see their family doctor as soon as possible.
On the other hand, when it comes to audio cables, specifically cable that connect your speakers and components to the receiver, good, more expensive cables can make a huge deference. I am an audiophile and have been hunting for ?perfect? sound reproduction for years. Over the years, I have tested dozens of different products including some insane things like solid silver cables, etc.
Therefore, my suggestion would be ? do not go overboard, but try to buy something that is going to perform and would allow you to enjoy your sound system, TV etc. I also disagree with the statements about the fact that cables that are more expensive are made for wealthier crowd. For example, if you are investing in a pair of good speakers, do not go cheap on a speaker cable.
SD
I used name brand cables in the past while my friends used quality Radio Shack brand.I can't recall ever sitting and saying to him your system sounds like the THD is .oo5 compare to the .oo3 THD.most humans can't hear the diffrence.the spec data is for your own personal knowlage and no one else.and as far as Sub woofer Digital cables I saved a ton of money by useing some old Direct TV coaxil thats sheilded for my Sub with end connections I bought at Radio Shack.I have used DVI cables from (Cables To Go) and my HTPC pic is just wonderful.and saved big bucks doing it that way.
bottom line: i have found the mid grade quality cables are as good as monster at 1/4 the price. read online reviews before buying cables as some companies just put out a poor product. monster wanted 50-80 bucks for a 3' hdmi cable i got a really nice quality cable froma generic manufacturer for 12.99 and it works fantastic. bottom line: the signal is digital it is either there or not this is all you recieving component cares about. monster is becoming the "mobile fidelity" of this decade. with the digital age they are dated and need to start thinking price adjustments.
my theory:
if it's analog, consider monster
if it's digital, use whatever works as 101010 is 101010 no matter what cable sends that data to my decoder and my decoder doesn't care if it's monster.
Food for thought: did you notice after you ran that 10ga monster speaker wire to you speakers that the wire in your speakers is 18ga? yes even high end expensive speakers are 18ga wired so what did the 10ga monster wire from the amp to the speaker gain me?????
as long as you gat oxygen free cables with gold plated connection there is no diff to naked eye or human ear if it cost 20 gbp or 2hundred gbp
I never buy "premium" cables as they are a waste of money. I'm a former audiophile and have found that cheap lamp chord works best for speaker cables. I use a Generic HDMI cable on my HiDef TV and the results are superb.
Derek,
Your question is another Pandora's box amongst audiophiles and other so called experts. Are you an electrical engineer? No offense intended but we average Joe's are truly only playing russian roulette with cables.
I've always believed in the motto of "you get what you pay for" and having started in 2001 with my first HDTV ready Toshiba 40" theatre wide I have learned much.
The source of your A/V is the MOST important. If you have a poor incoming source then your cables are worthless! A certain cable company was touting HD signal in my area but my picture was horrible. After several inspections the foreman came to my place and simply told me that my 2 year old Toshiba had better technology than the cable company! Then he admitted he had satellite in his home.
Again, the source is MOST important LOL!
So I'm quite content with my now 6yr old HDTV ready Toshiba running component cables for my video and optical digital audio. Yes there are a few monsters in there but also an independent contractor who sold home made component cable on ebay for a song and it's superbly made with zero difference to the monsters. I made sure I spent the most money I could on the individual components (tv, a/v receiver, progressive scan dvd player all 6yrs old and superb) and then simply matched the best input/output source to the cable. Easier said than done right? Only if you want to drive yourself crazy with researching the BEST cables.
Today it's so much easier with HDMI and so I'm happy for my 71yr old dad. He purchased a very nice 37" Panasonic plasma and my shopping for him was a no brainer. HDMI monster to hook up his satellite and I was done! Beautiful picture with a strong sound coming direct from the tv speakers end of story.
So remember, START AT THE BEGINNING! Best of luck!
This is the question you need to ask, and you need to get a good answer. I have read descriptions of $$$$$$ audio cables that go on and on with a pile of pseudo-science and adjective-soup, that were clearly written with a thesaurus at the reviewer's elbow, and never once claim a measurable metric of improvement. For my money, if I can see it on a meter, I can believe it. If not, it's just good BS. It doesn't have to be some electrical or audio either. For instance, if the $20 cable fails after its bent 100 times, and the $100 cable fails after its bent 10,000 times, the $100 cable is the right one for heavy duty service, and the $10 cable may be fine in light duty service. That would be a good claim, but it's one I have never seen.
