The Samsung NV40 looks great on paper: manual control, smart touch and decent specs. And despite being less than a year old, this 10.5-megapixel snapper has fallen in price to an astonishingly good value of £110. But how does it stack up in practice?
Like the rest of the NV range, it's good looking, though the silver colour scheme is slightly bland. Thankfully it also comes in black. The sleek lines, blue lens ring, and dual shoulder dials look great, but the ridge on the front sacrifices effective grip for aesthetic appeal.
At the top of the NV40 there are two control wheels. On the right is the usual scene mode wheel, while on the left is a wheel for colour options, giving quick access to settings like retro, forest, cool, calm and classic. These are a bit frivolous; if a second wheel is going begging we'd have preferred exposure compensation or something more useful.
At the back there's a 64mm (2.5-inch) LCD screen. Screen size is limited by the positioning of the smart touch controls. A series of buttons runs along the bottom and right side of the screen, allowing you to call up either a horizontal or vertical list of shooting options, then pressing a button on the other axis to select the setting you want. This is a clever, intuitive and fun method of controlling the camera, even if it seems at first glance to be intimidating.
Another clever touch is the NV40's USB plug. The USB cable for transferring pictures to your computer also connects to the plug to charge the camera from the mains. This makes it easy to charge even when you don't have the charger, but it is a proprietary USB connection on the camera so you can't use generic USB leads.
The 37mm wideangle, equivalent to a 35mm film camera, isn't anything to write home about, but it does boast a longer-than-average 5x zoom lens. It also boasts optical image stabilisation, which ensures that hand-held shooting produces sharper images and allows for slower shutter speeds.
For darker conditions, the NV40 goes up to a maximum of ISO 3,200. Flash options include red-eye reduction or slow sync. This fires the flash but also uses a slower shutter speed, which means your subjects aren't as harshly lit and don't appear bleached out.