#videoLinks h2, #galleryLinks h2 { margin: 20px 5px 15px 0px; font-size: 1.8em; } #videoLinks { clear: both; } .vidWrap { clear: both; margin-bottom: 25px; } .vidWrap img { border: 1px #000 solid; width: 88px; height: 66px; float: left; margin: 5px 10px 10px 0; } .vidWrap p { margin: 0px 10px 0px 100px; } .vidDate { color: #666; margin-left: 100px; } .vidWrap a { font-weight: bold; } This week we took our camera inside the magical halls of Industrial Light & Magic to get a look at digital effects, Lucasfilm-style. It was dry inside, but there was plenty of high-seas adventure. Davy Jones walks and talks--we learn how that happens as the visual effects crew races to put together Pirates of the Caribbean III. We also get inside the data center, where dozens of blade servers deal with petabytes of 1s and 0s. To see all of CNET News.com's most recent videos, click here. The data center: A dozen petabytes aren't enough From Web sites to e-mail to graphic rendering, all the bytes pass through here at the San Francisco-based Lucasfilm movie production company.January 26, 2007 Play video > Who creates Photoshop in his spare time? A visual-effects guy at Lucasfilm, that's who. Movie effects master John Knoll and his brother began building Photoshop as a hobby. Knoll, who was nominated for an Oscar for his work on Pirates of the Caribbean II, talks about how he built the program.January 25, 2007 Play video > Davy Jones, one the baddest guys in virtuality Two digital artists explain how they created Davy Jones for Pirates of the Caribbean: Dead Man's Chest. The result is some light, some industry and a lot of digital "magic."January 26, 2007 Play video >