OBTW, gold cable connectors are worthless if they are not connected to gold equipment connectors. In fact, gold and tin should not be mixed across an electrical interface.
Consider. If many of you can HEAR "unmeasurable" differences in audio cables using your ears, what makes some of you believe that there are NO differences between video cables as well, just because some of them are digital, and just because some of you cannot see differences?
Consider. If many of you purchased first generation CD players (remember Sony-Phillips' "Perfect Sound Forever" advertisements when CDs first appeared?), why, since those heady days, are we in the seventh to ninth generation of CD players?
Question: How do you improve on perfection? And if we had achieved perfection in the early eighties, why are manufacturers spending millions improving what is already perfect?
Is the BMW "The Ultimate Driving Machine?"
Consider: If HDMI cables stop working properly after a certain run length, what makes some of you believe that HDMI cables are best, or even good....or even acceptable? If there are NO differences between HDMI cables, how do you explain:
http://www.vizionware.com/
and other competitors with different solutions THAT CAN BE MEASURED?
The answer to all of these questions can be found in my earlier posts.
But before we go there, consider: What are you measuring in audio anyway, since most of us CAN hear differences that their designers CANNOT measure -- and will admit that they cannot measure everything?
What do YOU believe you are measuring? Do you believe that we know everything there is to know about cables...or anything for that matter?
Ayn Rand proposed in her stunning if tiny book on epistemology, that there are only two kinds of knowledge:
a. That which we know
b. And that which we will discover.
The bottom line: not only do cables, analogue, sound different, one from the other; but digital cables too, sound, and transmit signals in a different fashion, one from the other. Price is only one of the factors in a cable's performance and promotion, not all of them.
We know some things about the performance of cables. How many things we do not know...we do not know.
Not only are differences measurable in some cases, but the measurements can be proved. So those who believe that measurements will tell you everything you need to know are deluding themselves. There are measurements and details that the manufacturers do not post, or disclose. As they do with amplifiers...and automobiles...and houses....and puppies.
But since we do not know everything about what makes some cables, configurations, conductors and dielectrics sound or "view" differently from other similar types, the end is not in sight. Research goes on, as it does in all areas of technology, until perfect sound...and perfect video technology...can be achieved. The research has been ongoing in both audio and video technology for over 100 years.
Whom among you can state with certainty that the research has no reason to proceed? That we have achieved perfection? Or that the HDMI standard is "Perfect Viewing Forever?"
Let me describe for those who have not really considered the implications of what I am saying about what perfection is:
Perfection is sound and video that is indistinguishable from reality.
I propose that we are very far from achieving that result.
While you did reference some good stuff and bring up a good point. The subject was really something else. The statement "I only believe it if I can measure it" can be interpreted in many different ways.
A person could measure with their eyes and ears. They could measure the decibal level or some means of picture quality. Simply let it be. If a person knows what they're doing, they'll do the proper research on the machines and buy the appropriate cables. You will not find a meter in best buy that shows you sound quality or picture quality. Other people have said before, it's the machine that counts and as long as it's digital, the connectors really don't matter. The ease of connecting and the satisfaction are the consumers interest and they should not get wrapped up in what's "best" or what other people say they need.
You are correct that we are still a very long way off from perfect entertainment. In fact, that's not achievable. We are already past the point of visual difference. On most TVs, the human eye can't see the difference between 720,960, or 1080 lines of resolution. There will always be preferences in color deepness and sound quality. Most of that can be taken care of by slight adjustments on the output of whatever device you're using or on the input to the machine.
The human eye can clearly see the difference between 720 and 1080 beyond 32" displays. The integrity of connections and conductivity do matter, digits are not digits once they are transmitted through any media, all CD players do not sound the same (proof), satisfaction and user convenience are important issues that do not negate issues of performance. Performance first, user convenience second. Unless your values are different from mine. In which case, issues of which is better are moot.
The question originating this chat room was concern over which is better, not which is the most convenient.
Convenience as well as asthetics are pert of what most people consider 'better'. Just as much as price vs quality. Not just convenience of connection, but of maintenance and operability as well. Performanc is, as you said, a big part of satisfaction as well.
