The compact, attractive ST200F is one of Samsung's Smart Camera-branded snappers. This is a nod to its Wi-Fi features, which let you directly upload shots to Facebook, Picasa and Photobucket, share them with a smart phone or tablet, email them or back them up to a PC.
The Samsung ST200F is available to buy now for £130.
Sensor and sensitivity
It has an effective resolution of 16.1 megapixels, delivering shots of 4,608x3,456 pixels. This is high for so small a device, yet the ST200F carries it off very effectively, with noise kept to a minimum throughout my tests. This was helped -- in part -- by a lowest sensitivity of just ISO 80. At the opposite end of the scale, it hits ISO 3,200. Naturally, when you push it that far, you're going to see increased levels of noise and there's a definite softening of fine detail, but colours are accurately retained and the result isn't the painterly-like output produced by some rivals.
At lower sensitivities, the results were very clean. The signpost below was shot at ISO 80 and the grain, moss and flaking paint on it are very cleanly reproduced and easy to make out. There's no sign of noise or dappling around corners, edges or sharp contrasts.
The sensor itself sits behind a 10x zoom, equivalent to 27-270mm on a conventional 35mm camera. At full telephoto, this is suitable for shooting more distant wildlife and sports events, while 27mm gives you plenty of space for landscapes.
The maximum aperture at wide angle is f/3.1, which gives a good shallow depth of field for portraits and close-up work. At the fullest extent of the 10x zoom, it's a fairly regular f/5.6, which is still bright enough to allow for brief exposures in low light conditions -- particularly if you adjust the sensitivity to compensate.
Colour and lighting
Its recognition of complex scenes with tricky lighting is excellent. I could easily have excused it if the shot below, of a church spire positioned with the sun directly behind it, was rendered in silhouette. However, there's plenty of colour in the spire, tower and shadow, and it hasn't burned out the sky in an effort to brighten the scene sufficiently to avoid losing details in the centre of the frame.
The colour reproduction in more balanced set-ups is, likewise, excellent. Shooting from the opposite end of the same building, the sky and foliage in the shot below are vibrant, but they're also true to the original scene. Furthermore, the resolution demonstrated in the receding lines of the roof tiles is excellent, with each row of tiles clearly and easily picked out, even as they converge.
In shots with a more muted colour palette, it still did an excellent job of drawing out plenty of detail. The portico below has just one colour yet the ST200F has clearly picked out variations in surface texture and the fresco above the door. The transition from light to shade on the front of each column is smooth and well controlled too. There's a slight loss of detail outside of the centre of the frame though, where the gravel has become a less distinct texture and there's slight smudging on the chimney pots.