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Panasonic Lumix DMC-FZ150 review:

Panasonic Lumix DMC-FZ150

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Typical Price: $799.00
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The Good Excellent image quality for a superzoom. Snappy performance and fast continuous shooting speeds. Very good HD video. Microphone input.

The Bad Rather expensive. Electronic viewfinder is a little small.

The Bottom Line Panasonic's FZ150 is king of the superzooms, sporting a long lens matched up with excellent image and video quality.

Visit manufacturer site for details.

CNET Editors' Rating

8.4 Overall

Review Sections

Design and features

If you were at all familiar with the previous high-end superzoom from Panasonic, the FZ100, this camera will look very familiar. Besides a few tiny exterior alterations, the body configuration is identical to the older model. The FZ150 has the same 24x optical zoom Leica-branded lens, external microphone input, stereo microphone, hotshoe and button layout.

What is new on the outside is the addition of a zoom rocker on the lens barrel, which is useful for video recording and any application where you don't want to be reaching for the regular zoom around the shutter button. There's also a little label on the barrel stating that the lens now has nano surface coating, something that we're seeing quite frequently on lenses, which reduces flare and ghosting on images.

FZ150

A visual representation of just how close 24x optical zoom can get you. The wide end (25mm) at top, and full 24x optical zoom at the bottom.
(Credit: CBSi)

Things change more on the inside, with Panasonic downsizing the MOS sensor to a high sensitivity 12.1-megapixel version in an attempt to improve image quality. The FZ150 also gets full 1080p video recording rather than 1080i.

Like many of the late-2011 crop of cameras, the FZ150 boasts incredibly fast autofocus at just 0.1 second. This camera features the same three-inch, 460,000-dot articulating LCD screen and RAW image processing as found on the FZ100. The camera has full manual control, as well as intelligent auto, a range of preset scene modes on the dial and creative filters (expressive, retro, high key, sepia, high dynamic, pin hole, film grain, miniature).

The FZ150 also has an electronic viewfinder located just above the LCD screen, but it is very small and really only useful for bright situations where you can't see the LCD properly.

Compared to

FZ150 vs. P500 vs. SX30
Panasonic Lumix DMC-FZ150 Nikon Coolpix P500 Canon PowerShot SX30 IS
12.1-megapixel MOS sensor 12.1-megapixel backlit CMOS sensor 14.1-megapixel CCD sensor
3-inch, 460,000-dot articulating LCD 3-inch, 920,000-dot flip-down LCD 2.7-inch, 230,000-dot articulating LCD
24x optical zoom, 25mm wide-angle 36x optical zoom, 22.5mm wide-angle 35x optical zoom, 24mm wide-angle
HD video (AVCHD, 1080p, 30fps) HD video (MPEG-4, 1080p, 30fps) HD video (H.264, 720p, 30fps)
Pop-up flash, hotshoe Pop-up flash Pop-up flash, hotshoe

Performance

General shooting metrics (in seconds)

  • Time to first shot
  • JPEG shot-to-shot time
  • Shutter lag
  • Panasonic Lumix FZ1502.11.20.3
  • Nikon P5002.91.90.3
  • Canon PowerShot SX302.33.50.5

Continuous shooting speed (longer bars indicate better performance)

  • Panasonic Lumix FZ1505.5
  • Nikon P5002.1
  • Canon PowerShot SX301.2

The FZ150 has various continuous shooting modes, so we are basing this test on how many continuous frames it can take. The FZ150 can take 5.5 frames per second in continuous mode with autofocus, or 12 frames per second with fixed autofocus. The FZ150 is able to take approximately 23 images at full resolution JPEG (5.5fps) before slowing to process them, and 12 images at full resolution JPEG and RAW combined. The 12 frames per second measure is only valid for one second — after taking its sequence of 12 shots the camera stops to process them. Panasonic rates the battery at 410 shots.

Image quality

Panasonic has reduced the megapixel count in the FZ150 and tweaked the image processing engine, which has resulted in the camera delivering some excellent images. In particular, we were impressed by the camera's macro mode, which was able to resolve plenty of detail. Colours on JPEG images were bold but not unnatural, while the lens remained as sharp as it was on the FZ100.

FZ150 macro

An example of the excellent macro images the FZ150 can produce. 100 per cent crop inset.
(Credit: CBSi)

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