As far as the connectors are concerned. A digital signal does not degrade because of the quality of connectors when used in low-voltage and low-current systems, as long as they're in good condition. Analog can degrade for those reasons because it's a flow of current, not a pulse of voltage like digital.
The difference in quality comes from the input and output machines, as well as the medium and controls. Once the digital signal is converted to analog for sound and video, that's where the difference is made. I do agree that the cheapest cable is not necessarily the best one for speed and connectivity, but the proper cable does not need to cost alot or even be fancy.
Most people that own a TV have 37" or smaller, especially when it comes to HDTV's. That's why I say most people cannot tell the difference. There are difference in the default settings between a/v sources and TV's such as brightness, clarity, deepness of color, and other aspects of the asthetically pleasing stuff.
We are in a special community, a lot of the people on here have more money than the average american. That's how we know about some of this stuff. But for those of us, like me, who are on a budget, we need not sweat the small stuff about what's the best. That's what my post was about. I have a lot of experience with digital equipment. It's been part of my job in the Navy for the last 5 years.
But I do agree with what you're saying about bigger and better screens. When you get to 37" and bigger, the difference is quite noticeable. I should have been more specific.
You made some good points, however digital signals are just as prone to degradation during transmission as audio cables. Music is very complex data. Any phase shift at any frequency, due to timing errors such as jitter and the induced, such as oversampling, interlacing, etc, will change the output from the input. For common radio signals, even those from satellites, digital is good enough. Ditto for telephone calls...and don't we know how lousy different cell technologies are...not one is acceptable...regardless of what their proponents say.
You are right however when some may attribute convenience issues with quality...or "better."
I just don't. User convenience makes absolutely no difference to measurements (if we accept that we can measure everything, and we know everything about sound or video reproduction. A bad assumption.
We know little, and likely can measure little. We know more each day, justifying my proposition elsewhere on this post, meaning that today's technology is hardly "perfect" -- digital cables, as digital anything, is hardly perfect. For radios and information technology used by the armed forces and commercial purposes (cell phones, XMSR and such), digital is adequate. Ditto for HDTV.
As much as you may be impressed with HDTV, you must recognize that we are already in the third and fourth generation of HDTVs and there have been significant leaps in video processing technology in the last five years, vide Vidikron, Faroudja and others. What is most impressive is that the technology has become dramatically cheaper. And in some cases, better.
But the end of the road has not been reached. There will be new standards, new kind of cable technologies and what you think is perfect today will be abandoned by what you will think to be perfect tomorrow. You will see perfection perfected ad infinitum.
The only question I have is how one can improve on perfection?
A person may spend $2k on the tv, $600 on the hddvd/bluray player, $500 on the XBOX 360 elite, another $250 on the appropriate cables and then say "ahhhh, now I have the perfect setup."
But in reality, that very same person is going to find other things to add and better things to upgrade. As far as sitting on the couch and being mindlessly entertained, we will never reach 'perfection'. To me, perfection in home entertainment would be entertaining a group of people with applewook smoked pork and beef while smoking cigars and playing loud music and having interesting conversations. Until the electronic entertainment can make me smell, taste, and feel all of those REAL experiances, it will not be perfect.
It is true that digital signals are subject to EMI and other forms of degradation but much less than analog. Since any coaxial cable you buy off the shelf has adequate shielding, it's really not an issue unless you've zip-tied your power cords and all the cables into one bundle. Or if your video cable happens to overlap the magnetic field from one of the larger speakers in your entertainment center.
I have taken care to separate those cables and have no issues. I have a Monster HDMI cable for the dvd player, and I know it was more money than I needed to spend. The rest of my cables are medium grade, with the exception of the VGA cable I use for my 360 connection to the TV. I use that so I can match the resolution instead of outputting 720p, which is less than the resolution than my TV or giving it 1080i, which is higher than my TV. The picture quality is much better because the TV doesn't have to convert any signal, it gets a perfect match under a great connection.
I don't consider ease of connection as a real issue either. I have 2 ruptured discs so things are very painful and difficult to disconnect and move around, but it is not intillectually challenging. For some it may be. The HDMI cable takes care of it all while providing an excellent connection. For some, who might get confused by all the different cables for each device, it makes it easier to figure out and connect.
