Want a digital camera that will deliver better quality than your camera phone, but don't have much spare cash? The FE-4050, the baby offrom Olympus, could be what you're looking for. Delivering 12-megapixel images rather than 14, the lightweight FE-4050 combines out-of-the-box usability with a smidgeon of style for a sub-£100 price point. It's available in a range of colours: starry silver, classic black, wine red and pure white.
Feeling lightweight in the palm at just 112g with lithium battery and optional media card (92MB internal capacity provided), the camera powers up from cold in just over a second. It's a fast response that impresses as much as it did on the. A greater degree of plastic in the build, disguised to an extent by a metallic silver finish, is no surprise given its low price. What is surprising is that the FE-4050 retains the more intriguing aspects of its marginally more expensive siblings -- the FE-5040 and FE-5050.
Like its peers, the FE-4050 shoehorns in a wide-angle optical zoom, which retracts within the body when the camera is inactive. In this case, the focal range offered is an equivalent 27-104mm (4x optical) rather than the marginally broader 26-130mm of the 5040 and 5050. This is supported, once again, by digital image stabilisation, boosting the shutter speed/ISO rather than shifting the sensor or lens elements to avoid blur. The camera is slightly fatter than the FE-5050 at 19.9mm, but nigh identical in width.
It could be Magic
Also shared with its FE brethren are six 'magic filters' -- fish eye, pop art, sketch, pinhole, and the brand-new soft focus and punk filters, as found on the FE-5050. The latter produces a crude, photocopied look with a pinky-purple colour wash. It might sound awful but it's actually quite effective. These are fun, if inessential, extras that help this model stand out from the crowd -- which includes direct rival suchs as the.