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Nikon D600 review:

Nikon D600

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The Good Very good image quality. Compact design for a full-frame SLR. Huge range of connectivity options from headphone monitoring to clean HDMI output. Automatic time-lapse mode. Automatic white balance is accurate.

The Bad Wi-Fi connectivity is an optional extra through an adapter. No audio-level adjustment while filming. Kit 24-85mm doesn't get the most out of the sensor.

The Bottom Line Offering a range of video controls and still-image quality refined over generations of Nikon cameras, the D600 is an impressive SLR that signals a new era in full-frame photography.

Visit manufacturer site for details.

8.6 Overall

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With the announcement of the D600, the full-frame wars have well and truly begun. Photographers have long been interested in a relatively affordable — we use that term loosely for the Australian market — entry point into the upper echelons of SLR gear.

Full-frame sensors have the advantage of being larger than their APS-C or crop-sensor cousins. In a nutshell, this means that they are able to gather more light thanks to the larger photosites, and are not susceptible to crop factor. So when you mount a 50mm lens on a full-frame camera, it's a true 50mm focal length.

Design and features

The lightweight body makes it a much more viable alternative to the D800 for street shooting, travel and everyday photography. At 760 grams with a battery (body only), the D600 won't overwhelm you, particularly if you have never experienced shooting with a full-frame SLR before.

In the hand, the D600 feels like a baby version of the D800. Controls will be familiar to anyone who has used a Nikon SLR previously, with the requisite buttons flanking the LCD screen for options such as white balance, ISO, zoom, menu and playback controls all within easy reach.

The locking mode dial.
(Credit: CBSi)

A new exterior feature on the D600 is a locking mode dial. To rotate it in order to adjust shooting features, the centre button on the dial needs to be depressed. It's designed to stop the dial from sliding out of place, though it feels somewhat unnecessary given how sturdy the mechanism is. Still, some photographers may find this a valuable feature.

Underneath the mode dial is the secondary shooting dial with options for single, continuous, quiet, timer and mirror-up shooting.

Across the top panel, you will find an LCD panel that displays shooting parameters, as well as a hotshoe and pop-up flash. Just near the shutter button is a small record button for shooting video, as well as a metering and exposure-compensation button.

The D600 has dual SD card slots, which can be configured in a number of different ways, namely for redundancy purposes and flow-over. Wi-Fi connectivity is also supported, but you need to invest in an optional adapter to get this capability. Also, this camera only has USB 2.0 on-board, as opposed to 3.0, which does limit bandwidth for traditional tethering methods.

The 3.2-inch LCD screen at the back of the camera is the same 921,000-dot version found on the D800. The viewing experience is excellent in the majority of situations, but for outdoor use, we suggest removing the included BM-14 plastic cover and shooting without, or buying a third-party alternative. The viewfinder is nice and bright, offering 100 per cent coverage of the field of view. Photographers who like to shoot landscape or architectural scenes will appreciate the virtual horizon that is available on the D600.

Connectivity is very robust. Photographers get access to a 3.5mm headphone jack for audio monitoring during record and playback, as well as a stereo microphone input. Micro HDMI, USB 2.0 and a GPS port complete the side panel. Like the D800, the D600 can output a clean, uncompressed feed through its HDMI port.

A built-in HDR feature when shooting JPEG photos allows the camera to automatically merge exposures at set values (1, 2 or 3EV) and select smoothing options. It won't replace constructing an HDR image in post-production, but it provides a good base for experimentation.

Compared to

6D vs D600
Canon EOS 6D Nikon D600
20.2-megapixel full-frame CMOS sensor 24.3-megapixel full-frame CMOS sensor
3-inch LCD screen (1.04-million dot) 3.2-inch LCD screen (921,000-dot)
11-point AF (1 cross-type) 39-point AF (9 cross-type)
Wi-Fi built in Optional Wi-Fi transmitter
4.5 frames per second 5.5 frames per second
SDXC support (1 slot) SDXC support (2 slots)
1/4000 sec max shutter, 1/180 sync speed 1/4000 sec max shutter, 1/200 sync speed
No built-in flash Built-in (pop-up) flash


General shooting metrics (in seconds)

  • Start-up to first shot
  • RAW shot-to-shot time
  • JPEG shot-to-shot time
  • Shutter lag
    Nikon D600
    Nikon D800
    Canon EOS 5D Mark III
    Canon EOS 5D Mark II

(Shorter bars indicate better performance)

Continuous shooting speed (in fps)

  • 6
    Canon EOS 5D Mark III
  • 5.5
    Nikon D600
  • 4
    Nikon D800
  • 3.8
    Canon EOS 5D Mark II

(Longer bars indicate better performance)

Sharing the same power pack as the D7000 and D800, the battery is rated at 900 shots.

Note that the shutter-lag measurement listed above for the D600 is with autofocus turned on. The D600 can take a burst of 15 RAW images at 5.5fps with autofocus, and then stops to process them. In JPEG-only mode, it's a near-unlimited burst depending on the speed and size of your memory card, at 3.5fps with autofocus.

Autofocusing is swift and mostly accurate, though as the 39 AF points are located closest to the centre of the screen, sometimes you may need to adjust and recompose your shot if the right object isn't in focus the first time. The 24-85mm lens — incidentally the only lens supplied to us for review with the camera — doesn't feel like it is best equipped to make the most of the AF system.

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