I've read a couple of your retorts to other people's statements and thouroughly enjoyed them. Although one was especially long. You know what you're talking about when it comes to AV machines and connections. Like I said, it's my job as an electronics technician to know these things as well. It's primarily under a different interface using a different I/O technology for Naval Reactors. But it's pretty much the same as far as theory.
As far as quality goes, it is the source and display machines that matter the most. You must use the proper connections to get the most out of what you paid for. But if you buy a full 1080p TV and are using a VCR or an early gen dvd player, it doesn't matter how good your connections are or how perfectly you match metal alloys, or input vs output impedance for that matter.
But the original question was really what's necessary for cables. People have made suggestions on what types to use and how high you need to go on quality.
My stance on that is spend the money on the machines, find out what interface(HDMI, component, etc) the machine best uses, and buy the appropriate cable. I don't believe the cable need be top of the line, as most of them are a rip-off. But I don't think that the cheap-o's are a good way to go either. I'm in with the majority who claim the mid-range are your best bet.
For the measurement issue. There's no realistic way for the average joe to measure anything coming out of the entertainment sytem, save one. That is thier overall satisfaction with the setup they have. That's really the important thing anyway. If you care about something, you should do what you can to make it pleasureable to you.
The snob, or yuppie if you prefer, will simply go out and buy everything that costs the most in the assumption that they will have the best of the best.
The educated will go out and do some research and decide what they can afford.
The moron will listen to the sales rep and take everything he/she has to say as truth. The moron may be the same person as the snob/yuppie.
But we all are a mix of the three. Why? Because as you said, we don't know everything. But collectively, on forums like this, people can easily become more educated on what to go for and what to avoid.
Very simply, here is how I've come to this conclusion.
I have two of the exact same TV's. Sony 36" HD TV's. I have a DVD player that has multiple outputs. I connected the TV on the right with an HDMI cable, the TV on the left with regular analog RCA cables. The picture settings are the same on both TV's. The picture on the right is sharper. The blacks are blacker, the lines are crisper.
When I used an HDMI and used the component out, I could barely tell the difference.
Now when I used the supplied component video cables, not the Monster component video cables, I DID notice a difference. The blacks were blacker, the lines were crisper, the images were sharper when I used the Monster cables.
Now whether or not "Monster" cables are that much better than the next best premium cables that are $20 or more dollars less, I'd say that is a toss up. I think my connections that I've used premium cables (not Monster brand) are just as good as the over-priced Monster brand.
I generally go with the Premium over the cheap, but who wants to pay the Monster prices. Panasonic makes some quality cables that are much less then what Monster charges.
If you spend bug bucks for anything, you're going to convince yourself that it made things better. All you're really doing is just paying attention to details you've missed before because it didn't really matter at the time. Think about it. If you go and buy $100/ft 'whatever' cable and install it, you're going to expect $100/ft return on investment. And you subconsciously force yourself to believe it was worth it. The opposite is also obvious. Classic case of PSYCHOACOUSTICS. Now, say you were to set up an ABX (randomized A/B switch) blind test. Could you really tell the difference between the cheap cable and the exotic cable? Most likely not. Chances are 50/50. If you go somewhere (friend's house, movie theater, concert at a club or stadium, for example) for the sole purpose of listening to music or watching a movie, do you even think about what kind of cable is being used? Much less INDENTIFY the brand and model??? Absolutely not. You're there just to get to that "Temporary Suspension of Disbelief" or immerse yourself into the emotion of a song. I say FORGET ABOUT IT and just enjoy the music or movie. Just buy whatever cable makes you happy, but don't let it affect your experience.
This is entire topic is like not being able to enjoy a good book because the ink used to print the letters is cheap. --> Stop focusing on the wrong things!
Peace,
Mike
Sorry Mike, you are invested in the cheap, and therefore you will never hear or see any difference, AB tests or otherwise. It is the same for those invested in the very high priced. They will ALWAYS perceive differences. But differences alone are unimportant. Determining which is better is important.
That is what wine and perfume experts can discern...regularly. The good ones, that is. And good ears can discern differences between interconnects EASILY. Provided....
They have an adequately good microscope. Meaning, a good enough audio system...or with video, a good enough video system, and in some, though not all cases, that has been calibrated by a certified ISF technician. An expert will not only measure some differences, using the proper equipment and test DVDs, but can sometimes see things you will not.
