The Nikon Coolpix P50 is modelled on the P5100, the top model in the Coolpix range. We tested it to see if a stripped-down 8.1-megapixel version of such a top-end camera is worth having, especially when the price is £150.
The P50 has an old-fashioned, boxy feel. The chunky grip for your right hand, complete with rubberised panel, is helpful, but we're not sure about the overall chunky design. We appreciate that not every camera has to be a 'style' model, competing to be the thinnest for five minutes. But to make a camera as wilfully bland as this seems strange.
An indent in the front and a silver plate for the shutter release are all that pass for stylistic flourishes. The mode wheel, buttons and awful zoom rocker are so chunky they seem as though they're designed for a child. If this camera came in red or yellow rather than black or silver it would look like a toy.
There's something toy-like about the screen too, as it measures a distinctly subpar 61mm (2.4 inches). Unusually, you do also get an optical viewfinder, although it could be closer to the lens, so you won't be able to see the whole of your image. You also don't get to see your settings through the viewfinder.
We are impressed with the satisfyingly wide 28mm wide-angle Nikkor lens, which allows you to fit more into your screen.
The P50 is powered by good old-fashioned AA-size batteries and records to SD and SDHC cards.
The P50 is pretty short on features, but if it offers a parameter for alteration it gives you plenty of choice. There are the usual range of 15 scene modes and five different movie modes available. You do get more colour options than the average: softer, vivid, more vivid, portrait, monochrome and custom modes. The custom mode allows you to alter contrast, sharpening and saturation.