IAC representatives last month completed a review of Break before the talks stalled, the sources said. Representatives from each company said they don't "comment on rumor."
Founded in 1998, Los Angeles-based Break streams games and user-generated videos, and tries to attract a higher grade of filmmaker by offering to buy the most popular videos submitted. The company then attaches ads to those clips.
IAC's interest in Break comes as media and Internet companies continue to rummage around the online-video sector, some still reluctant to plunk down any bets.
Two months ago, Microsoft completed a, sources told CNET News.com, and Yahoo late last year. But the sector has gone without a major acquisition since Google five months ago. The only other significant acquisition in the market was last August for $65 million.
with the public, but some analysts think YouTube's recent clashes with notable entertainment companies, as well as a sectorwide lack of profit, may be hurting valuations.
YouTube has struggled toto agree to license their content. Viacom demanded last month that that feature Viacom-owned material, such as snippets from The Daily Show and The Colbert Report. Some YouTube critics have predicted that YouTube could struggle to keep its audience happy without professionally crafted content.
Skeptics have for a long time questioned video sharing's ability to cash in on its popularity. Blue-chip advertisers have been slow to throw big dollars behind it, and nobody has proven that presenting amateur-made clips online is a profitable business.
"You have to rely on people (whom) you can't control to make entertaining videos," said Josh Martin, a Yankee Group Research analyst. "These people have to consistently create content that brings people back to the site. How do advertisers bank on that?"
As for IAC, Diller said at the Media Summit conference in New York last month that he thoughtto invest in content sites. Diller, however, hasn't shown much . The billionaire said he thought the public would quickly tire of home movies and would eventually demand high quality.
Diller said he believes that the exchange of amateur videos on the Web is never going to be as interesting or successful as videos "produced by professionals that know how to make you laugh or cry--that is where this will develop."