There are indeed differences betweeen video displays. Some of you can go right now to your local big box video store and check a SONY 32", which SONY produces in at least three models at three price levels.
It is easy to see qualitative improvements as one goes up the price level with the SONYs and one does not even have to bother with other brands...though one can easily see differences between them too. Of course, some of these differences are due to settings and other technical reasons.
However, no matter what you do, you cannot make the lower priced SONY perform as well, or better, than the higher priced Bravia. And here we are speaking of 720p, not 1080! With 1080 you will see even more differences.
What I am saying is that most of the technical specs for all these displays are the same, refresh rate, gamut of colors, contrast ratio, etc. Some may differ, but most can be measured and SONY discloses certain specs.
It is the specs they do not disclose that may be interesting. And the specs they do not even know about, or cannot measure, but only know what engineering technique works better and cannot explain it adequately. These kinds of design situations exist in audio too.
They certainly exist with cables.
They do not always exist between ALL cables. They DO exist between some good cables and certainly between the really good -- let's say NORDOST -- and the cheaper, even what some of you may call, "premium", brands. NORDOST is far more expensive than most MONSTER cables. For those who can only afford Monster, Nordost is "expensive. Or in relation to Nordost, Monster is "cheap." So again, we are back not at value, but values, opinions, issues of affordability, biases,and emotional investment into preconceptions. Some of you just don't get it, some of you have.
MONSTER is the brand I always see on these posts. MONSTER is the brand that is sold in most big box stores and is likely the world's biggest selling cable. Arguably, it is neither the best, the better, or even expensive.
"Expensive" is a value judgment. Cheap is not. Cheap is something that is common, nominal, most people won't even argue about.
Let's try an example...and it is merely MY opinion.
A Hyundai auto is cheap and is synonymous with cheap. A Ferrari is expensive, but so is a Bentley, both are synonymous with expensive. To many, a Mercedes or Infiniti are "expensive" -- and guess which of the two is the better auto? You're right, it is NOT the Merc. (We are talking about the same price class. I am not comparing a $120,000 Mercedes to a $55,000 Infiniti....in fact what we're doing with interconnects: comparing cheap to expensive.)
And for those who might have pondered it, the BMW is NOT "The Ultimate Driving Machine" if you have driven far better autos. In fact, the Japanese regularly produce higher performance autos for less money because they are no longer copying, but innovating, their parts have far better quality control and sourcing, and they aim for zero failure rates as a norm. And then you tack on the exchange rate, the Yen is at an all time low against the dollar, while the Euro is at an all time high.
Unfortunately for the Germans, it's a lose-lose situation. They cannot produce cars at the Japanese quality level for the same price no matter what they do, because they source their parts in Eastern Europe where quality control is almost unknown, test a small percentage of the batch, quality control less during assembly, and worry about the consequences at the dealer level.
I am just pointing out autos as an example to relate to cables, and to prices, which have some things to do with performance, but not everything.
People are invested into their biases no matter what I or anyone says, and no matter what evidence they are presented with. Those who think German autos are the ultimate driving machines have likely never owned a Lexus or Infiniti, both significantly better (measurably and for other reasons) AT THE PRICE. One can suggest, as I have in a discussion with the sales manager for both brands at a local dealer, that feature for feature, the Infiniti FX35 and FX45 are far superior AND A BETTER VALUE to the BMW X3 and X5 respectively.
Afterwards I told him that it seems that the Beemer is $10,000 overpriced, and the Infiniti is $10,000 underpriced for what they provide. (An aside, I am an appraiser by profession...and an ex-audio reviewer.) He agreed.
Oh, yes, unlike those on this post who are certain that cheap is just as good as the expensive (without providing evidence other than their assertions), and have never owned the truly better interconnects, or autos, or even close to the better, I have owned both auto brands and the interconnects mentioned here. People will argue about issues such as the ones I've raised about cars as they will about interconnects.
Remember, none of these issues are really serious. Cars and interconnects affect our lives at the margins. A Ford will get you there too. So will a Radio Shack or Monster cable. But an Infiniti, Ferrari, or a Nordost Cable, will get you there not only in more style, but with far more enjoyment....that you can see AND feel.
