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Canon EOS 6D review: Canon EOS 6D

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The Good Built-in Wi-Fi is easy and seamless to use. Full-frame image quality is excellent. Lightweight body. GPS in-camera.

The Bad No headphone jack. Video quality not as good as the Mark III. AF system could use a few more points.

The Bottom Line An excellent camera for Canon users looking to step-up into the world of full-frame photography, the 6D delivers great photo and video quality as well as effective Wi-Fi.

Visit manufacturer site for details.

8.5 Overall

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The Canon 6D along with its rival, the Nikon D600, have definitely struck a chord with a captive audience keen on full-frame photography. This camera is designed with a specific audience in mind: those photographers who are keen enthusiasts or even semi-professionals, who want the same image quality as delivered by a professional-level camera, but can't yet justify the cost of something like the 5D Mark III or 1D X.

Design and features

At just 690 grams without battery or lens, this SLR is incredibly lightweight for a full-frame camera. In fact, it's just 15 grams heavier than the 60D. To keep the size and weight down, Canon only gives the 6D a standard 3-inch LCD at the rear of the camera, rather than the articulating version found on models such as the 60D.

The screen is bright, has a high-resolution at 1.04-million dots and is reasonably easy to see in bright and direct sunlight.

This camera has been designed to allow photographers to shoot one-handed if needed. It's possible to change pretty much all the exposure values you need with just the right hand, as all the buttons fall within reach of the thumb and index finger. You can review and flick through photos with the playback button and control dial at the rear, too.

Because of its positioning within the Canon range, the 6D takes a number of different design cues from each of its more professional and lower-end siblings. It borrows the locking mode dial that's now present on the 5D Mark III, though it only has one slot for and SD card as opposed to a dual SD, or single SD and CF slot.

Alongside all the requisite manual exposure modes, photographers also get access to an in-camera HDR mode. The body is splash and dust resistant, though not as rugged in overall construction like the Mark III. The optical viewfinder provides 97 per cent frame coverage.

Canon 6D
Canon 6D
Canon 6D
Canon 6D

Click through for hands-on photos with the 6D. (Credit: CBSi)

A Live View switch at the back lets users flick between the viewfinder and screen, as well as acting as a record button when shooting video. For video shooters, the 6D encodes in either All-I or IPB, just like the Mark III. It does, however, lose out on the headphone jack, so you can't monitor directly from the camera. Same goes for clean HDMI out, which isn't present here.

The 6D has a native ISO range of 100-25,600, which is expandable up to 102,400 in the high settings. Inside is an internal GPS module for tracking location and appending this information to photos.

Photos taken using the built-in HDR mode are pretty impressive, especially when it comes to boosting detail in shadow and low-light areas
(Credit: CBSi)

The top panel gives a visual display of shooting settings, including focus mode, ISO, metering, card storage and Wi-Fi. That last feature is one of the big calling cards of the 6D, as it's built-in rather than requiring an extra accessory in the case of cameras, such as the Nikon D600. Using a dedicated app called EOS Remote (iOS and Android) photographers can transfer photos and video, as well as using their mobile device as a remote viewfinder.

Wi-Fi connectivity

Once you have the EOS Remote app installed, select and activate Wi-Fi from the camera menu. This will prompt you to set up a nickname for the camera — in a flurry of creativity, we decided to name ours 6D — then you can choose an easy or advanced configuration. Connect to the camera's ad-hoc Wi-Fi access point on your smartphone or tablet, enter the password quoted on the LCD screen and the process is complete. It's seamless and easy enough to get a working connection within a minute. Naturally, after the process has been completed once and you are connecting again to the same smartphone, it's much quicker when all the settings have been saved.

Setting up the Wi-Fi connection on an Android smartphone.
(Screenshot by CBSi)

The EOS Remote app is simple to use, with just two main options on the first screen; view photos from the camera's memory card or control the camera remotely from the app. Transferring photos and video is incredibly easy, and shows just how effective a good implementation of Wi-Fi in a camera can be. Note that you can only transfer JPEG images across to a mobile device.

Controlling the camera remotely through the app is also just as useful, as you can adjust the exposure, set a timer and release the shutter when ready. The camera focuses to take the shot once the remote shutter button has been pressed.

Compared to

6D vs D600
Canon EOS 6D Nikon D600
20.2-megapixel full-frame CMOS sensor 24.3-megapixel full-frame CMOS sensor
3-inch LCD screen (1.04-million dot) 3.2-inch LCD screen (921,000-dot)
11-point AF (1 cross-type) 39-point AF (9 cross-type)
Wi-Fi built in Optional Wi-Fi transmitter
4.5 frames per second 5.5 frames per second
SDXC support (1 slot) SDXC support (2 slots)
1/4000 sec max shutter, 1/180 sync speed 1/4000 sec max shutter, 1/200 sync speed
No built-in flash Built-in (pop-up) flash


General shooting metrics (in seconds)

  • Start-up to first shotli>
  • RAW shot-to-shot time
  • JPEG shot-to-shot time
  • Shutter lag
    Canon EOS 6D
    Nikon D600
    Nikon D800
    Canon EOS 5D Mark III
    Canon EOS 5D Mark II

(Shorter bars indicate better performance)

Continuous shooting speed (in fps)

  • 6
    Canon EOS 5D Mark III
  • 5.5
    Nikon D600
  • 4.5
    Canon EOS 6D
  • 4
    Nikon D800
  • 3.8
    Canon EOS 5D Mark II

(Longer bars indicate better performance)

With just 11 AF points, the 6D clearly doesn't look very attractive on the spec sheet against its nearest competitor, the Nikon D600. In practice, things are quite different, as the autofocus system is mostly efficient and quick to achieve focus, even in dim and low-light situations.

What is unfortunate is the crowding of AF points around the centre of the frame, rather than spreading them out more across the scene. It's not a major issue for most photographers, but there is a bit of extra work required to achieve focus if your area of interest is outside the set region.

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