The better auto (on a long trip) and the better cable (over a long period of viewing) will make a lasting impression. Once experienced, you cannot go back to driving a Hyundai or the cheap cable.
The Bottom Line: You won't know it until you've experienced it. Otherwise you are talking out of the planet Uranus.
Before I let rip, let me just say I sincerely hope you weren't one of the types of reviewers I'm about to describe?
I really do appreciate that authors are paid to write. And if I buy a magazine then to some extent I?m supporting their opinions. But reviewers who claim that an equipment rack can make a difference to sound quality?
Nonsense. Arrant nonsense, in fact. Show me those reviewers, I?ll put them in a room and blindfold them, then challenge them to tell me the difference between mounting hifi on a five thousand dollar rack or some cinder blocks.
Incidentally the same magazine claimed huge differences in cables.
These reasons are why I don?t buy that magazine any longer.
Whenever I have bought an equipment rack my choice has been based on looks. Given that the thing is sturdy and has decent cable management, the rest is completely aesthetic.
Similarly cabling. Decent, heavy-gauge speaker cable for a few dollars a metre. I?ll buy that. What I won?t buy into is a digital cable making any difference at all other than the dubious satisfaction of a placebo effect.
Buy cables that look reasonably sturdy and won?t fall apart if you need to plug & unplug a few times. The rest is smoke & mirrors.
nmunro says:
"Whenever I have bought an equipment rack my choice has been based on looks."
I see. You believe that turntables and CD players are immune to acoustic, mechanical, and airborne feedback and vibration?
Pssst, keep it a secret. They are not immune to any kind of disturbance.
Do you also buy cars based on looks?
Would you also marry a woman based on looks? OK, I'll take the last back, maybe that is the only reason good enough.
In matters of audio and video, buying based on looks will get you second, or third, of fiftieth down the list from the best.
Today many high end goods perform well and they look good too. But looks have nothing to do with performance (except if "looks" are needed for geometric or design considerations, such as diffraction lenses for speakers.)
Look (no pun intended), if you're happy with looks, happy to ignore the real world, and believe, as many would on this post because of denial of reality that there are no free lunches, or you harbor resentment having to pay more for higher performance because "digital is digital" and all interconnects sound the same regardless their cost, be my guest.
Reality however can prove that all digital video cables are not the same, and will not perform in the same manner....mostly because THERE ARE NO FREE LUNCHES and your cheap cable has a single important attribute (performance is not one of them). The single important attribute of cheap cables is that they are cheap.
Moreover, because technology does not stand still, what you accept as perfect today will prove to be far from, and if your psychology is such that if you accept imperfection today, you will also accept imperfection tomorrow when today's "perfect" will have been improved upon and today's great will have been discarded into the circular file.
However, if you buy the $20 digital cable you will not have lost anything.
Nor will you have gained anything.
Um. You omitted my point about sturdiness.
In other words, if the equipment rack or cable is fit for purpose, is solid and doesn't wobble when I walk across the floor or the plugs don't fall off after a couple of re-insertions, then that's fine by me. Add in looks consideration afterwards and that defines my choice.
Many years of listening, sometimes costly mistakes, sometimes costly benefits, I spend money where I know I get results. I've proven to myself that I get no tangible benefit from vastly expensive cables. No gain or gain ![]()
So. I won't lose money to companies like Monster.
Sturdiness, or stability, is just one of the issues. The more important one is the rack's immunity to reject, and not pass vibrations, the natural pass filters in all physical objects that affect certain frequencies of resonance.
Any physical object can absorb, transmit, and retain energy. In an audio system energy is transmitted through the air, the floors and walls. These impact on the component directly.
The speed of the transmission of energy into and out of the rack, or component, affects the sound, since if the energy not transmitted out of the component or rack, or if it tnot fully absorbed,he resonant energy will enter the mechanical side of the system, and dissipate internally, sometimes slowly: within the CD laser assembly, the cartridge, tonearm and turntable system, the tube filaments of tube electronics, etc.
That is why nmunro, I made fun of buying for looks. I know from experience and measurements the deleterious effects of energy you don't want in your system. Energy causes time smear...it rebounds and enters your system again and again, albeit at lower magnitudes as it decays. It does this repeatedly. What you get is distortion.